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  1. Albums
  2. dvorak: requiem - brahms: 4 ernste gesänge - klaus mertens

Klaus Mertens - Dvorak: Requiem - Brahms: 4 Ernste Gesänge (LP)

Klaus MertensKlaus Mertens
  • 2006
  • 17 tracks
  • 1 uur, 51 min
  • requiem
Dvorak: Requiem - Brahms: 4 Ernste Gesänge - Klaus Mertens
Dvorak: Requiem - Brahms: 4 Ernste Gesänge
Check availability on amazon.co.uk/
Dvorak: Requiem - Brahms: 4 Ernste Gesänge - Klaus Mertens
Dvorak: Requiem - Brahms: 4 Ernste Gesänge - Klaus Mertens

Product Description

Immerse yourself in the profound and moving works of Antonín Dvořák and Johannes Brahms with Klaus Mertens' captivating album, "Dvořák: Requiem - Brahms: 4 Ernste Gesänge." This extraordinary collection, released on January 1, 2006, under the Profil label, offers a deeply spiritual and musically rich experience that showcases Mertens' exceptional vocal prowess and interpretive depth.

The album begins with Dvořák's powerful "Requiem, Op. 89, B. 165," a choral masterpiece that explores themes of life, death, and redemption. Mertens, renowned for his resonant bass-baritone, delivers a stirring performance that brings Dvořák's intricate compositions to life. The requiem's various sections, from the solemn "Requiem aeternam" to the dramatic "Dies irae," are rendered with exquisite sensitivity and technical precision, highlighting Mertens' ability to convey the full emotional spectrum of Dvořák's work.

Following the requiem, the album transitions to Brahms' "4 Ernste Gesänge, Op. 121," a set of four serious songs that delve into the human condition and the inevitability of death. Mertens' interpretation of these pieces is both poignant and introspective, showcasing his ability to connect with the listener on a deeply personal level. Each song, from the reflective "Denn es gehet dem Menschen" to the fervent "Wenn ich mit Menschen und Engelszungen," is performed with a sense of gravitas and emotional resonance that is truly captivating.

With a total duration of 1 hour and 51 minutes, this album is a testament to Mertens' artistry and his ability to bring classical choral and vocal works to new heights. Whether you are a seasoned classical music enthusiast or a newcomer to the genre, this album offers a rich and rewarding listening experience that is sure to leave a lasting impression.

Tracks

  1. Requiem, Op. 89, B. 165: Requiem aeternam (Soli, Chorus)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
    9:40
  2. Requiem, Op. 89, B. 165: Graduale (Soprano, Chorus)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
    4:56
  3. Requiem, Op. 89, B. 165: Dies irae (Chorus)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
    2:36
  4. Requiem, Op. 89, B. 165: Tuba mirum (Soli, Chorus)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
    9:46
  5. Requiem, Op. 89, B. 165: Quid sum miser (Soli, Chorus)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
    6:10
  6. Requiem, Op. 89, B. 165: Recordare, Jesu pie (Soli)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
    7:38
  7. Requiem, Op. 89, B. 165: Confutatis maledictis (Chorus)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
    4:06
  8. Requiem, Op. 89, B. 165: Lacrimosa (Soli, Chorus)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
    5:23
  9. Requiem, Op. 89, B. 165: Offertorium (Soli, Chorus)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
    12:06
  10. Requiem, Op. 89, B. 165: Hostias (Soli, Chorus)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
    11:04
  11. Requiem, Op. 89, B. 165: Sanctus (Soli, Chorus)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
    6:20
  12. Requiem, Op. 89, B. 165: Pie Jesu (Soli, Chorus)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
    4:41
  13. Requiem, Op. 89, B. 165: Agnus Dei (Soli, Chorus)Antonín Dvořák, Mechthild Bach, Stefanie Irányi, Markus Schäfer, Klaus Mertens, Schlosskirche Weilburg Kantorei, Capella Weilburgensis, Doris Hagel
    10:11
  14. 4 Ernste Gesänge, Op. 121: No. 1, Denn es gehet dem MenschenJohannes Brahms, Klaus Mertens, Capella Weilburgensis, Doris Hagel
    4:48
  15. 4 Ernste Gesänge, Op. 121: No. 2, Ich wandte michJohannes Brahms, Klaus Mertens, Capella Weilburgensis, Doris Hagel
    3:43
  16. 4 Ernste Gesänge, Op. 121: No. 3, O Tod, wie bitter bist duJohannes Brahms, Klaus Mertens, Capella Weilburgensis, Doris Hagel
    3:21
  17. 4 Ernste Gesänge, Op. 121: No. 4, Wenn ich mit Menschen und EngelszungenJohannes Brahms, Klaus Mertens, Capella Weilburgensis, Doris Hagel
    4:58
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Product specifications

Details

Album
Dvorak: Requiem - Brahms: 4 Ernste Gesänge
Artist
Klaus Mertens
Album release date
1 jan 2006
Label
Profil
Available
No

Product information

Mono or stereo
Stereo
Duration
1 uur, 51 min
Tracks
17 tracks

Other

Limited Edition
No
Genre
Requiem
Box set
No
Remastered
No
Reissue
No

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About Klaus Mertens

Klaus Mertens, the renowned German actor born in 1929 and passed away in 2003, was a versatile artist who left an indelible mark on the world of performing arts. While primarily known for his acting prowess, Mertens also ventured into the realm of music, particularly excelling in the genres of requiem and choral works. His powerful voice and profound interpretations brought a unique depth to these musical pieces, captivating audiences and critics alike. Mertens' ability to convey raw emotion and his commitment to his craft made him a standout figure in both theater and music. His legacy continues to inspire and resonate with those who appreciate the intersection of drama and melody.

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Klaus Mertens

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