Märta Schéle presents a captivating journey through the romantic and classical music landscape with her album "Schumann / Brahms / Schubert / Mendelssohn: From Solo Till Quartet." Released on November 30, 1992, under the BIS label, this album is a testament to Schéle's versatility and mastery, spanning a mere 1 hour and 7 minutes.
The album is a rich tapestry of compositions from some of the most celebrated composers of the romantic and classical eras. It begins with a series of Lieder (art songs) that showcase Schéle's vocal prowess, accompanied by a quartet of voices in various combinations. The tracks range from intimate duets to full quartets, each one a gem that highlights the depth and range of Schéle's voice.
Following the Lieder, the album transitions into instrumental pieces, demonstrating Schéle's ability to excel in diverse musical forms. The compositions range from the lyrical and melodic to the dramatic and intense, offering a comprehensive exploration of the emotional and technical spectrum of classical music.
Schéle's interpretation of these timeless pieces is both sensitive and powerful, bringing a fresh perspective to familiar works. Her performance is marked by a deep understanding of the music, coupled with a technical precision that allows her to convey the full depth of the composers' intentions.
This album is not just a collection of songs but a cohesive musical experience that takes the listener on a journey through the heights and depths of human emotion. It's a celebration of the voice and the quartet, showcasing the beauty and power of classical music. Whether you're a seasoned classical music enthusiast or a newcomer to the genre, Märta Schéle's "From Solo Till Quartet" is an album that promises to enchant and inspire.
Tracks
I. Erste Begegnung. Del rosal vengo, mi madre (Soprano, Alto)Robert Schumann, Märta Schéle, Edith Thallaug, Gösta Winbergh, Erland Hagegård, Lucia Negro
II. Intermezzo. Si dormis, doncella (Tenor, Bass)Robert Schumann, Märta Schéle, Edith Thallaug, Gösta Winbergh, Erland Hagegård, Lucia Negro
III. Liebesgram. Alguna vez (Soprano, Alto)Robert Schumann, Märta Schéle, Edith Thallaug, Gösta Winbergh, Erland Hagegård, Lucia Negro
IV. In der Nacht. Todos duermen corazon (Soprano, Tenor)Robert Schumann, Märta Schéle, Edith Thallaug, Gösta Winbergh, Erland Hagegård, Lucia Negro
V. Es ist verrathen. Ser de amor esa pasion (Soprano, Alto, Tenor, Bass)Robert Schumann, Märta Schéle, Edith Thallaug, Gösta Winbergh, Erland Hagegård, Lucia Negro
VI. Melancholie. Quien viese aquel dia (Soprano)Robert Schumann, Märta Schéle, Edith Thallaug, Gösta Winbergh, Erland Hagegård, Lucia Negro
VII. GestAndnis. Mis amores tanto os amo (Tenor)Robert Schumann, Märta Schéle, Edith Thallaug, Gösta Winbergh, Erland Hagegård, Lucia Negro
VIII. Botschaft. Cojo jazmin y clavel (Soprano, Alto)Robert Schumann, Märta Schéle, Edith Thallaug, Gösta Winbergh, Erland Hagegård, Lucia Negro
IX. Ich bin geliebt. Dira cuanto dijere (Soprano, Alto, Tenor, Bass)Robert Schumann, Märta Schéle, Edith Thallaug, Gösta Winbergh, Erland Hagegård, Lucia Negro
I. Die Nonne und der RitterJohannes Brahms, Edith Thallaug, Erland Hagegård, Lucia Negro
II. Vor der TurJohannes Brahms, Edith Thallaug, Erland Hagegård, Lucia Negro
III. Es rauschet das WasserJohannes Brahms, Edith Thallaug, Erland Hagegård, Lucia Negro
IV. Der Jager und sein LiebchenJohannes Brahms, Edith Thallaug, Erland Hagegård, Lucia Negro
An die Musik, Op. 88, No. 4, D. 547Franz Schubert, Edith Thallaug, Lucia Negro
Der ContrabandisteRobert Schumann, Erland Hagegård, Lucia Negro
Der Hochzeitsbraten, Op. 104, D. 930Franz Schubert, Märta Schéle, Gösta Winbergh, Erland Hagegård, Lucia Negro
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