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5.0
Average of 6 reviews
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For ages, this album has been a top favorite of mine, and I've always yearned to have it on vinyl. I'm genuinely thrilled that I finally managed to buy this version at a price that suited my budget. I'm not entirely certain about the pressing date — some folks reckon it's from the 90s or early 2000s — but it sounds absolutely fantastic. The audio is warm, crisp, and incredibly pleasing. Truth be told, I was genuinely astonished by its quality. It also piqued my interest in how the original 1970s pressing might sound. I'd wager it has a distinct character — perhaps even more depth or a vintage vibe. The rendition of “Invitation” on this album is, hands down, my favorite out of all the versions I've ever heard. There's something profoundly emotional and beautiful about its performance here. So far, the only other versions I've listened to are from the Joe Henderson Milestone Years box set CD and the Japanese Universal CD release. All in all, I believe this album is brimming with charm — it's not just one-dimensional. There's energy, freedom, sensitivity… it has various facets, and that's what makes it extraordinary. And the album cover is truly striking, too. The way the colors are arranged and balanced feels incredibly artistic and beautiful. Somehow, this album also reminds me of his later work, Double Rainbow. I also find the interview between Orrin Keepnews and Joe Henderson on the album’s back cover very literary and insightful. Their thoughtful conversation adds another layer of depth to the listening experience.
For ages, this album has been a top favorite of mine, and I've always yearned to have it on vinyl. I'm truly delighted that I could finally get this version at a price that suited my budget. I'm not entirely certain about the pressing date — some folks reckon it's from the 90s or early 2000s — but it sounds absolutely fantastic. The audio is warm, crisp, and incredibly gratifying. Frankly, I was blown away by its quality. It also piqued my interest in how the original 1970s pressing might compare. I bet it has a distinct character — perhaps even more richness or a vintage vibe. The rendition of “Invitation” on this album is, hands down, my favorite version I've ever heard. There's something profoundly emotional and stunning about its performance here. So far, the only other versions I've heard are from the Joe Henderson Milestone Years box set CD and the Japanese Universal CD release. All in all, this album is brimming with charm — it's not just one-dimensional. There's vigor, liberty, tenderness… it has various facets, and that's what makes it extraordinary. And the album artwork is truly captivating, too. The way the colors are laid out and balanced feels incredibly artistic and gorgeous. Somehow, this album also evokes memories of his later work, Double Rainbow. I also find the interview between Orrin Keepnews and Joe Henderson on the album’s back cover very eloquent and perceptive. Their insightful dialogue adds an extra dimension to the listening journey.
I can't argue that this record comes with a hefty price tag, but the performance and scarcity make it worthwhile, in my view. Don Friedman on piano and Joe Henderson are brimming with creativity, constantly exchanging ideas with each other and with Kenny Barron on keys. Truly remarkable. The rhythm section is so impressive that words can't do it justice. The tracks lean towards the hard-driving, modal side but also feature some lovely melodies. If you come across this at a price you're happy with, grab it.
Among my top picks from Joe Henderson's discography, "Tetragon" stands out with its exceptional track "Bead Games," a standout venture into more exploratory territories. The drummers will surely appreciate the phenomenal ride cymbal work by DeJohnette—truly astonishing! Interestingly, this album marks Henderson's initial collaboration with DeJohnette, although they had performed together prior, as noted in the liner notes. While Henderson's debut on Milestone, 'The Kicker,' remains quite traditional (in a good way), mirroring his earlier Blue Note releases, 'Tetragon' signifies a leap forward, leading to the remarkable 'Power to the People'. Without comparing it to the original pressing, I find this reissue's sound quality to be very good for its time and likely on par with the first pressing.
In my opinion, this is truly one of Joe Henderson's standout albums. "Bead Games" is an amazing journey by Henderson into more open musical territories, and it's my personal highlight of the record. Drummers, take note: DeJohnette's ride cymbal work is absolutely phenomenal! Fun fact: 'Tetragon' marks Henderson's first studio collaboration with DeJohnette, although they had performed together before, as noted in the liner notes. While Henderson's debut on Milestone, 'The Kicker', still carries a somewhat traditional feel (in a good way) following his Blue Note records, 'Tetragon' is the stepping stone to the exceptional 'Power to the People'. Without having heard the original pressing, I find this reissue to be sonically very good for its time and likely on par with the first pressing.
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