Immerse yourself in the rich tapestry of classical orchestral music with Jean Martinon's "Complete Decca Recordings 1951-1960." This comprehensive collection showcases the masterful conducting of Jean Martinon, a renowned figure in the world of classical music. Spanning a decade of recordings, this album offers a panoramic view of Martinon's artistic evolution and his profound interpretation of both beloved and lesser-known works.
The album begins with a complete performance of Adolphe Adam's ballet "Giselle," edited by Büsser, demonstrating Martinon's ability to bring out the dramatic and lyrical elements of this romantic masterpiece. The recording is followed by a selection of overtures from Offenbach's operettas, including "Le Beau Danube," "Zampa," and "La Belle Hélène," showcasing Martinon's knack for highlighting the wit and charm of these works.
Martinon's interpretation of Dvořák's "Slavonic Dances" is a standout feature, with each of the eight dances from Op. 46 and one from Op. 72 performed with precision and a keen sense of rhythm. The album also includes a performance of Berlioz's "Le Roi de l'amour," a symphonic arrangement of themes from "Beatrice and Benedict," and the "Polka and Fugue" from Smetana's "Schwanda the Bagpiper," showcasing Martinon's versatility and technical prowess.
The collection concludes with a performance of Saint-Saëns' "Namouna," a suite of dances that Martinon conducts with a light touch, bringing out the exotic and playful elements of the music. Throughout the album, Martinon's conducting is marked by a deep understanding of the music, a keen sense of pacing, and a ability to draw out the full range of emotions from the orchestra.
With a total runtime of over four hours, this album is a treasure trove for classical music enthusiasts and a testament to Jean Martinon's enduring legacy. Whether you're a longtime fan of Martinon's work or a newcomer to his recordings, this collection offers a rich and rewarding listening experience.
Tracks
Giselle - Edited Büsser - Act 1: IntroductionAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser - Act 1: No. 1 Les VendangeursAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser - Act 1: No. 2 Entrée du PrinceAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser - Act 1: No. 3 Loys seul - Entrée de GiselleAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser - Act 1: No. 4 Retour des Vendangeurs - No. 4(bis) ValseAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser / Act 1: No. 5 Pas de DeuxAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser / Act 1: No. 5b. La ChasseAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser - Act 1: No. 6 Scène d'HilarionAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser - Act 1: No. 7 Marche des vigneronsAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser / Act 1: No. 8 GalopAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser / Act 1: No. 8(bis) FinalAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser - Act 2: No. 9 Introduction (La halte des chasseurs)Adolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser - Act 2: No. 10 Apparition et scène de MyrthaAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser / Act 2: No. 11. Apparition de GiselleAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser - Act 2: No. 12 (Allegro moderato)Adolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser - Act 2: No. 13 Entreé de Loys et WilfredeAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser - Act 2: No. 14 Scène des WilisAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser / Act 2: No.15 Grand pas de deuxAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Giselle - Edited Büsser / Act 2: No. 16 FinalAdolphe Adam, Orchestre De La Société Des Concerts Du Conservatoire, Jean Martinon
Le Beau Danube: Orchestrated: Roger DesormièreJohann Strauss II, London Philharmonic Orchestra, Jean Martinon
Zampa: OvertureFerdinand Hérold, London Philharmonic Orchestra, Jean Martinon
Le Calife de Bagdad: OvertureFrançois-Adrien Boieldieu, London Philharmonic Orchestra, Jean Martinon
La Dame blanche: OvertureFrançois-Adrien Boieldieu, London Philharmonic Orchestra, Jean Martinon
Si j'étais roi: OvertureAdolphe Adam, London Philharmonic Orchestra, Jean Martinon
Overture Le mariage aux laternesJacques Offenbach, London Philharmonic Orchestra, Jean Martinon
Overture La Belle HélèneJacques Offenbach, London Philharmonic Orchestra, Jean Martinon
Overture Barbe-BleueJacques Offenbach, London Philharmonic Orchestra, Jean Martinon
Overture La Grande-Duchesse de GerolsteinJacques Offenbach, London Philharmonic Orchestra, Jean Martinon
Overture Orpheus in the UnderworldJacques Offenbach, London Philharmonic Orchestra, Jean Martinon
8 Slavonic Dances, Op. 46: No. 1 in C (Presto)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
8 Slavonic Dances, Op. 46: No. 2 in E minor (Allegretto scherzando)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
8 Slavonic Dances, Op. 46: No. 3 in A flat (Poco allegro)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
8 Slavonic Dances, Op. 46: No. 4 in F (Tempo di minuetto)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
8 Slavonic Dances, Op. 46: No. 5 in A (Allegro vivace)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
8 Slavonic Dances, Op. 46: No. 6 in D (Allegretto scherzando)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
8 Slavonic Dances, Op. 46: No. 7 in C minor (Allegro assai)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
8 Slavonic Dances, Op. 46: No. 8 in G minor (Presto)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
8 Slavonic Dances, Op. 72: No. 7 in C (Allegro vivace)Antonín Dvořák, London Symphony Orchestra, Jean Martinon
Schwanda the Bagpiper: Polka and FugueJaromír Weinberger, London Philharmonic Orchestra, Jean Martinon
William Tell: Ballet musicGioachino Rossini, London Philharmonic Orchestra, Jean Martinon
Totentanz, S.126. Paraphrase on "Dies Irae"for piano and orchestraFranz Liszt, Peter Katin, London Philharmonic Orchestra, Jean Martinon
Namouna, Suite No. 1: 1. PréludeÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
Namouna, Suite No. 1: 2. SérénadeÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
Namouna, Suite No. 1: 3. Thème variéÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
Namouna, Suite No. 1: 4. Parade de foireÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
Namouna, Suite No. 1: 5. Fête foraineÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
Namouna, Suite No. 2: 1. Danse marocaineÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
Namouna, Suite No. 2: 2. MazurkaÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
Namouna, Suite No. 2: 3. La SiestaÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
Namouna, Suite No. 2: 4. Pas de cymbalesÉdouard Lalo, London Philharmonic Orchestra, Jean Martinon
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