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  1. Albums
  2. taneyev, s.i.: suite de concert / ioann damaskin - sergei taneyev

Sergei Taneyev - Taneyev, S.I.: Suite De Concert / Ioann Damaskin (LP)

Sergei TaneyevSergei Taneyev
  • 2009
  • 15 tracks
  • 1 uur, 11 min
Taneyev, S.I.: Suite De Concert / Ioann Damaskin - Sergei Taneyev
Taneyev, S.I.: Suite De Concert / Ioann Damaskin
Check availability on amazon.co.uk/
Taneyev, S.I.: Suite De Concert / Ioann Damaskin - Sergei Taneyev
Taneyev, S.I.: Suite De Concert / Ioann Damaskin - Sergei Taneyev

Product Description

Sergei Taneyev's "Suite De Concert / Ioann Damaskin" is a captivating journey through the realms of classical music, showcasing the composer's remarkable ability to blend emotional depth with technical brilliance. Released on September 29, 2009, under the Naxos label, this album presents a compelling collection of works that span a variety of moods and styles, all within a concise yet fulfilling duration of 1 hour and 11 minutes.

The album opens with "Ioann Damaskin (John of Damascus), Op. 1," a three-movement work that sets the stage with its contemplative and introspective tone. The first movement, "Idu v nevedomiy mne put'" (I begin a journey into the unknown), begins with a slow, reflective Adagio ma non troppo, while the second movement, "No vechnim snom poka ya splyu" (But while I sleep with the eternal sleep), unfolds with an Andante sostenuto that carries a sense of solemnity and reverence. The final movement, "V tot den', kogda truba" (On the day when a trumpet), shifts to an Allegro, injecting a sense of urgency and drama.

The centerpiece of the album is the "Suite de concert, Op. 28," a five-movement suite that showcases Taneyev's mastery of form and structure. The suite begins with a Grave prelude, setting a somber and introspective mood. The second movement, a Gavotte in Allegro moderato, brings a touch of elegance and grace, while the third movement, "Marchen (The Fairy Tale)," offers a whimsical Andantino that feels like a musical storybook come to life. The fourth movement is a Theme and Variations, where Taneyev's inventive genius shines through in six distinct variations that explore the theme in a variety of moods and styles, from the playful and energetic to the lyrical and introspective. The suite concludes with a lively Tarantella in Presto, bringing the album to a thrilling and exhilarating close.

Throughout the album, Taneyev's compositions reveal a deep understanding of musical form and structure, as well as a keen sensitivity to the expressive potential of sound. His works are characterized by their rich harmonies, intricate counterpoint, and vivid orchestration, all of which combine to create a listening experience that is both intellectually stimulating and emotionally resonant. Whether you're a seasoned classical music enthusiast or a newcomer to the genre, "Suite De Concert / Ioann Damaskin" is sure to captivate and inspire, offering a glimpse into the remarkable world of Sergei Taneyev's musical imagination.

Tracks

  1. Ioann Damaskin (John of Damascus), Op. 1: Idu v nevedomiy mne put' (I begin a journey into the unknown): Adagio ma non troppoSergei Taneyev, Gnesin Academy Chorus, Russian Philharmonic Orchestra, Thomas Sanderling
    14:57
  2. Ioann Damaskin (John of Damascus), Op. 1: No vechnim snom poka ya splyu (But while I sleep with the eternal sleep): Andante sostenutoSergei Taneyev, Gnesin Academy Chorus, Russian Philharmonic Orchestra, Thomas Sanderling
    2:55
  3. Ioann Damaskin (John of Damascus), Op. 1: V tot den', kogda truba (On the day when a trumpet): AllegroSergei Taneyev, Gnesin Academy Chorus, Russian Philharmonic Orchestra, Thomas Sanderling
    8:09
  4. Suite de concert, Op. 28: I. Prelude: GraveSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
    8:05
  5. Suite de concert, Op. 28: II. Gavotte: Allegro moderatoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
    5:41
  6. Suite de concert, Op. 28: III. Marchen (The Fairy Tale): AndantinoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
    9:08
  7. Suite de concert, Op. 28: IV. Theme and Variations: Theme: AndantinoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
    1:01
  8. Suite de concert, Op. 28: IV. Theme and Variations: Variation 1: Allegro moderatoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
    1:21
  9. Suite de concert, Op. 28: IV. Theme and Variations: Variation 2: Allegro energicoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
    1:34
  10. Suite de concert, Op. 28: IV. Theme and Variations: Variation 3: Tempo di valseSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
    2:06
  11. Suite de concert, Op. 28: IV. Theme and Variations: Variation 4: Fuga doppia: Allegro moltoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
    2:08
  12. Suite de concert, Op. 28: IV. Theme and Variations: Variation 5: Presto scherzandoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
    0:58
  13. Suite de concert, Op. 28: IV. Theme and Variations: Variation 6: Tempo di mazurka, Allegro con fuocoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
    1:27
  14. Suite de concert, Op. 28: IV. Final Variation and CodaSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
    4:51
  15. Suite de concert, Op. 28: V. Tarantella: PrestoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
    7:14
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Product specifications

Details

Album
Taneyev, S.I.: Suite De Concert / Ioann Damaskin
Artist
Sergei Taneyev
Album release date
29 september 2009
Label
Naxos
Available
No

Product information

Mono or stereo
Stereo
Duration
1 uur, 11 min
Tracks
15 tracks

Other

Limited Edition
No
Box set
No
Remastered
No
Reissue
No

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About Sergei Taneyev

Sergei Taneyev, a Russian polymath of the late 19th and early 20th centuries, was a composer, pianist, music theorist, and teacher whose work bridged the gap between the Romantic and modernist eras. Born in 1856, Taneyev was a student of Tchaikovsky and a contemporary of Rimsky-Korsakov, yet his unique voice in composition set him apart. His theoretical works, particularly on counterpoint and canonic writing, have left a lasting impact on musical academia. As a pianist, he was renowned for his interpretations of Beethoven and his own compositions. Taneyev's music, characterized by its intellectual depth and structural complexity, offers a rich and rewarding experience for those willing to explore its intricacies. His legacy endures not only through his compositions but also through his influence on generations of Russian musicians.

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Sergei Taneyev

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