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  1. Albums
  2. lortzing: hans sachs - albert lortzing

Albert Lortzing - Lortzing: Hans Sachs (LP)

Albert LortzingAlbert Lortzing
  • 2015
  • 27 tracks
  • 1 uur, 29 min
  • opera
Lortzing: Hans Sachs - Albert Lortzing
Lortzing: Hans Sachs
Check availability on amazon.co.uk/
Lortzing: Hans Sachs - Albert Lortzing
Lortzing: Hans Sachs - Albert Lortzing

Product Description

Immerse yourself in the rich tapestry of Albert Lortzing's operatic masterpiece with the release of "Lortzing: Hans Sachs." This captivating album, released on February 1, 2015, under the Walhall Eternity Series label, offers a comprehensive journey through the intricate and engaging narrative of Hans Sachs. Spanning a duration of 1 hour and 29 minutes, this opera is a testament to Lortzing's brilliance in blending humor, drama, and profound musical expression.

The album features a stellar cast of vocalists, each bringing their unique artistry to the diverse roles within the opera. From the poignant arias of Kunigunde to the authoritative presence of Sachs and the comedic timing of Gorg, every performance is a showcase of vocal prowess and dramatic depth. The chorus and dialogues interspersed throughout the album add layers of complexity and richness to the storytelling, making it a dynamic and engaging listen.

"Lortzing: Hans Sachs" is not just an opera; it's a vivid portrayal of 16th-century Nuremberg, filled with themes of love, jealousy, and the power of art. The overture sets the stage with its lively and engaging melody, while the subsequent arias and dialogues weave a compelling narrative that keeps the audience hooked until the very end. Whether you're a seasoned opera enthusiast or a newcomer to the genre, this album offers a rewarding and enriching experience that highlights the enduring appeal of Lortzing's work.

