Dive into the captivating world of opera with "History Records - Classical Edition 108 - Great Voices - Mario del Monaco," a timeless collection of iconic arias performed by the legendary tenor Mario del Monaco. Accompanied by the esteemed New Symphony Orchestra of London, this album showcases Del Monaco's powerful and distinctive voice, which has left an indelible mark on the operatic world.
Recorded between 1952 and 1956, this compilation features Del Monaco's extraordinary interpretations of some of the most beloved roles in the operatic repertoire. From the dramatic intensity of "Otello" to the lyrical beauty of "La Bohème," each track is a testament to Del Monaco's unparalleled vocal prowess and emotional depth. The album spans a variety of genres within the classical realm, offering a rich and diverse listening experience.
Highlights include the thrilling "Nessun dorma" from Puccini's "Turandot," the poignant "Addio fiorito asil" from "Madama Butterfly," and the powerful "O Paradiso" from Meyerbeer's "L'Africaine." Del Monaco's commanding presence and technical brilliance are evident in every performance, making this album a treasure trove for both seasoned opera enthusiasts and those new to the genre.
With a duration of 1 hour and 59 minutes, this album is a comprehensive exploration of Del Monaco's artistry. Released by History-Records, "Great Voices - Mario del Monaco" is a celebration of one of the most celebrated tenors of the 20th century, offering a glimpse into the golden age of opera.
Tracks
Carmen, Act II: "La fleur que tu m'avais jetée" (José) - 1956Georges Bizet, The New Symphony Orchestra Of London, Alberto Erede, Mario del Monaco
La Wally, Act IV: "Oh! come furon lunghi" (Giuseppe Hagenbach) - 1956Alfredo Catalani, The New Symphony Orchestra Of London, Alberto Erede, Mario del Monaco
Lucia di Lammermoor, Act III, Scene 6: "Tombe degli avi miei - Frà poco a me ricovero" (Sir Edgardo di Ravenswood) - 1956Gaetano Donizetti, The New Symphony Orchestra Of London, Alberto Erede, Mario del Monaco
Andrea Chénier, Act I: "Colpito qui m'avete - Un dì all'azzurro spazio" (Chénier) - 1953Umberto Giordano, Orchestra Del Teatro Alla Scala, Milano, Franco Ghione, Mario del Monaco
Pagliacci, Prolog: "Si può" (Tonio) - 1953Ruggero Leoncavallo, Orchestra of the Accademia Nazionale di Santa Cecilia – Roma, Alberto Erede, Mario del Monaco
Le Cid, Act III, Scene 3: "O Souverain! O juge! O père!" (Rodrigue, a Knight) - 1956Jules Massenet, The New Symphony Orchestra Of London, Alberto Erede, Mario del Monaco
La Gioconda, Act II, Scene 4: "Cielo! E mar!" (Enzo) - 1954Amilcare Ponchielli, Orchestra of the Accademia Nazionale di Santa Cecilia – Roma, Alberto Erede, Mario del Monaco
Il Tabarro, Act I: "Hai ben ragione" (Luigi) - 1953Giacomo Puccini, Orchestra Del Teatro Alla Scala, Milano, Franco Ghione, Mario del Monaco
Madama Butterfly, Act III: "Addio fiorito asil" (Pinkerton) - 1956Giacomo Puccini, The New Symphony Orchestra Of London, Alberto Erede, Mario del Monaco
Manon Lescaut, Act II: "Tu, tù, amore" (Manon, Des Grieux) - 1954Giacomo Puccini, Orchestra Del Teatro Alla Scala, Milano, Orchestra of the Accademia Nazionale di Santa Cecilia – Roma, Francesco Molinari-Pradelli, Mario del Monaco, Renata Tebaldi
Aida, Act III: "Pur ti riveggo" (Aida, Radames) - 1952Giuseppe Verdi, Orchestra of the Accademia Nazionale di Santa Cecilia – Roma, Alberto Erede, Mario del Monaco, Renata Tebaldi
La Forza del Destino, Act III, Scene 1: "La vita è inferno all'infelice - O tu che seno agli angeli" (Don Alvaro) - 1955Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Francesco Molinari-Pradelli, Mario del Monaco
Rigoletto, Act I, Scene 1: "Questa o quella" (Duca di Mantova) - 1954Giuseppe Verdi, Orchestra of the Accademia Nazionale di Santa Cecilia – Roma, Alberto Erede, Mario del Monaco
La Wally, Act IV: "Quando a Sölden" (Giuseppe Hagenbach) - 1956Alfredo Catalani, The New Symphony Orchestra Of London, Alberto Erede, Mario del Monaco
Lucia di Lammermoor, Act III, Scene 7: "Tu che a Dio spiegasti l' ali" (Sir Edgardo di Ravenswood) - 1956Gaetano Donizetti, The New Symphony Orchestra Of London, Alberto Erede, Mario del Monaco
Fedora, Act II, Scene 7: "Amor ti vieta" (Conte Loris Ipanoff) - 1956Umberto Giordano, The New Symphony Orchestra Of London, Alberto Erede, Mario del Monaco
L'Africaine, Act IV, Scene 2: "O Paradiso" (Vasco da Gama) - 1956Giacomo Meyerbeer, The New Symphony Orchestra Of London, Alberto Erede, Mario del Monaco
La Bohème, Act I: "Che gelida manina" (Rudolfo) - 1953Giacomo Puccini, Orchestra Del Teatro Alla Scala, Milano, Franco Ghione, Mario del Monaco
Aida, Act IV, Scene 2: "La fatal pietra sovra me si chiuse - O terra, addio" (Aida, Radames) - 1952Giuseppe Verdi, Orchestra of the Accademia Nazionale di Santa Cecilia – Roma, Alberto Erede, Mario del Monaco, Renata Tebaldi
Rigoletto, Act III: "La donna è mobile" (Duca di Mantova) - 1954Giuseppe Verdi, Orchestra of the Accademia Nazionale di Santa Cecilia – Roma, Alberto Erede, Mario del Monaco
Otello, Act I, Scene 3: "Già nella notte densa" (Otello, Desdemona) - 1954Giuseppe Verdi, Orchestra of the Accademia Nazionale di Santa Cecilia – Roma, Alberto Erede, Mario del Monaco, Renata Tebaldi
Ernani, Act I, Scene 2: "Come rugiada al cespite" (Ernani) - 1956Giuseppe Verdi, The New Symphony Orchestra Of London, Alberto Erede, Mario del Monaco
Turandot, Act III: "Nessun dorma" (Kalaf) - 1953Giacomo Puccini, Orchestra Del Teatro Alla Scala, Milano, Franco Ghione, Mario del Monaco
Otello, Act III, Scene 2: "Dio ti giocondi" (Otello, Desdemona) - 1954Giuseppe Verdi, Orchestra of the Accademia Nazionale di Santa Cecilia – Roma, Alberto Erede, Mario del Monaco, Renata Tebaldi
Giulietto e Romeo: "Giulietta son io" (Zandonai) - 1956Riccardo Zandonai, The New Symphony Orchestra Of London, Alberto Erede, Mario del Monaco
Un ballo in Maschera, Act III, Scene 2: "Ma se m'è forza perderti" (Gustavo) - 1956Giuseppe Verdi, The New Symphony Orchestra Of London, Alberto Erede, Mario del Monaco
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