Jordi Savall, the renowned Catalan musician and conductor, presents "The Routes of Slavery," a profound and historically rich album released on February 17, 2017, under the Alia Vox label. This extraordinary collection spans over two hours and seven minutes, blending medieval and classical genres to create a deeply resonant experience.
"The Routes of Slavery" is not just a musical journey but a meticulously crafted exploration of history through sound. Savall masterfully weaves together traditional instruments like the kora, valiha, oud, and marimba with evocative vocal performances and narrations that recount pivotal moments in the history of slavery. The album features a diverse array of tracks, each accompanied by historical narratives that provide context and depth. From the haunting "L’humanité est divisée en deux" to the vibrant "Guaracha: Ay que me abraso," the music and storytelling create a powerful tapestry that spans centuries and continents.
Savall's expertise in early music and his commitment to historical accuracy shine through in every note. The album is a testament to his dedication to preserving and interpreting the musical heritage of the past. "The Routes of Slavery" is a must-listen for anyone interested in the intersection of music and history, offering a unique and enlightening perspective on a dark chapter of human history.
Tracks
Artistote: "L’humanité est divisée en deux : Les maîtres et les esclaves" / Musique: PercussionsJordi Savall, Bakary Sangaré, Pedro Estevan, Zé Luis Nascimento
Kora et ValihaJordi Savall, Ballaké Sissoko, Rajery
Vida ao Jongo (Jongo da Serrinha)Jordi Savall, Maria Juliana Linhares, Zé Luis Nascimento
Récit: 1505. Le roi Ferdinand le Catholique écrit une lettre à Nicolas de Ovando / Musique: Guitare (Romanesca)Jordi Savall, Bakary Sangaré, Xavier Diaz-Latorre
Tambalagumbá (Negrilla à 6 v. et bc.)Jordi Savall
Velo que bonito (ou San Antonio) [Chant sacré]Jordi Savall, Ada Coronel
Manden Mandinkadenou (Chant de griot)Jordi Savall, Kassé-Mady Diabaté, Mamani Keïta, Nana Kouyate, Tanti Kouyaté, Driss El Maloumi, Ballaké Sissoko, Rajery
Récit: 1620. Les premiers esclaves africains arrivent dans les colonies anglaises.Jordi Savall, Bakary Sangaré
Canto de Guerreiro (Caboclinho paraibano)Jordi Savall, Maria Juliana Linhares, Xavier Diaz-Latorre, Andrew Lawrence-King
Récit: 1657. Richard Ligon publie Histoire Vraie et exacte de l’Île de la Barbade à Londres / Musique: PercussionsJordi Savall, Bakary Sangaré, Pedro Estevan, Zé Luis Nascimento
Son de la Tirana: Mariquita, MaríaJordi Savall, Ada Coronel
Antoniya, Flaciquia, Gasipà (Negro à 5)Jordi Savall, David Sagastume
Récit: 1661. Les Châtiments des esclaves dans le « Code de l’Esclavage de la Barbade » / Musique: Tambours très lentsJordi Savall, Bakary Sangaré, Pedro Estevan, Zé Luis Nascimento
Sinanon Saran (Chant de griot)Jordi Savall, Kassé-Mady Diabaté, Mamani Keïta, Nana Kouyate, Tanti Kouyaté, Driss El Maloumi, Ballaké Sissoko, Rajery
Récit: 1685. Le « Code Noir » promulgué par Louis XIV s’est imposé jusqu’à 1848 / Musique: Kora et OudJordi Savall, Bakary Sangaré, Ballaké Sissoko, Driss El Maloumi
Les Indios: ¡Fuera, fuera! ¡Háganles lugar!Jordi Savall, Ada Coronel, Ulises Martínez
Saí da casa (Ciranda)Jordi Savall, Maria Juliana Linhares
Récit: 1748. Montesquieu « De l’esclavage des nègres » / Musique: MarimbaJordi Savall, Bakary Sangaré, Leopoldo Novoa
Véro (Instrumental)Jordi Savall, Driss El Maloumi, Ballaké Sissoko, Rajery
El TorbellinoJordi Savall, Ada Coronel, Iván García
Gulumbé: Los coflades de la estleyaJordi Savall, Adriana Fernandez, Maria Juliana Linhares
Récit: 1782. L’esclave Belinda demande au Congrès du Massachusetts une pension en guise de réparation après une vie de labeur / Musique: OudJordi Savall, Bakary Sangaré, Driss El Maloumi
Sanjin (Chant de griot)Jordi Savall, Kassé-Mady Diabaté, Mamani Keïta, Nana Kouyate, Tanti Kouyaté, Driss El Maloumi, Ballaké Sissoko, Rajery
La Iguana (Son jarocho)Jordi Savall, Enrique Baron
Récit: 1848. Décret sur abolition de l’esclavage / Musique: Kora et ValihaJordi Savall, Bakary Sangaré, Ballaké Sissoko, Rajery
Tonada El Congo: A la mar me llevanJordi Savall
Bom de Briga (Maracatu e Samba)Jordi Savall, Maria Juliana Linhares, Zé Luis Nascimento
Récit: 1963. Martin Luther-King « Pourquoi nous ne pouvons pas attendre » / Musique: PercussionsJordi Savall, Bakary Sangaré, Pedro Estevan, Zé Luis Nascimento
Dan Massa WoulanbaJordi Savall, Kassé-Mady Diabaté, Mamani Keïta, Nana Kouyate, Tanti Kouyaté, Driss El Maloumi, Ballaké Sissoko, Rajery
Guaracha: Ay que me abrasoJordi Savall, Kassé-Mady Diabaté, Mamani Keïta, Nana Kouyate, Tanti Kouyaté, Driss El Maloumi, Ballaké Sissoko, Rajery
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