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4.0
Average of 3 reviews
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This album was copied for me onto a cassette by my brother's godmother and I listened to it for weeks on my Walkman. I actually became a Herbert Grönemeyer fan thanks to this record. That's why I initially enjoyed it, just like "Luxus", without taking any notes. Everyone should know the first song "Was soll das", but the guitar riffs at the beginning of "Vollmond" were new to me, reminding me of Dire Straits - just like the critical words towards the church that appear in the song "Mit Gott". Herbert Grönemeyer and his piano usually create ballads, and when Frank Kirchner's saxophone solo is added, it results in one of the most beautiful ballads, namely "Halt mich". The song "Keine Heimat" is dedicated to all those without a home, such as asylum seekers or people stigmatised by certain professions. Telephone or street surveys were all the rage back then, and the most beautiful questions were compiled in the song "Fragwürdig". Grönemeyer also wanted to keep up with the times with his first remix, but here, with "Was soll das (Verlängerter Neumix)", it still seems quite amateurish. Lastly, I'd like to point out that this is the most linguistically demanding album, which I noticed by looking through the lyrics booklet. Even today, I still sing along to some of the lyrics the way I understood them back then.
Translated automatically,This album was copied onto a cassette for me by my brother's godmother and I never took it out of my Walkman. I actually became a Herbert Grönemeyer fan thanks to this album. That's why I initially enjoyed it, just like "Luxus", without taking any notes. Everyone should know the first track "Was soll das", but the Dire Straits-like guitar runs at the beginning of "Vollmond" were new to me - as were the critical words about the church in the song "Mit Gott". Herbert Grönemeyer and his piano usually create ballads, and when Frank Kirchner's saxophone solo is added, it results in one of the most beautiful ballads, namely "Halt mich". The song "Keine Heimat" is dedicated to all those without a home, such as asylum seekers or people stigmatised by certain professions. Telephone or street surveys were all the rage back then, and the most beautiful questions were compiled in the song "Fragwürdig". Grönemeyer also wanted to keep up with the times with his first remix, but here, with "Was soll das (Verlängerter Neumix)", it still seems quite amateurish. Lastly, I would also like to point out that this is the linguistically most demanding album, which I noticed by looking at the lyrics booklet. Still, I sing along with some of the lyric lines today just as I understood them back then.
Translated automatically,This album was copied onto a cassette for me by my brother's aunt, and I didn't take it out of my Walkman for weeks. In fact, this album turned me into a Herbert Grönemeyer fan. That's why I initially enjoyed it, just like "Luxus", without taking notes. Everyone should know the first track "Was soll das", but the guitar runs reminiscent of Dire Straits at the beginning of "Vollmond" were new to me - as were the critical words towards the church that appear in the song "Mit Gott". Herbert Grönemeyer and his piano usually create ballads, and when a saxophone solo by Frank Kirchner is added, one of the most beautiful ballads is created, namely "Halt mich". The song "Keine Heimat" is dedicated to all those without a home, such as asylum seekers or people stigmatised by certain professions. Telephone or street surveys were all the rage back then, and the most beautiful questions have been compiled in the song "Fragwürdig". Grönemeyer also wanted to keep up with the times with his first remix, but here it still seems rather amateurish with "Was soll das (Verlängerter Neumix)". Lastly, I would like to point out that this is the linguistically most demanding album, which I noticed by looking through the lyrics booklet. Nevertheless, I still sing along with some of the lyrics today just as I understood them back then.
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