Joel Cohen's "Carmina Burana" is a captivating journey through the medieval era, meticulously crafted and released on November 25, 1996, under Warner Classics International. This album is a testament to Cohen's dedication to historical music, featuring a collection of 22 tracks that span a total of 72 minutes. Each piece is a carefully selected gem from the famous "Carmina Burana" manuscript, a collection of medieval poetry and musical works.
The album opens with "Fas et nefas ambulant" and closes with "Ave, formosissima," taking the listener through a diverse range of moods and themes. From the hauntingly beautiful "O Fortuna" to the lively "Tempus est jocundum," Cohen's interpretation brings these ancient works to life with a fresh perspective. The tracks are performed with a blend of authentic medieval instruments and modern techniques, creating a sound that is both historically accurate and accessible to contemporary audiences.
Joel Cohen's "Carmina Burana" is not just a collection of medieval music; it's a carefully curated experience that showcases the depth and diversity of this historical period. Whether you're a seasoned enthusiast of medieval music or a newcomer looking to explore this rich musical heritage, this album offers a compelling and engaging journey through the sounds of the past.
Tracks
Carmina burana: No. 19, Fas et nefas ambulant (After Biblioteca Medicea Laurenziana MS Pl. 29.1)Gauthier de Châtillon, Joel Cohen, Boston Camerata, Harvard University Choir
Carmina burana: No. 14, O varium fortune lubricum (After Biblioteca Medicea Laurenziana MS Pl. 29.1)Anonymous, Joel Cohen, Boston Camerata, Harvard University Choir
Carmina burana: No. 17, O fortuna, velut lunaAnonymous, Joel Cohen, Boston Camerata, Harvard University Choir
Carmina burana: No. 27, Bonum est confidere (After Biblioteca Medicea Laurenziana MS Pl. 29.1)Philippe Le Chancelier, Joel Cohen, Boston Camerata
Carmina burana: No. 14a, Curritur ad vocem (After "Crucifigat omnes")Anonymous, Joel Cohen, Boston Camerata
Carmina burana: No. 30, Dum juventus floruitAnonymous, Joel Cohen, Boston Camerata
Carmina burana: No. 215, Officium lusorum. Introitus Sequentia (After "Victimae pascali laudes")Anonymous, Joel Cohen, Boston Camerata, Harvard University Choir
Carmina burana: No. 211, Alte clamat EpicurusAnonymous, Joel Cohen, Boston Camerata
Carmina burana: No. 130, Olim lacus colueram (After "Dies irae")Anonymous, Joel Cohen, Boston Camerata, Harvard University Choir
Carmina burana: No. 131, Dic, Christi veritas (After Biblioteca Medicea Laurenziana MS Pl. 29.1)Anonymous, Joel Cohen, Boston Camerata
Carmina burana: No. 131a, Bulla fulminante (After Biblioteca Medicea Laurenziana MS Pl. 29.1)Philippe Le Chancelier, Joel Cohen, Boston Camerata, Harvard University Choir
Carmina burana: No. 200, Bacche, bene venies (After British Library MS Egerton 2615 "Manuscrit de Beauvais")Anonymous, Joel Cohen, Boston Camerata, Harvard University Choir
Carmina burana: No. 118, Doleo quod nimiumThibaut de Champagne, Joel Cohen, Boston Camerata, Harvard University Choir
Carmina burana: No. 59, Ecce chorus virginumConon de Béthune, Joel Cohen, Boston Camerata, Harvard University Choir
Carmina burana: No. 90, Exiit diluculoAnonymous, Joel Cohen, Boston Camerata
Carmina burana: No. 116, Sic mea fataAnonymous, Joel Cohen, Boston Camerata
Carmina burana: No. 180, O mi dilectissimaAnonymous, Joel Cohen, Boston Camerata, Harvard University Choir
Carmina burana: No. 174, Veni, veni, venias... Chume, chume, geselle mînAnonymous, Margriet Tindemans, Joel Cohen, Boston Camerata, Harvard University Choir
Carmina burana: No. 185, Ich was ein chintRené Clemencic, Joel Cohen, Boston Camerata, Harvard University Choir
Carmina burana: No. 179, Tempus est jocundumAnonymous, Joel Cohen, Boston Camerata, Harvard University Choir
Carmina burana: No. 142, Tempus adest floridum - No. 77, Ave, formosissimaAnonymous, Joel Cohen, Boston Camerata, Harvard University Choir
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