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Average of 4 reviews
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Completely adore this new release. The sound is more powerful to me, and the bass guitar is finally at the level I've always hoped for. The quality of the pressings is excellent, and I'm really enjoying the instrumental aspects of this album. There's no surface noise whatsoever, so I have nothing bad to say. It's a fantastic addition to my collection.
Fantastic Yes album. In my opinion, it's the top-tier "post peak era" Yes album. The artwork is amazing and the pressing is superb—no ticks, pops, or any surface noise whatsoever. You can grab it from Burning Shed for just £17.99.
this should totally be the flip side of that old tape thing, yeah!
Initially, I was a tad doubtful about the album, with the original version already etched in my mind. Upon first listen, Horn’s vocals struck me as a bit ethereal, missing the edge Benoît’s had in the FFH suite. However, side B won me over completely. I must say, Horn and the band have truly outdone themselves in the production, and upon closer listening, the differences are minimal. After several spins, I’ve grown to truly appreciate the tweaks made to the FFH suite. Chris’ vocals shine through in the mix, a delight for any Yes fan. The tracks blend seamlessly now, even the transition from We Can Fly to Sad Night At The Airfield, and the instrumental changes feel just right. Bumpy Ride, upon a good listen, reminded me of Machine Messiah, fitting given the lineup. Life On A Film Set has undergone the most lyrical changes, but I can dig it. The extended Hour Of Need is, in my opinion, the standout track and the most improved. Solitaire seems unchanged... Don’t Take No For An Answer feels like it could’ve been on Howe’s Turbulence or Grand Scheme of Things, and I’m all for it. Steve on lead vocals in a Yes song? Into the Storm boasts the best vocal mix, in my humble opinion. All things considered, this album has truly grown on me and holds a special place in my heart.
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