Dive into the enchanting world of early Baroque music with Céline Scheen's captivating album, "Dolcissimo sospiro." Scheen, a renowned soprano known for her exquisite vocal prowess and deep connection to historical music, presents a collection of works that span a variety of styles and moods, all united by their timeless beauty and emotional depth.
The album features a diverse selection of pieces, including madrigals, ayres, and instrumental works, showcasing the rich tapestry of music from the late Renaissance and early Baroque periods. Highlights include the hauntingly beautiful "Dolcissimo sospiro" from Giulio Caccini's "Le nuove musiche," the playful and spirited "Tickle Me Quickly" from John Dowland's "The First Part of Ayres," and the dramatic intensity of "Cruda Amarilli" by Luca Marenzio.
Scheen's interpretation of these works is both sensitive and expressive, bringing a fresh perspective to these centuries-old compositions. Her voice, with its pure tone and remarkable agility, is perfectly suited to the intricate melodies and complex harmonies of this repertoire. The album also features a selection of instrumental pieces, performed with equal skill and artistry, adding depth and variety to the listening experience.
The album's duration of just over an hour and nine minutes makes it a perfect companion for a quiet evening or a focused listening session. Recorded with meticulous attention to detail, the sound quality is impeccable, allowing every nuance of Scheen's performance to shine through.
"Dolcissimo sospiro" is a testament to Céline Scheen's artistry and her deep commitment to the music of the past. Whether you are a seasoned fan of early music or a newcomer to the genre, this album offers a rich and rewarding listening experience that is sure to delight and inspire.
Tracks
Le nuove musiche: No. 3. Dolcissimo sospiro - Version from the British Museum, MS. Egerton 2971Giulio Caccini, Céline Scheen, Philippe Pierlot
The First Part of Ayres, French, Pollish and Others: No. 107. What Greater GriefeTobias Hume, Céline Scheen, Philippe Pierlot
The First Part of Ayres, French, Pollish and Others: No. 39. Touch Me Lightly - No. 38. Tickle Me Quickly - No. 35. Tickell, TickellTobias Hume, Philippe Pierlot
Le nuove musiche: No. 11. Dovrò dunque morire?Giulio Caccini, Céline Scheen, Philippe Pierlot
The First Part of Ayres, French, Pollish and Others: No. 48. Love's FarewellTobias Hume, Philippe Pierlot
Cruda Amarilli - Version from the British Museum, MS. Egerton 2971Anonymous, Céline Scheen, Philippe Pierlot
A Musicall Dreame, or the Fourth Booke of Ayres: No. 21. S'amor non è che dunqueRobert Jones, Céline Scheen, Philippe Pierlot
The Dark Is My DelightAnonymous, Céline Scheen, Philippe Pierlot
A Musicall Dreame, or the Fourth Booke of Ayres: No. 19. In Sherwood livde stout Robin HoodRobert Jones, Céline Scheen, Philippe Pierlot
Robin HoodAnonymous, Philippe Pierlot
Praeludium (No. 32, from the "Manchester Lyra-Viol Manuscript, Part 3" - f. 288)Mr. Anthonye, Philippe Pierlot
Paven (No. 46, from the "Manchester Lyra-Viol Manuscript, Part 3" - f. 302)Gervise Gerrarde, Philippe Pierlot
Galliard CorantAlfonso Ferrabosco II, Philippe Pierlot
The Second Booke of Songs and Ayres: No. 9. Now What Is LoveRobert Jones, Céline Scheen, Philippe Pierlot
Allman CorantoAlfonso Ferrabosco II, Philippe Pierlot
Le nuove musiche: No. 4. Amor, io partoGiulio Caccini, Céline Scheen, Philippe Pierlot
Why Stays the Bridegroom (Part 1)Alfonso Ferrabosco II, Céline Scheen, Philippe Pierlot
Bonny Sweet RobinAnonymous, Philippe Pierlot
Pavan No. 4 - Version from the Bodleian Library, Manuscript D.245Daniel Farrant, Philippe Pierlot
Why Stays the Bridegroom (Part 2)Alfonso Ferrabosco II, Céline Scheen, Philippe Pierlot
The First Part of Ayres, French, Pollish and Others: No. 9. Adue Sweete LoueTobias Hume, Philippe Pierlot
The Second Set of Madrigals: No. 23. Weep, Weep Mine Eyes - Version from the British Museum, MS. Egerton 2971John Wilbye, Céline Scheen, Philippe Pierlot
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