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  1. Albums
  2. franz schreker: die gezeichneten - franz schreker

Franz Schreker - Franz Schreker: Die Gezeichneten (LP)

Franz SchrekerFranz Schreker
  • 2013
  • 32 tracks
  • 2 uur, 50 min
Franz Schreker: Die Gezeichneten - Franz Schreker
Franz Schreker: Die Gezeichneten
Check availability on amazon.co.uk/
Franz Schreker: Die Gezeichneten - Franz Schreker
Franz Schreker: Die Gezeichneten - Franz Schreker

Product Description

Immerse yourself in the captivating world of Franz Schreker's "Die Gezeichneten," a profound and intricate opera that spans nearly three hours. This 2013 release by OperaPrima-Carillon is a testament to Schreker's mastery of composition, blending rich orchestration with compelling storytelling. The opera is divided into three acts, each filled with a series of powerful arias and ensembles that showcase the depth and complexity of the characters and their intertwining fates. From the dramatic orchestral preludes to the intense emotional duets, "Die Gezeichneten" offers a rich tapestry of sound and drama. Schreker's unique style, characterized by its lush harmonies and vivid orchestration, creates an atmosphere that is both haunting and beautiful. Whether you are a seasoned opera enthusiast or a newcomer to the genre, this album promises a deeply engaging and rewarding experience.

