Immerse yourself in the intricate and captivating world of Paul Hindemith's sonatas with this remarkable album, released on ECM New Series in 1988. Spanning over two hours, this collection showcases Hindemith's virtuosity and innovation in the realm of classical music, specifically tailored for viola and piano, as well as solo viola. Hindemith, a German composer, violist, violinist, and teacher, is renowned for his contributions to 20th-century music, and this album is a testament to his enduring legacy.
The album features a diverse range of sonatas, each offering a unique exploration of musical expression and technique. From the lively and energetic "Sonata for Solo Viola, Op. 31 No. 4" to the introspective and contemplative "Sonata for Solo Viola (1937)," Hindemith's compositions are both technically demanding and emotionally resonant. The inclusion of sonatas for both viola and piano, as well as solo viola, provides a comprehensive overview of Hindemith's mastery of the viola and his ability to push the boundaries of the instrument.
The neoclassical influences in Hindemith's work are evident throughout the album, blending traditional forms with modern innovations. Each track is a journey through the composer's rich musical landscape, offering listeners a chance to appreciate the depth and complexity of his compositions. Whether you are a seasoned classical music enthusiast or a curious newcomer, this album offers a rewarding and enriching listening experience.
Tracks
Sonata for Solo Viola, Op. 31 No. 4: I. Äußerst lebhaftPaul Hindemith, Kim Kashkashian
Sonata for Solo Viola, Op. 31 No. 4: II. Lied. Ruhig, mit wenig Ausdruck. Langsame ViertelPaul Hindemith, Kim Kashkashian
Sonata for Solo Viola, Op. 31 No. 4: III. Thema mit Variationen. Schnelle Viertel, ma maestosoPaul Hindemith, Kim Kashkashian
Sonata for Solo Viola, Op. 25 No. 1: I. Breit – II. Sehr frisch und straffPaul Hindemith, Kim Kashkashian
Sonata for Solo Viola, Op. 25 No. 1: III. Sehr langsamPaul Hindemith, Kim Kashkashian
Sonata for Solo Viola, Op. 25 No. 1: IV. Rasendes Zeitmaß. Wild. Tonschönheit ist NebensachePaul Hindemith, Kim Kashkashian
Sonata for Solo Viola, Op. 25 No. 1: V. Langsam, mit viel AusdruckPaul Hindemith, Kim Kashkashian
Sonata for Solo Viola (1937): I. Lebhafte HalbePaul Hindemith, Kim Kashkashian
Sonata for Solo Viola (1937): II. Langsame Viertel – LebhaftPaul Hindemith, Kim Kashkashian
Sonata for Solo Viola (1937): III. Mässig schnelle ViertelPaul Hindemith, Kim Kashkashian
Sonata for Solo Viola, Op. 11 No. 5: I. Lebhaft, aber nicht geeiltPaul Hindemith, Kim Kashkashian
Sonata for Solo Viola, Op. 11 No. 5: II. Mäßig schnell, mit viel Wärme vortragenPaul Hindemith, Kim Kashkashian
Sonata for Solo Viola, Op. 11 No. 5: III. Scherzo. SchnellPaul Hindemith, Kim Kashkashian
Sonata for Solo Viola, Op. 11 No. 5: IV. In Form und Zeitmass einer Passacaglia. Das Thema sehr gehaltenPaul Hindemith, Kim Kashkashian
Viola Sonata in F Major, Op. 11 No. 4: I. Fantasie. RuhigPaul Hindemith, Kim Kashkashian, Robert Levin
Viola Sonata in F Major, Op. 11 No. 4: II. Thema mit VariationenPaul Hindemith, Kim Kashkashian, Robert Levin
Viola Sonata in F Major, Op. 11 No. 4: III. Finale mit VariationenPaul Hindemith, Kim Kashkashian, Robert Levin
Viola Sonata, Op. 25 No. 4: I. Sehr lebhaft – Markiert und kraftvollPaul Hindemith, Kim Kashkashian, Robert Levin
Viola Sonata, Op. 25 No. 4: II. Sehr langsam ViertelPaul Hindemith, Kim Kashkashian, Robert Levin
Viola Sonata, Op. 25 No. 4: III. Finale. Lebhafte ViertelPaul Hindemith, Kim Kashkashian, Robert Levin
Viola Sonata (1939): I. Breit. Mit KraftPaul Hindemith, Kim Kashkashian, Robert Levin
Viola Sonata (1939): II. Sehr lebhaftPaul Hindemith, Kim Kashkashian, Robert Levin
Viola Sonata (1939): III. Phantasie. Sehr langsam, freiPaul Hindemith, Kim Kashkashian, Robert Levin
Viola Sonata (1939): IV. Finale with 2 Variations. Leicht bewegt – Ein wenig langsamer – Sehr lebhaftPaul Hindemith, Kim Kashkashian, Robert Levin
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