Immerse yourself in the rich, baroque world of Gottfried Heinrich Stölzel with this captivating double album, "Stolzel: Alles Was Sonst Lieblich Heisset / Seid Willkommen, Schöne Stunden." Released in 2007 by CPO, this classical masterpiece offers a comprehensive exploration of Stölzel's vocal and instrumental works, showcasing his intricate compositions and profound musicality.
The album is divided into two main sections, each presenting a unique collection of pieces. The first part, "Alles Was Sonst Lieblich Heisset," is a cantata that delves into the beauty and harmony of nature, featuring a variety of vocal and instrumental pieces that highlight the interplay between different voices and instruments. The second part, "Seid Willkommen, Schöne Stunden," continues the exploration of nature's splendor, with a focus on the joy and celebration of life's beautiful moments.
With a total duration of 1 hour and 43 minutes, this album offers a substantial journey through Stölzel's musical universe. The performances are brought to life by a talented ensemble of singers and instrumentalists, each bringing their unique interpretation and skill to the compositions. The album's classical piano and classical genres provide a timeless backdrop for Stölzel's works, making it a valuable addition to any classical music enthusiast's collection.
Whether you're a long-time fan of Stölzel or a newcomer to his music, this album provides a rich and rewarding listening experience. The intricate compositions, beautiful melodies, and skillful performances make it a standout piece in the classical music genre. Dive into the world of Gottfried Heinrich Stölzel and discover the timeless beauty of his music.
Tracks
Alles was sonst lieblich heisset: SinfoniaGottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Serenata. Aria. Alles, was sonst lieblich hiesset (Soprano)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Euch aber, Werteste (Soprano, Alto, Tenor, Bass)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Aria. Philomele, Philomele (Soprano)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Man nennt die Nachtigall der Walder Konigin (Soprano, Alto)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Aria. Mit tausend Schmeicheleien (Alto)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Ich habe zwar vernommen (Tenor)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Aria. Was meiner Leitung folgen soll (Tenor)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Was einem Baum die frische Wurzel ist (Bass)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Aria. Der Himmel lauft Gefahr zu sinken (Bass)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Ich habe gnung gehort (Soprano)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Aria. Die Biene zieht aus vielen Blumen (Soprano)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Wohlan, weil keine Konsonanz enstehen kacn (Soprano, Tenor)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Duet. So scherzen unsre Stimmen (Soprano, Tenor)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Soll einer fremden Stimme Klang (Alto, Bass)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Duet. Bloss nach dir will ich mich richten (Alto, Bass)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Ja, ja, vergnuge dich (Alto)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Aria. Die sussesten Zuge der lieblichsten Weisen (Alto)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. O hochst vollkommne Harmonie (Soprano)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Aria. O wie schöne klingt das susse Lobgetone (Soprano)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Werd ich der Flamme gleich geachtet (Soprano)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Aria. Ein Schiff, das seinen Leitstern siehet (Soprano)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Vergleicht man der ausgeklarten Luft (Alto)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Aria. Wie die Sonne Licht und Wonne (Alto)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Und nennt man mich das Band (Tenor)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Aria. Die Sonnenblume nicht allein (Tenor)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Und wie, vollkommner Furst (Bass)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Aria. Wenn alles wanket, bricht und sinket (Bass)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Der Himmel, der die Tugend liebt (Alto)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Chorus. Was sie an dir bewundert haben (Soprano, Alto, Tenor, Bass)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Seid willkommen, schöne Stunden: Accompanied Recitative. Ich aber muss bei dieser Zeit (Soprano)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Seid willkommen, schöne Stunden: Aria. Meine Treu soll dem verbleiben (Soprano)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Seid willkommen, schöne Stunden: Recitative. Soll man Amoenens Licht (Soprano, Tenor)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Seid willkommen, schöne Stunden: Aria. Es kommen die Wolken der Trubsal geschwinde (Tenor)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Seid willkommen, schöne Stunden: Recitative. Will mir Amoene gleich (Bass, Soprano)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Seid willkommen, schöne Stunden: Aria. Was uns im Anfang bitter scheinet (Bass)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Seid willkommen, schöne Stunden: Recitative. So will Amoene sich bei solchen schönen Tagen (Alto)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Seid willkommen, schöne Stunden: Aria. Erheiter dein Gesichte (Alto)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Seid willkommen, schöne Stunden: Recitative. Heut muss der Tag vor andern schöne sein (Soprano, Alto, Tenor, Bass)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Seid willkommen, schöne Stunden: Duet. Ich liebe dich wie meine Seele (Soprano, Alto)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Seid willkommen, schöne Stunden: Recitative. Wohlan, seil es dem Himmel so gefallt (Bass)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Seid willkommen, schöne Stunden: GigueGottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
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