Tracks

  1. Die Gezeichneten, Act I: OrchestervorspielFranz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig
    9:48
  2. Die Gezeichneten, Act I: "Lasst! Genug!" (Alviano, Edle)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Helmut Krebs
    11:43
  3. Die Gezeichneten, Act I: "Ist das nicht, Tamare?" (Edle, Tamare)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Thomas Stewart
    2:00
  4. Die Gezeichneten, Act I: "Meinen Gruss, Signori" (Alviano, Podestà)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Helmut Krebs, Ernst Wiemann
    3:59
  5. Die Gezeichneten, Act I: "Signor Podestà, es gäb zu" (Senatoren, Podestà, Edle, Tamare, Carlotta, Alviano)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Julius Katona, Erich Wenk, Ernst Wiemann, Thomas Stewart, Evelyn Lear, Helmut Krebs
    5:49
  6. Die Gezeichneten, Act I: "Holde Martuccia!" (Pietro, Martuccia)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Donald Grobe, Mria von Ilosvay
    3:23
  7. Die Gezeichneten, Act I: "Ihr seid köstlich, Signor Alviano" (Carlotta, Alviano)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Evelyn Lear, Helmut Krebs
    5:55
  8. Die Gezeichneten, Act I: "Dort, wo die Stadt weit wird" (Carlotta)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Evelyn Lear
    4:48
  9. Die Gezeichneten, Act I: "Ich bin beschärnt" (Alviano, Carlotta)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Helmut Krebs, Evelyn Lear
    2:12
  10. Die Gezeichneten, Act II: "Erspielt mit uns" (Podestà, Senatoren)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Ernst Wiemann, Julius Katona, Erich Wenk
    3:27
  11. Die Gezeichneten, Act II: "Hast du's gehörtr" (Adorno, Tamare)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Franz Crass, Thomas Stewart
    6:23
  12. Die Gezeichneten, Act II: "Ah! Ein grosser Maler nannte mir" (Adorno, Tamare)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Franz Crass, Thomas Stewart
    4:26
  13. Die Gezeichneten, Act II: "Herrliche unterirdische Räume" (Tamare, Adorno)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Thomas Stewart, Franz Crass
    5:29
  14. Die Gezeichneten, Act II: "Zwischenspiel" (Carlotta)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Evelyn Lear
    2:37
  15. Die Gezeichneten, Act II: "Uns're Zeit ist voll seltsamer Dinge" (Carlotta, Alviano)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Evelyn Lear, Helmut Krebs
    4:30
  16. Die Gezeichneten, Act II: "Wollt Ihr, Signor" (Carlotta, Alviano)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Evelyn Lear, Helmut Krebs
    8:36
  17. Die Gezeichneten, Act II: "Doch Signor, Euch zu malen" (Carlotta, Alviano)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Evelyn Lear, Helmut Krebs
    11:59
  18. Die Gezeichneten, Act II: "Und wenns mehr wäre" (Carlotta, Alviano)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Evelyn Lear, Helmut Krebs
    0:52
  19. Die Gezeichneten, Act III: OrchestervorspielFranz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig
    5:47
  20. Die Gezeichneten, Act III: "Bei den Gebeinen des heil'gen" (Bürger, Bub, Vater, Mutter, Jüngling, Martuccia, Pietro)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Erich Wenk, Julius Katona, Mria von Ilosvay, Donald Grobe
    6:17
  21. Die Gezeichneten, Act III: "War mir doch" (Alviano, Podestà)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Helmut Krebs, Ernst Wiemann
    6:42
  22. Die Gezeichneten, Act III: "Höret Ihr nicht?" (Adorno, Carlotta, Gonsalvo,Guidobald, Michelotto, Julian, Menaldo)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Franz Crass, Evelyn Lear, Hans Herbert, Julius Katona, Walter Hauck, Herbert Klomser, Manfred Schmidt
    9:07
  23. Die Gezeichneten, Act III: "Ah, welche Nacht!" (Carlotta, Chor, Mutter, Vater, Senatoren, Jüngling, Madchen)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Evelyn Lear, Chor des Norddeutschen Rundfunks, Erich Wenk, Julius Katona
    5:28
  24. Die Gezeichneten, Act III: "Was fliehst Du vor mir?" (Tamare, Carlotta)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Thomas Stewart, Evelyn Lear
    5:39
  25. Die Gezeichneten, Act III: "Ihre Stimme hör' ich!" (Alviano, Chor, Podestà)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Helmut Krebs, Chor des Norddeutschen Rundfunks, Ernst Wiemann
    3:42
  26. Die Gezeichneten, Act III: "Haltet ein, genuesisches Volk!" (Capitaneo, Chor, Alviano)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Franz Crass, Chor des Norddeutschen Rundfunks, Helmut Krebs
    3:07
  27. Die Gezeichneten, Act III: "Hört Ihr denn nicht?" (Alviano, Capitaneo, Podestà, Bürger, Julian, Ginevra, Chor)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Helmut Krebs, Franz Crass, Ernst Wiemann, Herbert Klomser, Chor des Norddeutschen Rundfunks
    5:29
  28. Die Gezeichneten, Act III: "Kommt, ich führe Euch!" (Alviano, Chor)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Helmut Krebs, Chor des Norddeutschen Rundfunks
    3:43
  29. Die Gezeichneten, Act III: "Du lügst!" (Alviano)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Helmut Krebs
    4:21
  30. Die Gezeichneten, Act III: "Und wenn Du mich mordest" (Tamare, Alviano, Chor)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Thomas Stewart, Helmut Krebs, Chor des Norddeutschen Rundfunks
    6:15
  31. Die Gezeichneten, Act III: "Auf einer Kirchweih'" (Tamare)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Thomas Stewart
    1:50
  32. Die Gezeichneten, Act III: "Wer schrie da?" (Carlotta, Alviano)Franz Schreker, North German Radio Philharmonic Orchestra, Winfried Zillig, Evelyn Lear, Helmut Krebs
    5:25
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Product specifications

Details

Album
Franz Schreker: Die Gezeichneten
Artist
Franz Schreker
Album release date
1 januari 2013
Label
OperaPrima-Carillon
Available
No

Product information

Mono or stereo
Stereo
Duration
2 uur, 50 min
Tracks
32 tracks

Other

Limited Edition
No
Box set
No
Remastered
No
Reissue
No

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About Franz Schreker

Franz Schreker, an Austrian composer born in 1878 and passing away in 1934, was a significant figure in early 20th-century music. Known for his rich, chromatic style, Schreker's works often blend late Romanticism with modernist innovations. His operas, such as "Der ferne Klang" and "Irrelohe," are particularly notable for their dramatic intensity and complex, expressive harmonies. Schreker's music, though sometimes overshadowed by his contemporaries, offers a compelling journey through the emotional and psychological depths of the human experience. His compositions continue to intrigue and captivate audiences, showcasing his unique voice in the classical music landscape.

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Franz Schreker

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