Dive into the enchanting world of early Baroque music with Céline Scheen's captivating album, "Dolcissimo sospiro." Released on July 12, 2024, under the FLORA label, this exquisite collection of 22 tracks offers a rich tapestry of operatic and vocal works that span the early 17th century. Céline Scheen, renowned for her crystalline soprano, is accompanied by the masterful Philippe Pierlot on the viola da gamba, creating a harmonious blend that brings these historical pieces to life.
The album features a diverse array of compositions, including works from Giulio Caccini's seminal collection "Le nuove musiche," as well as selections from John Dowland's "The First Part of Ayres, French, Pollish and Others" and "The Second Booke of Songs and Ayres." Each piece is meticulously performed, showcasing the technical prowess and artistic sensitivity of both Scheen and Pierlot.
Highlights include the hauntingly beautiful "Dolcissimo sospiro" from the British Museum manuscript, the lively "Touch Me Lightly" and "Tickle Me Quickly," and the dramatic "Cruda Amarilli." The album also features instrumental pieces such as the "Praeludium" and "Paven" from the "Manchester Lyra-Viol Manuscript," adding depth and variety to the listening experience.
"Dolcissimo sospiro" is a testament to Céline Scheen's dedication to historical performance practice and her ability to breathe new life into these timeless compositions. Whether you're a seasoned enthusiast of early music or a newcomer to the genre, this album promises an enriching and enjoyable journey through the Baroque era.
Tracks
Le nuove musiche: No. 3. Dolcissimo sospiro - Version from the British Museum, MS. Egerton 2971Giulio Caccini, Céline Scheen, Philippe Pierlot
The First Part of Ayres, French, Pollish and Others: No. 107. What Greater GriefeTobias Hume, Céline Scheen, Philippe Pierlot
The First Part of Ayres, French, Pollish and Others: No. 39. Touch Me Lightly - No. 38. Tickle Me Quickly - No. 35. Tickell, TickellTobias Hume, Philippe Pierlot
Le nuove musiche: No. 11. Dovrò dunque morire?Giulio Caccini, Céline Scheen, Philippe Pierlot
The First Part of Ayres, French, Pollish and Others: No. 48. Love's FarewellTobias Hume, Philippe Pierlot
Cruda Amarilli - Version from the British Museum, MS. Egerton 2971Anonymous, Céline Scheen, Philippe Pierlot
A Musicall Dreame, or the Fourth Booke of Ayres: No. 21. S'amor non è che dunqueRobert Jones, Céline Scheen, Philippe Pierlot
The Dark Is My DelightAnonymous, Céline Scheen, Philippe Pierlot
A Musicall Dreame, or the Fourth Booke of Ayres: No. 19. In Sherwood livde stout Robin HoodRobert Jones, Céline Scheen, Philippe Pierlot
Robin HoodAnonymous, Philippe Pierlot
Praeludium (No. 32, from the "Manchester Lyra-Viol Manuscript, Part 3" - f. 288)Mr. Anthonye, Philippe Pierlot
Paven (No. 46, from the "Manchester Lyra-Viol Manuscript, Part 3" - f. 302)Gervise Gerrarde, Philippe Pierlot
Galliard CorantAlfonso Ferrabosco II, Philippe Pierlot
The Second Booke of Songs and Ayres: No. 9. Now What Is LoveRobert Jones, Céline Scheen, Philippe Pierlot
Allman CorantoAlfonso Ferrabosco II, Philippe Pierlot
Le nuove musiche: No. 4. Amor, io partoGiulio Caccini, Céline Scheen, Philippe Pierlot
Why Stays the Bridegroom (Part 1)Alfonso Ferrabosco II, Céline Scheen, Philippe Pierlot
Bonny Sweet RobinAnonymous, Philippe Pierlot
Pavan No. 4 - Version from the Bodleian Library, Manuscript D.245Daniel Farrant, Philippe Pierlot
Why Stays the Bridegroom (Part 2)Alfonso Ferrabosco II, Céline Scheen, Philippe Pierlot
The First Part of Ayres, French, Pollish and Others: No. 9. Adue Sweete LoueTobias Hume, Philippe Pierlot
The Second Set of Madrigals: No. 23. Weep, Weep Mine Eyes - Version from the British Museum, MS. Egerton 2971John Wilbye, Céline Scheen, Philippe Pierlot
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