Immerse yourself in the powerful and resonant voice of legendary bass-baritone Hans Hotter, as captured in this exceptional collection of operatic arias and scenes. Released on June 28, 2013, by Documents, "Hans Hotter 'The Wotan of the Century' at His Best, Vol. 8" showcases the artist's unparalleled mastery of some of the most demanding roles in the opera repertoire.
Conducted by Artur Rother, this album spans a little over an hour and features iconic pieces from beloved operas such as "Der Barbier von Sevilla," "Carmen," "Othello," "Aida," "Don Carlo," "Falstaff," and "Der Bajazzo." Hotter's extraordinary vocal prowess and dramatic intensity shine through in each performance, offering a glimpse into why he was revered as one of the greatest singers of the 20th century.
From the cunning scheming of Don Basilio in "Der Barbier von Sevilla" to the tormented soliloquies of Jago in "Othello," Hotter's ability to embody a wide range of characters is nothing short of remarkable. His portrayal of Falstaff, in particular, is a highlight, showcasing his versatility and comedic timing.
This album is a testament to Hotter's enduring legacy and his ability to captivate audiences with his rich, resonant voice and profound emotional depth. Whether you're a seasoned opera enthusiast or a newcomer to the genre, this collection offers a compelling introduction to the artistry of Hans Hotter and the timeless beauty of opera.
Tracks
Der Barbier von Sevilla, Act I, Scene 10: "Die Verleumdung, sie ist ein Lüftchen" (Don Basilio)Orchester des Deutschen Opernhauses, Berlin, Artur Rother, Hans Hotter
Carmen, Act II, Scene 2: "Euren Gruß kann ich wohl erwidern" (Escamillo)Artur Rother, Chor des deutschen Opernhauses Berlin, Hans Hotter, Orchester des Deutschen Opernhauses, Berlin
Der Bajazzo: "Schaut her, ich bin’s" (Tonio)Orchester des Deutschen Opernhauses, Berlin, Artur Rother, Hans Hotter
Othello, Act II, Scene 5: "Zur Nachtzeit war es" (Jago)Orchester des Deutschen Opernhauses, Berlin, Artur Rother, Hans Hotter
Othello, Act II, Scene 2: "Ich glaube an einen Gott" (Jago)Orchester der Bayerischen Staatsoper München, Heinrich Hollreiser, Hans Hotter
Aida, Act III, Scene 3: "Wehe, mein Vater!" (Amonasro, Aida)Orchester der Berliner Staatsoper, Artur Rother, Hans Hotter, Hilde Scheppan
Don Carlo, Act III, Scene 2: "Il Grande Inquisitor!" (Grande Inquisitore, Filippo II)Metropolitan Opera Orchestra, New York, Fritz Stiedry, Hans Hotter, Jerome Hines
Falstaff, Act I, Scene 1: "He, Page! Die Ehre! Gauner!" (Falstaff)Orchester des Reichssenders Leipzig, Hans Weisbach, Hans Hotter
Falstaff, Act II, Scene 1: "Es verzehrt uns heiße Reue" (Falstaff, Bardolph, Pistol, Quickly)Orchester des Reichssenders Leipzig, Hans Weisbach, Hans Hotter, Wilhelm Ulbricht, Gottlieb Zeithammer, Hedwig Fichtmüller
Falstaff, Act II, Scene 1: "Brav, alter Hans" (Falstaff, Pistol, Bardolph, Ford)Orchester des Reichssenders Leipzig, Hans Weisbach, Hans Hotter, Gottlieb Zeithammer, Wilhelm Ulbricht, Arno Schellenberg
Der Barbier von Sevilla, Act I, Scene 10: "Die Verleumdung, sie ist ein Lüftchen" (Don Basilio)Orchester der Bayerischen Staatsoper München, Joseph Keilberth, Hans Hotter
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