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  1. Albums
  2. choral music – schein, j.h. / bach, c.p.e. / kirnberger, j.p. / doles, j.f. / hiller, j.a. - johann hermann schein

Johann Hermann Schein - Choral Music – Schein, J.H. / Bach, C.P.E. / Kirnberger, J.P. / Doles, J.F. / Hiller, J.A. (LP)

Johann Hermann ScheinJohann Hermann Schein
  • 1990
  • 32 tracks
  • 2 uur, 11 min
Choral Music – Schein, J.H. / Bach, C.P.E. / Kirnberger, J.P. / Doles, J.F. / Hiller, J.A. - Johann Hermann Schein
Choral Music – Schein, J.H. / Bach, C.P.E. / Kirnberger, J.P. / Doles, J.F. / Hiller, J.A.
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Choral Music – Schein, J.H. / Bach, C.P.E. / Kirnberger, J.P. / Doles, J.F. / Hiller, J.A. - Johann Hermann Schein
Choral Music – Schein, J.H. / Bach, C.P.E. / Kirnberger, J.P. / Doles, J.F. / Hiller, J.A. - Johann Hermann Schein

Product description

Immerse yourself in the rich tapestry of Baroque choral music with this captivating collection featuring the works of Johann Hermann Schein, a prominent German composer of the early 17th century. This album, released on January 1, 1990, under the Capriccio label, offers a profound exploration of sacred choral music, spanning over two hours and eleven minutes of sublime performances.

The centerpiece of the album is Schein's monumental work, "Fontana d'Israel," a collection of 26 motets based on biblical texts. These pieces showcase Schein's mastery of polyphony and his ability to convey deep spiritual emotions through intricate vocal writing. The motets range from introspective and contemplative to jubilant and celebratory, offering a diverse and engaging listening experience.

In addition to Schein's works, the album also features compositions by other notable Baroque composers, including Carl Philipp Emanuel Bach, Johann Philipp Kirnberger, Johann Friedrich Doles, and Johann Adam Hiller. These pieces complement Schein's motets and provide a broader context for the choral music of the period.

Performed by the Rheinische Kantorei under the direction of Hermann Max, this album is a testament to the skill and artistry of both the composers and the performers. The ensemble's precise and expressive singing brings these Baroque masterpieces to life, making this album a treasure trove for lovers of choral music and a valuable addition to any classical music collection.

Tracks

  1. Fontana d'Israel: No. 1, O Herr, ich bin dein KnechtJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    2:44
  2. Fontana d'Israel: No. 2, Freue dich des Weibes deiner JugendJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    3:29
  3. Fontana d'Israel: No. 3, Die mit Tranen saenJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    2:56
  4. Fontana d'Israel: No. 4, Ich lasse dich nichtJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    2:28
  5. Fontana d'Israel: No. 5, Dennoch bleibe ich stets an dirJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    2:49
  6. Fontana d'Israel: No. 6, Wende dich, Herr, und sei mir gnadigJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    3:25
  7. Fontana d'Israel: No. 7, Zion: Der Herr hat mich verlassenJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    4:28
  8. Fontana d'Israel: No. 8, Ich bin jung gewesenJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    3:06
  9. Fontana d'Israel: No. 9, Der Herr denket an unsJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    3:21
  10. Fontana d'Israel: No. 10, Da Jakob vollendet hatteJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    4:44
  11. Fontana d'Israel: No. 11, Lieblich und schöne sein ist nichtsJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    3:21
  12. Fontana d'Israel: No. 12, Ist nicht Ephraim mein teurer SohnJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    4:00
  13. Fontana d'Israel: No. 13, Siehe an die Werk GottesJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    3:08
  14. Fontana d'Israel: No. 14, Ich freue mich in HerrenJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    2:27
  15. Fontana d'Israel: No. 15, Unser Leben wahret siebnzig JahrJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    3:07
  16. Fontana d'Israel: No. 16, Ihr Heiligen, lobsinget dem HerrenJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    3:29
  17. Fontana d'Israel: No. 17, Herr, lass meine KlageJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    2:43
  18. Fontana d'Israel: No. 18, Siehe, nach Trost war mir sehr bangeJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    3:34
  19. Fontana d'Israel: No. 19, Ach Herr, ach meiner schöneJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    2:34
  20. Fontana d'Israel: No. 20, Drei schöne Dinge sindJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    3:39
  21. Fontana d'Israel: No. 21, Was betrubst du dich, meine SeeleJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    4:42
  22. Fontana d'Israel: No. 22, Wem ein tugendsam Weib bescheret istJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    3:03
  23. Fontana d'Israel: No. 23, O Herr Jesu ChristeJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    3:59
  24. Fontana d'Israel: No. 24, Ich bin die Wurzel des Geschlechtes DavidJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    3:18
  25. Fontana d'Israel: No. 25, Lehre uns bedenkenJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    3:24
  26. Fontana d'Israel: No. 26, Nu danket alle GottJohann Hermann Schein, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    3:48
  27. 4 Motets, Wq. 208, H. 826: No. 3, Gott, deine Gute reicht so weitCarl Philipp Emanuel Bach, Martina Lins, Johanna Koslowsky, Raimund Furst, Raimund Nolte, Rainer Zipperling, Hartwig Groth, Christoph Lehmann, Rheinische Kantorei, Hermann Max
    4:37
  28. 4 Motets, Wq. 208, H. 826: No. 2, Oft klagt dein Herz, wie schwer es seiCarl Philipp Emanuel Bach, Martina Lins, Johanna Koslowsky, Raimund Furst, Raimund Nolte, Rainer Zipperling, Hartwig Groth, Christoph Lehmann, Rheinische Kantorei, Hermann Max
    4:29
  29. Erbarm dich, unser GottJohann Philipp Kirnberger, Johanna Koslowsky, Maria Arentz, Raimund Furst, Rainer Zipperling, Hartwig Groth, Christoph Lehmann, Rheinische Kantorei, Hermann Max
    14:05
  30. Wer bin ich, Herr?Johann Friedrich Doles, Martina Lins, Maria Arentz, Raimund Furst, Raimund Nolte, Rainer Zipperling, Hartwig Groth, Christoph Lehmann, Rheinische Kantorei, Hermann Max
    8:35
  31. Lass sich freuen alle, die auf dich trauenJohann Adam Hiller, Rheinische Kantorei, Hermann Max
    6:10
  32. Alles Fleisch ist wie GrasJohann Adam Hiller, Rheinische Kantorei, Hermann Max
    5:57
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Product specifications

Details

Album
Choral Music – Schein, J.H. / Bach, C.P.E. / Kirnberger, J.P. / Doles, J.F. / Hiller, J.A.
Artist
Johann Hermann Schein
Album release date
1 januari 1990
Label
Capriccio
Available
No

Product information

Mono or stereo
Stereo
Duration
2 uur, 11 min
Tracks
32 tracks

Other

Limited Edition
No
Box set
No
Remastered
No
Reissue
No

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About Johann Hermann Schein

Johann Hermann Schein, born in Grünhain, Germany, in 1586, was a pioneering figure in the early Baroque era, renowned for his significant contributions to both sacred and secular music. As the Thomaskantor in Leipzig from 1615 until his death in 1630, Schein played a crucial role in shaping the musical landscape of his time. Alongside contemporaries like Heinrich Schütz and Michael Praetorius, he was one of the first to introduce the Italian Baroque style into German music, leaving a lasting impact on the region's musical heritage. Schein's compositions, particularly his sacred works, continue to be celebrated for their innovation and beauty, making him a key figure in the transition from the Renaissance to the Baroque period.

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Johann Hermann Schein

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