Immerse yourself in the sacred and serene world of Renaissance polyphony with Peter Philips' captivating album, "Latin Motets." Released on June 1, 2011, under Convivium Records, this collection showcases Philips' exquisite arrangements and interpretations of motets from his "Cantiones sacrae" collections, both in their original five- and eight-voice versions, as well as adapted for mixed choir and organ. The album spans a concise yet impactful 58 minutes, featuring a selection of 14 motets that highlight the rich harmonic language and contrapuntal mastery of the Renaissance era.
Peter Philips, a renowned figure in the early music scene, brings his deep understanding and passion for this repertoire to life. The album opens with the tender and inviting "Veni sponsa Christi," setting the stage for a journey through a diverse range of moods and textures. From the jubilant "Cum jucunditate" to the mournful "Viae Syon lugent," and the contemplative "Ave verum corpus," each piece offers a unique glimpse into the spiritual and emotional depth of this sacred music.
The album also features two arrangements for treble choir and organ, "Paratum cor meum" and "Confitebor tibi, Domine," showcasing Philips' versatility and skill in adapting these works for different vocal forces. The closing motet, "Pater noster," leaves the listener with a sense of peace and resolution, bringing this enchanting collection to a close.
"Latin Motets" is a testament to Peter Philips' artistry and his commitment to bringing this remarkable music to life. Whether you're a seasoned enthusiast of Renaissance polyphony or a newcomer to the genre, this album offers a rich and rewarding listening experience that is sure to resonate long after the final note fades away.
Tracks
Cantiones sacrae quinis vocibus (1612 Version) [Excerpts]: No. 53, Veni sponsa ChristiPeter Philips, Convivium Singers, Alexander Norman
Cantiones sacrae quinis vocibus (1612 Version) [Excerpts]: No. 38, Cum jucunditatePeter Philips, Convivium Singers, Alexander Norman
O Maria domina nostraPeter Philips, Penelope Appleyard, Alexander Norman
Cantiones sacrae quinis vocibus (1612 Version) [Excerpts]: No. 67, Viae Syon lugentPeter Philips, Convivium Singers, Alexander Norman
Cantiones sacrae quinis vocibus (1612 Version) [Excerpts]: No. 24, Ave verum corpusPeter Philips, Convivium Singers, Alexander Norman
Cantiones sacrae quinis vocibus (1612 Version) [Excerpts]: No. 66, Mulieres sedentesPeter Philips, Convivium Singers, Alexander Norman
Cantiones sacrae octonis vocibus (Excerpts Arr. for Mixed Choir & Organ): No. 18, Quae est ista quae ascenditPeter Philips, Convivium Singers, David Price, Alexander Norman
Cantiones sacrae octonis vocibus (Excerpts Arr. for Mixed Choir & Organ): No. 17, Ecce tu pulchra esPeter Philips, Convivium Singers, David Price, Alexander Norman
Cantiones sacrae quinis vocibus (1612 Version) [Excerpts]: No. 49, Corona aureaPeter Philips, Convivium Singers, Alexander Norman
Paratum cor meumPeter Philips, Adrian Green, Robert Jenkins, Ewan Stockwell, David Price, Alexander Norman
Confitebor tibi, Domine (Arr. for Treble Choir & Organ)Peter Philips, Penelope Appleyard, Alexandra Bickerton, Harriet Smith, Catherine Pope, Convivium Singers, Alexander Norman
Domine probasti mePeter Philips, Adrian Green, David Price
Cantiones sacrae quinis vocibus (1612 Version) [Excerpts]: No. 52, Beatus vir qui inventus estPeter Philips, Convivium Singers, Alexander Norman
Cantiones sacrae quinis vocibus (1612 Version) [Excerpts]: No. 61, Pater nosterPeter Philips, Convivium Singers, Alexander Norman
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