Dive into the avant-garde world of Paul Plimley with his 1997 release, "Sensology." This captivating album is a testament to Plimley's mastery of free jazz, offering a unique and immersive experience that pushes the boundaries of conventional music. With a runtime of over an hour, "Sensology" is a journey through 14 tracks that blend intricate compositions with spontaneous improvisation, showcasing Plimley's virtuosic piano playing and his fearless exploration of sound.
Recorded under the Maya Recordings label, "Sensology" is a bold statement in the realm of avant-garde jazz. The album opens with "This Is Not Much Less Than Flat," setting the tone for the experimental journey ahead. Tracks like "Rolling Agreement" and "Hand Held Hot Coals" highlight Plimley's ability to create complex, layered textures that challenge and engage the listener. The title track, "Sensology," is a standout, demonstrating Plimley's knack for blending lyrical melodies with dissonant harmonies.
Throughout the album, Plimley collaborates with a talented ensemble, including saxophonist Greg Bissonette and bassist Lisle Ellis, among others. Their collective improvisational skills shine in tracks like "Jazz for Now and Never More" and "Murmurs and Darts," creating a dynamic and unpredictable listening experience. The album closes with "Slowly Getting to Know the Audience," a reflective piece that leaves a lasting impression.
"Sensology" is not just an album; it's a testament to Paul Plimley's innovative spirit and his enduring influence on the world of free jazz. Whether you're a seasoned jazz enthusiast or a curious newcomer, this album offers a rich and rewarding exploration of sound and improvisation.
