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Fantastic album. Excellent pressing. Honestly, you can't make a bad choice with any ECM release.
Amazing album. Fantastic quality. Honestly, you can't make a bad choice with any ECM release, really.
Fans of those moody, introspective mid-70s ECM label albums will likely be familiar with Eberhard Weber and his distinctive sliding electric bass tone. Having backed the likes of Gary Burton, Pat Metheny, and even Joe Pass on his Intercontinental album, Weber's sound is unmistakable. In this release, Weber showcases four of his own compositions, performed with woodwinds, keyboard, bass, and drums. The melodies are carried by a soprano sax (or something that sounds like an oboe), while Weber weaves some tasty improvisation beneath. The standout track is "Yellow Fields," the title piece, featuring a clever arrangement and an uplifting feel. The recording quality is superb, with the ride cymbal's shimmer seemingly right behind your ears, and the stereo imaging is excellent throughout. This album exudes a soothing, laid-back atmosphere, with some groovy jams that make for ideal background listening.
Fans of those moody, atmospheric mid-70s ECM label albums will likely be familiar with Eberhard Weber and his distinctive sliding electric bass sound. Having backed the likes of Gary Burton, Pat Metheny, and even Joe Pass on his Intercontinental album, Weber's unique tone is unmistakable. On this record, Weber showcases four of his own compositions, performed with woodwinds, keyboard, bass, and drums. The main themes are explored by a soprano sax (or something that sounds like an oboe), while Weber weaves some tasty improvisation beneath. The standout track is "Yellow Fields", the title piece, which is a well-crafted and relatively up-tempo number. The sound quality is excellent, with the ride cymbal's shimmer seemingly right behind your ears, and the stereo imaging is impressive throughout. This album exudes a calming, laid-back atmosphere, featuring some groovy jams that are ideal for setting a relaxed backdrop.
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