Johann Sebastian Bach's "Die Kunst der Fuge" is a monumental work that showcases the pinnacle of contrapuntal mastery. Composed in the mid-18th century, this collection of fourteen fugues and four canons is a testament to Bach's genius and his exploration of the possibilities within fugal composition. Each piece in this album is a intricate exploration of musical form and structure, demonstrating Bach's unparalleled ability to weave complex, interdependent melodies into a cohesive whole.
The album, released in 2000 by naïve classique, spans a duration of 1 hour and 50 minutes, offering a comprehensive journey through Bach's contrapuntal artistry. The pieces are performed on an instrument built by Balthasar Florence, restored by Klaus Langer, adding a historical authenticity to the recordings. The album includes both the complete set of fugues and canons from "Die Kunst der Fuge" as well as selections from the "6 Partitas, No. 2 in C Minor, BWV 826," providing a rich and varied listening experience.
Bach's "Die Kunst der Fuge" is not just a collection of musical pieces but a profound exploration of the potential of fugal composition. As described by his biographer Johann Nikolaus Forkel, the work aims to illustrate "what might possibly be done with a fugal theme." This album is a must for any classical music enthusiast, offering a deep dive into the intricate and beautiful world of Bach's contrapuntal masterpieces.
Tracks
Die Kunst der Fuge, BWV 1080: No. 1, ContrapunctusJohann Sebastian Bach, Grigory Sokolov
Die Kunst der Fuge, BWV 1080: No. 2, ContrapunctusJohann Sebastian Bach, Grigory Sokolov
Die Kunst der Fuge, BWV 1080: No. 3, ContrapunctusJohann Sebastian Bach, Grigory Sokolov
Die Kunst der Fuge, BWV 1080: No. 4, ContrapunctusJohann Sebastian Bach, Grigory Sokolov
Die Kunst der Fuge, BWV 1080: No. 5, ContrapunctusJohann Sebastian Bach, Grigory Sokolov
Die Kunst der Fuge, BWV 1080: No. 6, Contrapunctus in stylo franceseJohann Sebastian Bach, Grigory Sokolov
Die Kunst der Fuge, BWV 1080: No. 7, Contrapunctus per augment et diminutJohann Sebastian Bach, Grigory Sokolov
Die Kunst der Fuge, BWV 1080: No. 8, Contrapunctus a 3Johann Sebastian Bach, Grigory Sokolov
Die Kunst der Fuge, BWV 1080: No. 9, Contrapunctus alla DuodecimaJohann Sebastian Bach, Grigory Sokolov
Die Kunst der Fuge, BWV 1080: No. 10, Contrapunctus alla DecimaJohann Sebastian Bach, Grigory Sokolov
Die Kunst der Fuge, BWV 1080: No. 11, Contrapunctus a 4Johann Sebastian Bach, Grigory Sokolov
Die Kunst der Fuge, BWV 1080: No. 12a, ContrapunctusJohann Sebastian Bach, Grigory Sokolov
Die Kunst der Fuge, BWV 1080: No. 12b, ContrapunctusJohann Sebastian Bach, Grigory Sokolov
Die Kunst der Fuge, BWV 1080: No. 13a, Contrapunctus inversusJohann Sebastian Bach, Grigory Sokolov
Die Kunst der Fuge, BWV 1080: No. 13b, ContrapunctusJohann Sebastian Bach, Grigory Sokolov
Die Kunst der Fuge, BWV 1080: No. 19, Contrapunctus unfinifhedJohann Sebastian Bach, Grigory Sokolov
Die Kunst der Fuge, BWV 1080: No. 14, Canon per augmentationem in contrario motuJohann Sebastian Bach, Grigory Sokolov
Die Kunst der Fuge, BWV 1080: No. 15, Canon alla ottavaJohann Sebastian Bach, Grigory Sokolov
Die Kunst der Fuge, BWV 1080: No. 16, Canon alla decima contrapunto alla terzaJohann Sebastian Bach, Grigory Sokolov
Die Kunst der Fuge, BWV 1080: No. 17, Canon alla duodecima in contrapunto alla qintaJohann Sebastian Bach, Grigory Sokolov
6 Partitas, No. 2 in C Minor, BWV 826: No. 1, SinfoniaJohann Sebastian Bach, Grigory Sokolov
6 Partitas, No. 2 in C Minor, BWV 826: No. 2, AllemandeJohann Sebastian Bach, Grigory Sokolov
6 Partitas, No. 2 in C Minor, BWV 826: No. 3, CouranteJohann Sebastian Bach, Grigory Sokolov
6 Partitas, No. 2 in C Minor, BWV 826: No. 4, SarabandeJohann Sebastian Bach, Grigory Sokolov
6 Partitas, No. 2 in C Minor, BWV 826: No. 5, RondeauJohann Sebastian Bach, Grigory Sokolov
6 Partitas, No. 2 in C Minor, BWV 826: No. 6, CapriccioJohann Sebastian Bach, Grigory Sokolov
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