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Average of 2 reviews
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In the mid-60s, Latin music made a significant impact, blending into various genres, particularly instrumental ones, with Santana leading the charge in the rock world. This album showcases two notable aspects. Firstly, it's quite polished and structured, with a contemporary sound that lacks the raw, gritty edges some might crave. Shirley Scott, known for staying within her comfort zone, delivers a refined performance. However, viewing this album as a collaboration between Scott and Gary McFarland offers a fresh perspective. McFarland, a vibraphonist and arranger with a passion for Latin sounds and Bossa Nova, plays a pivotal role here. His influence is evident, making the album feel more like a joint effort than a solo project by Scott. The outcome of "Latin Shadows," one of four albums Scott released in 1965, reflects the era and McFarland's guidance. While the album is beautifully crafted and timeless, it's intriguing to imagine what Scott's solo vision might have sounded like. The album is a smooth, near-flawless recording. Those who suggest Scott's organ parts were merely adequate underestimate her groundbreaking contributions. Her work here was innovative, paving the way for others. Without Shirley Scott and her unique vision, this style of jazz might not have emerged.
LATIN SHADOWS showcases a brilliant blend of organ and vibes, accompanied by strings. Scott and Gary McFarland harmonize beautifully, and 'Soul Sauce' includes an uncommon vocal performance by Scott. I'm not too fond of the strings, but it's a great chill-out track. This is a well-pressed 1972 reissue, mine came with another Shirley Scott album (Everybody Loves A Lover) and lacks a cover. The record plays quite well, with some slight surface noise here and there.
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