"Handel: Memoirs 2" is een opwindend album dat de meesterwerken van George Frideric Handel herinterpreteert door de bril van John Mainwaring. Dit album, uitgebracht op 16 september 2024 onder het label FIN, biedt een unieke mix van klassieke muziek en historische inzichten.
Het album begint met een 2024 remaster van de "Water Music Suite No. 1, HWV 348", herorkestratie door Hamilton Harty, wat een frisse blik werpt op dit tijdloze werk. De suite omvat levendige stukken zoals "Allegro", "Air", en "Bourée", die de luisteraar meenemen op een reis door de rijke harmonieën en melodieën van Handel.
Daarna volgt "Memoirs", een serie van dertien delen die dieper ingaan op het leven en werk van Handel. Deze stukken, geïnspireerd door de biografie van John Mainwaring, bieden een intieme blik op de persoon achter de muziek. Van "At the time that Almeria" tot "After he quitted Naples", elk deel vertelt een verhaal dat de luisteraar betovert.
Met een totale duur van 42 minuten, is "Handel: Memoirs 2" een compacte maar krachtige collectie die zowel klassiek muziekliefhebbers als nieuwkomers zal boeien. John Mainwaring's interpretaties brengen een verse energie naar deze tijdloze werken, waardoor ze relevant blijven in de moderne tijd. Of je nu een fan bent van Handel of gewoon op zoek bent naar iets nieuws, dit album belooft een verrijkende muziekuitdaging.
Tracks
Water Music Suite No. 1, HWV 348 (Re-orchestrated by Hamilton Harty): I. Allegro - 2024 RemasterGeorge Frideric Handel, Hamilton Harty, London Philharmonic Orchestra
Water Music Suite No. 1, HWV 348 (Re-orchestrated by Hamilton Harty): II. Air - 2024 RemasterGeorge Frideric Handel, Hamilton Harty, London Philharmonic Orchestra
Water Music Suite No. 1, HWV 348 (Re-orchestrated by Hamilton Harty): III. Bourée - 2024 RemasterGeorge Frideric Handel, Hamilton Harty, London Philharmonic Orchestra
Water Music Suite No. 1, HWV 348 (Re-orchestrated by Hamilton Harty): IV. Hornpipe - 2024 RemasterGeorge Frideric Handel, Hamilton Harty, London Philharmonic Orchestra
Water Music Suite No. 1, HWV 348 (Re-orchestrated by Hamilton Harty): VI Allegro deciso - 2024 RemasterGeorge Frideric Handel, Hamilton Harty, London Philharmonic Orchestra
Water Music Suite No. 1, HWV 348 (Re-orchestrated by Hamilton Harty): V. Andante - 2024 RemasterGeorge Frideric Handel, Hamilton Harty, London Philharmonic Orchestra
Memoirs: I. At the time that AlmeriaJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: II. The Price would often lamentJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: III. He assured himJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: IV. The Prince the intimatedJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: V. Four or five years had elapsedJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: VI. The number of schools and academiesJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: VII, And a foreignerJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: VIII. Thou they seemJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: IX. The younger ScarlattiJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: X. Indeed, from the best informationJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XI. They do not consider the advantagesJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XII. Vossius having declaredJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XIII. And might we not askJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XIV. The advantages which he drewJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XV. It is the more to be lamentedJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XVI. For though all men will agreeJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XVII. The excellence of Mr. AddisonJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XVIII. We left Handel just on the point of his removal from ItalyJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XIX. With less experienceJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XX. At the age of eighteenJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XXI. But, from the natural restlessnessJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XXII. The nature of his design in travellingJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XXIII. At last, however, he consentedJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XXIV. The theatre, at almost every pauseJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XXV. This opera drew over all the best singersJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XXVI. Having mentionedJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XXVIII. Besides a fine collection of pictures and statuesJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XXIX. There was also something in his mannerJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XXX. Severall fruitless attempsJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XXXI. The ouverture for Il trionfo del tempo e del disingannoJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XXXII. Corelli gently lays down his instrumentJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XXXIII. Hitherto Handel was chiefly been consideredJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XXXIV. The first of these he became aquainted withJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XXXV. As he was an exquisite player on the harpsichordJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XXXVI. Handel used often to speak of this personJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XXXVII. Though no two persons ever arrivedJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XXXVIII. While he was at RomeJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XXXIX. Ils seavent encoreJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XL. Wheter his EminenceJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XLI. As he was familiarJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XLII. No hopes appearing of a real conversionJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XLIII. From RomeJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XLIV. How Handel executed his taskJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
Memoirs: XLV. After he quitted NaplesJohn Mainwaring, Richard Wistreich, Hamilton Harty, London Philharmonic Orchestra
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