Immerse yourself in the enchanting world of Heinrich Ignaz Franz von Biber with his captivating album "Divina," released on June 26, 2020, under the prestigious Deutsche Harmonia Mundi label. This exquisite collection of compositions is a testament to Biber's virtuosity and his profound ability to blend sacred and secular themes into a harmonious whole.
"Divina" spans a little over an hour, offering a rich tapestry of musical styles and emotions. The album features a selection of Biber's most renowned works, including the intricate and dynamic "Harmonia artificioso-ariosa" with its elaborate variations and dance-inspired movements. The sacred choral works, such as "Nisi Dominus aedificaverit domum" and "Laetatus Sum à 7," showcase Biber's mastery of polyphonic writing and his deep spiritual devotion.
The album also includes the contemplative "Sacro-profanus concentus musicus" sonatas, which highlight Biber's ability to create profound musical narratives within a relatively short span. The "Passacaglia 'Schutzengel'" is a standout piece, offering a meditative and introspective journey through its repetitive yet evolving structure.
Heinrich Ignaz Franz von Biber, an Austrian composer and violinist of the Baroque era, is celebrated for his innovative and technically demanding compositions. His works often push the boundaries of conventional musical forms, incorporating complex techniques and expressive depth. "Divina" is a brilliant showcase of Biber's genius, offering a comprehensive exploration of his sacred and instrumental music.
Whether you are a seasoned classical music enthusiast or a newcomer to the genre, "Divina" promises a rewarding and enriching listening experience. Heinrich Ignaz Franz von Biber's timeless compositions continue to captivate audiences with their beauty, complexity, and emotional resonance.
Tracks
Harmonia artificioso-ariosa, Partia II in B Minor, C 63: I. PraeludiumHeinrich Ignaz Franz von Biber, Les Passions de l'Ame, Meret Lüthi
Harmonia artificioso-ariosa, Partia II in B Minor, C 63: II. Allamande & VariatioHeinrich Ignaz Franz von Biber, Les Passions de l'Ame, Meret Lüthi
Harmonia artificioso-ariosa, Partia II in B Minor, C 63: III. BallettoHeinrich Ignaz Franz von Biber, Les Passions de l'Ame, Meret Lüthi
Harmonia artificioso-ariosa, Partia II in B Minor, C 63: IV. AriaHeinrich Ignaz Franz von Biber, Les Passions de l'Ame, Meret Lüthi
Harmonia artificioso-ariosa, Partia II in B Minor, C 63: V. GigueHeinrich Ignaz Franz von Biber, Les Passions de l'Ame, Meret Lüthi
Sacro-profanus concentus musicus: Sonata VIII in G MajorJohann Heinrich Schmelzer, Les Passions de l'Ame, Meret Lüthi
Nisi Dominus aedificaverit domum (Psalm 127)Heinrich Ignaz Franz von Biber, Les Passions de l'Ame, Meret Lüthi
Der glorreiche Rosenkranz: No. 16 in G Minor, Passacaglia "Schutzengel", C. 105Heinrich Ignaz Franz von Biber, Meret Lüthi
Harmonia artificioso-ariosa, Partia VII in C Minor, C 68: I. PraeludiumHeinrich Ignaz Franz von Biber, Les Passions de l'Ame, Meret Lüthi
Harmonia artificioso-ariosa, Partia VII in C Minor, C 68: II. AllamandeHeinrich Ignaz Franz von Biber, Les Passions de l'Ame, Meret Lüthi
Harmonia artificioso-ariosa, Partia VII in C Minor, C 68: III. SarabandeHeinrich Ignaz Franz von Biber, Les Passions de l'Ame, Meret Lüthi
Harmonia artificioso-ariosa, Partia VII in C Minor, C 68: IV. GigueHeinrich Ignaz Franz von Biber, Les Passions de l'Ame, Meret Lüthi
Harmonia artificioso-ariosa, Partia VII in C Minor, C 68: V. AriaHeinrich Ignaz Franz von Biber, Les Passions de l'Ame, Meret Lüthi
Harmonia artificioso-ariosa, Partia VII in C Minor, C 68: VI. TrezzaHeinrich Ignaz Franz von Biber, Les Passions de l'Ame, Meret Lüthi
Harmonia artificioso-ariosa, Partia VII in C Minor, C 68: VII. Arietta variataHeinrich Ignaz Franz von Biber, Les Passions de l'Ame, Meret Lüthi
Sacro-profanus concentus musicus: Sonata VII in A MajorJohann Heinrich Schmelzer, Les Passions de l'Ame, Meret Lüthi
Laetatus Sum à 7 (Psalm 122)Heinrich Ignaz Franz von Biber, Les Passions de l'Ame, Meret Lüthi
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