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  1. Albums
  2. schein: opella nova & fontana d'israel - johann hermann schein

Johann Hermann Schein - Schein: Opella Nova & Fontana d'Israel (LP)

Johann Hermann ScheinJohann Hermann Schein
  • 2010
  • 17 tracks
  • 1 uur, 6 min
Schein: Opella Nova & Fontana d'Israel - Johann Hermann Schein
Schein: Opella Nova & Fontana d'Israel
Check availability on amazon.com/
Schein: Opella Nova & Fontana d'Israel - Johann Hermann Schein
Schein: Opella Nova & Fontana d'Israel - Johann Hermann Schein

Product description

Dive into the rich tapestry of early Baroque music with Johann Hermann Schein's "Schein: Opella Nova & Fontana d'Israel," a captivating collection that showcases the composer's mastery of sacred choral works. Released on April 26, 2010, under the Hortus label, this album is a testament to Schein's enduring influence and the timeless beauty of his compositions.

The album spans a little over an hour, featuring a diverse array of pieces that blend intricate polyphony with deeply expressive harmonies. Schein's "Opella Nova" and "Fontana d'Israel" collections are presented here in all their glory, performed by the esteemed ensemble Sagittarius under the direction of Michel Laplénie. The ensemble's meticulous attention to detail and historical authenticity brings these works to life, offering a vivid glimpse into the musical landscape of 17th-century Germany.

Highlights include the stirring "Christ unser Herr zum Jordan kam" and the contemplative "Ich ruf zu dir, Herr Jesu Christ," both from the "Opella Nova" collection. These pieces, along with the psalm settings and other sacred motets, demonstrate Schein's ability to convey profound spiritual themes with both technical virtuosity and emotional depth.

The album also features the enchanting "Christ lag in Todesbanden," a powerful Easter hymn that showcases Schein's skill in crafting memorable melodies and rich harmonies. This piece, along with others like "Aus tiefer Not schrei ich zu dir" and "Vom Himmel hoch, da komm ich her," underscores the composer's enduring legacy and his significant contributions to the development of German sacred music.

Whether you're a seasoned enthusiast of early music or a newcomer to the genre, "Schein: Opella Nova & Fontana d'Israel" offers a rewarding listening experience. The album's high-fidelity recording and the ensemble's impeccable performances make it an essential addition to any music lover's collection.

Tracks

  1. Opella Nova: « Christ unser Herr zum Jordan kam » (« Le Christ notre Seigneur est venu au bord du Jourdain »)Johann Hermann Schein, Michel Laplénie, Dagmar Saskova, Sagittarius, Sophie Pattey, Ronald Martin Alonso, Michelle Zeoli
    4:55
  2. Fontana d'Israel: « Wende dich, Herr, und sei mir gnädig » (« Tourne tes regards vers moi ») [Psaume 25]Johann Hermann Schein, Michel Laplénie, Sagittarius
    3:41
  3. Fontana d'Israel: « Die mit Tränen säen » (« Que ceux qui sèment dans les larmes ») [Psaume 126]Johann Hermann Schein, Michel Laplénie, Sagittarius
    3:22
  4. Fontana d'Israel: « Freue dich des Weibes deiner Jugend » (« Mets ta joie dans la femme de ta jeunesse ») [Salomon 5]Johann Hermann Schein, Michel Laplénie, Sagittarius
    3:51
  5. Fontana d'Israel: « Lieblich und schöne sein » (« Etre aimable et beau ») [Salomon 31]Johann Hermann Schein, Michel Laplénie, Sagittarius
    3:54
  6. Fontana d'Israel: « Da Jakob vollendet hatte » (« Quand Jacob eut fini de donner ses ordres ») [Genèse 49]Johann Hermann Schein, Michel Laplénie, Sagittarius
    4:44
  7. Fontana d'Israel: « Unser Leben währet siebnzig Jahr » (« Notre vie est d'une durée de soixante-dix ans ») [Psaume 90]Johann Hermann Schein, Michel Laplénie, Sagittarius
    3:35
  8. Opella Nova: « Ich ruf zu dir, Herr Jesu Christ » (« Je crie vers toi Seigneur Jésus-Christ »)Johann Hermann Schein, Michel Laplénie, Dagmar Saskova, Sagittarius, Olivier Fichet
    2:51
  9. Fontana d'Israel: « Was bestrübst du dich, meine seele » (« Pourquoi t'attrister ») [Psaume 42]Johann Hermann Schein, Michel Laplénie, Sagittarius
    4:55
  10. Opella Nova: « Aus tiefer Not schrei ich zu dir » (« Au fond de ma détresse, je crie vers Toi »)Johann Hermann Schein, Michel Laplénie, Sagittarius, Sophie Pattey, Olivier Fichet
    2:54
  11. Opella Nova: « O Jesu Christe, Gottes Sohn » (« Ô Jésus-Chris, fils de Dieu »)Johann Hermann Schein, Michel Laplénie, Sagittarius, Sophie Pattey, Johannes Prahmsohler
    4:37
  12. Fontana d'Israel: « Ist nicht Ephraim mein teurer Sohn » (« Ephraïm n'est-il pas pour moi un fils bien-aimé ») [Jérémie 31]Johann Hermann Schein, Michel Laplénie, Sagittarius
    4:09
  13. Opella Nova: « Erbarm dich mein » (« Prends pitié, Seigneur Dieu »)Johann Hermann Schein, Michel Laplénie, Sagittarius, Olivier Fichet, Johannes Prahmsohler
    2:48
  14. Opella Nova: « Vom Himmel hoch, da komm ich her » (« Du haut des Cieux je descends »)Johann Hermann Schein, Michel Laplénie, Dagmar Saskova, Sagittarius, Sophie Pattey, Olivier Fichet
    2:04
  15. Opella Nova: « Christ lag in Todesbanden » (« Christ gisait dans les liens de la mort »)Johann Hermann Schein, Michel Laplénie, Dagmar Saskova, Sagittarius, Sophie Pattey, Olivier Fichet
    4:14
  16. Fontana d'Israel: « Zion spricht » (« Sion disait ») [Isaïe 49]Johann Hermann Schein, Michel Laplénie, Sagittarius
    4:46
  17. Opella Nova: « Komm heiliger Geist, Herre Gott » (« Viens Esprit Saint, Seigneur Dieu »)Johann Hermann Schein, Michel Laplénie, Dagmar Saskova, Sagittarius, Sophie Pattey, Olivier Fichet
    4:31
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Product specifications

Details

Album
Schein: Opella Nova & Fontana d'Israel
Artist
Johann Hermann Schein
Album release date
April 26, 2010
Label
HORTUS
Available
No

Product information

Mono or stereo
Stereo
Duration
1 uur, 6 min
Tracks
17 tracks

Other

Limited Edition
No
Box set
No
Remastered
No
Reissue
No

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About Johann Hermann Schein

Johann Hermann Schein, born in Grünhain, Germany, in 1586, was a pioneering figure in the early Baroque era, renowned for his significant contributions to both sacred and secular music. As the Thomaskantor in Leipzig from 1615 until his death in 1630, Schein played a crucial role in shaping the musical landscape of his time. Alongside contemporaries like Heinrich Schütz and Michael Praetorius, he was one of the first to introduce the Italian Baroque style into German music, leaving a lasting impact on the region's musical heritage. Schein's compositions, particularly his sacred works, continue to be celebrated for their innovation and beauty, making him a key figure in the transition from the Renaissance to the Baroque period.

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Johann Hermann Schein

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