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4.4
Average of 17 reviews
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Amazing album and a really good pressing. Rest in peace Ahmad. Such a inspiration to so many.
Great well-rounded pressing. Super quiet. You genuinely feel like you're right there with the band; you can pick up on phones ringing, audience chatter, glasses tinkling, etc. A truly well-mixed album and highly recommended.
Got my hands on this pressing and a 1960 mono version to do a little compare and contrast. If you manage to snag a clean copy, this one's the clear champ: it's got a more lifelike, "in the room" vibe, way more presence, a deeper, punchier bass, and those keys are shinier than the top of the Chrysler Building. There's a touch of fuzz on the high end of the piano, but it's not enough to ruin the party (might even be my needle doing that). That 1960 copy seems to be in about the same shape and spins just fine, but it sounds like someone tossed a blanket over the mics compared to this one.
An amazing show and fantastic recording...true jazz in Chicago.
Ah, this is the groundbreaking album by Ahmad Jamal that many (rightly so) view as his most crucial work. There's a lot out there about his brilliant take on "Poinciana," but honestly, the whole LP is fantastic. Israel Crosby and Vernell Fournier join Jamal, forming a trio that's as tightly-knit as Evans, LaFaro, and Motian.
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