Tracks

  1. Hans Sachs: OvertureAlbert Lortzing, Friederike Sailer, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Max Loy
    8:05
  2. Hans Sachs: DialogueAlbert Lortzing, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Friederike Sailer, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Max Loy
    1:43
  3. Hans Sachs: Verlassen mich? O scherze doch so grausam nicht! (Kunigunde)Albert Lortzing, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Friederike Sailer, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Max Loy
    4:37
  4. Hans Sachs: DialogueAlbert Lortzing, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Friederike Sailer, Richard Wolker, Karl Mikorey, Albert Vogler, Max Loy
    2:32
  5. Hans Sachs: Die schusterzunft bleibt immer noch (Gorg)Albert Lortzing, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Friederike Sailer, Richard Wolker, Max Loy
    2:53
  6. Hans Sachs: DialogueAlbert Lortzing, Friederike Sailer, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Max Loy
    3:57
  7. Hans Sachs: Wo bist du, sachs? Hat mich ein Traum umfangen? (Sachs)Albert Lortzing, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Friederike Sailer, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Max Loy
    5:35
  8. Hans Sachs: Zwei dinge sind's, die hoch den mann erheben (Sachs)Albert Lortzing, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Friederike Sailer, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Max Loy
    3:10
  9. Hans Sachs: DialogueAlbert Lortzing, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Friederike Sailer, Richard Wolker, Karl Mikorey, Albert Vogler, Max Loy
    2:19
  10. Hans Sachs: Was hor' ich? Ich seid der brautigam? (Kunigunde)Albert Lortzing, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Franconia State Orchestra, Friederike Sailer, Richard Wolker, Max Loy
    5:30
  11. Hans Sachs: DialogueAlbert Lortzing, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Karl Schmitt-Walter, Max Loy
    0:44
  12. Hans Sachs: Sehnsuchtsvoll mit suem bangen (Kunigunde)Albert Lortzing, Hermann Guttendobler, Heinz Breitschaft, Karl Schmitt-Walter, Nuremberg Community Choir, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Max Loy
    5:45
  13. Hans Sachs: DialogueAlbert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Karl Schmitt-Walter, Nuremberg Community Choir, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Max Loy
    0:06
  14. Hans Sachs: Der Meister kommt (Gorg)Albert Lortzing, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Karl Schmitt-Walter, Nuremberg Community Choir, Max Loy
    3:59
  15. Hans Sachs: O Kind voll Unshuld und Liebe (Sachs)Albert Lortzing, Hermann Guttendobler, Heinz Breitschaft, Karl Schmitt-Walter, Nuremberg Community Choir, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Max Loy
    2:31
  16. Hans Sachs: DialogueAlbert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Karl Schmitt-Walter, Nuremberg Community Choir, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Max Loy
    6:31
  17. Hans Sachs: Macht doch der Verwirrung ein End' (Chorus)Albert Lortzing, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Karl Schmitt-Walter, Nuremberg Community Choir, Max Loy
    3:10
  18. Hans Sachs: Zwei Dinges sind es, die den Mann begeistern (Sachs)Albert Lortzing, Hermann Guttendobler, Heinz Breitschaft, Karl Schmitt-Walter, Nuremberg Community Choir, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Albert Vogler, Max Kohl, Margot Weindl, Max Loy
    2:02
  19. Hans Sachs: Herr Absolom emporte sich (Eoban)Albert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Karl Schmitt-Walter, Nuremberg Community Choir, Friederike Sailer, Franconia State Orchestra, Richard Wolker, Karl Mikorey, Max Loy
    4:21
  20. Hans Sachs: Ihr habet mir, dem schlichten Mann (Sachs)Albert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Franconia State Orchestra, Karl Schmitt-Walter, Friederike Sailer, Richard Wolker, Karl Mikorey, Max Loy
    4:28
  21. Hans Sachs: DialogueAlbert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Franconia State Orchestra, Karl Schmitt-Walter, Friederike Sailer, Richard Wolker, Karl Mikorey, Max Loy
    0:29
  22. Hans Sachs: Seht dorthin, ihr Burger (Steffen)Albert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Franconia State Orchestra, Karl Schmitt-Walter, Friederike Sailer, Richard Wolker, Karl Mikorey, Max Loy
    3:19
  23. Hans Sachs: DialogueAlbert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Franconia State Orchestra, Karl Schmitt-Walter, Friederike Sailer, Richard Wolker, Karl Mikorey, Max Loy
    1:23
  24. Hans Sachs: So ist's, von mir ist das Gedicht (Eoban)Albert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Franconia State Orchestra, Karl Schmitt-Walter, Friederike Sailer, Richard Wolker, Karl Mikorey, Max Loy
    2:51
  25. Hans Sachs: Ewig wurde ich freuen (Eoban)Albert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Franconia State Orchestra, Karl Schmitt-Walter, Friederike Sailer, Richard Wolker, Karl Mikorey, Max Loy
    0:39
  26. Hans Sachs: Ewig wurd' ich freuen (Sachs)Albert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Franconia State Orchestra, Karl Schmitt-Walter, Friederike Sailer, Richard Wolker, Karl Mikorey, Max Loy
    2:57
  27. Hans Sachs: Nicht Reichtum macht das Leben schon (Sachs)Albert Lortzing, Albert Vogler, Max Kohl, Margot Weindl, Hermann Guttendobler, Heinz Breitschaft, Nuremberg Community Choir, Franconia State Orchestra, Karl Schmitt-Walter, Friederike Sailer, Richard Wolker, Karl Mikorey, Max Loy
    3:16
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Product specifications

Details

Album
Lortzing: Hans Sachs
Artist
Albert Lortzing
Album release date
1 februari 2015
Label
Walhall Eternity Series
Available
No

Product information

Mono or stereo
Stereo
Duration
1 uur, 29 min
Tracks
27 tracks

Other

Limited Edition
No
Genre
Opera
Box set
No
Remastered
No
Reissue
No

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About Albert Lortzing

Albert Lortzing, a luminary of German opera, left an indelible mark on the world of classical music during his brief but impactful life from 1801 to 1851. Renowned for his ability to blend humor, drama, and melody, Lortzing's operas are celebrated for their wit, charm, and engaging storytelling. His works, primarily in the opera genre, showcase his unique talent for creating vivid characters and captivating plots that resonate with audiences. Lortzing's compositions, though not as widely performed today as some of his contemporaries, remain a testament to his innovative spirit and enduring influence on the operatic tradition.

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