Dive into the rich musical heritage of the early 17th century with Samuel Scheidt's "Tabulatura Nova I," a captivating collection of sacred and secular works that showcase the composer's mastery of the keyboard. Released on January 1, 2003, this two-hour and thirteen-minute album is a testament to Scheidt's innovative spirit and his significant contributions to the development of German keyboard music.
The album opens with "Cantio Sacra. Wir gleuben all an einen Gott," a sacred chant that sets the tone for the spiritual journey that follows. Scheidt's intricate compositions, such as "Fantasia Super 'Io Son Ferito Lasso'" and "Fantasia Super 'Ut. Re. Mi. Fa. Sol. La.,'" demonstrate his exceptional skill in weaving complex polyphonic textures. The album also features beautiful settings of German, Dutch, and French songs, including "Niederlandisch Liedgen. Cantio Belgica 'Weh windgen weh'" and "Frantzösisch Liedgen. Cantio Gallica 'Est ce Mars,'" offering a glimpse into the diverse musical influences of the time.
Scheidt's "Tabulatura Nova I" is not just a collection of historical pieces; it is a vibrant exploration of the human experience, blending sacred devotion with the joy and sorrow of everyday life. The album's centerpiece, "Psalm: Da Jesus an dem Creutze stundt," is a profound meditation on the crucifixion, showcasing Scheidt's ability to convey deep emotional resonance through music.
Recorded by Musikproduktion Dabringhaus und Grimm, this album is a must-listen for anyone interested in early Baroque music, offering a rich and immersive experience that highlights the enduring legacy of Samuel Scheidt.
