Immerse yourself in the intricate and expressive world of Carl Philipp Emanuel Bach with his captivating collection of trio sonatas. Released on October 17, 1994, by the esteemed label harmonia mundi, this album showcases the genius of one of the most influential composers of the Classical era. Spanning a duration of one hour and one minute, the album is a testament to Bach's mastery of the classical piano genre, offering a rich and diverse listening experience.
The album features a selection of sonatas, each composed in a different key, demonstrating Bach's versatility and depth. The sonatas are meticulously structured, with each movement offering a unique blend of tempo and mood. From the lively "Allegro assai" and "Allegretto" movements to the more contemplative "Andantino" and "Largo con sordino," the album takes you on a journey through a range of emotions and musical expressions.
Carl Philipp Emanuel Bach, often overshadowed by his famous father Johann Sebastian Bach, was a pioneering figure in the transition from the Baroque to the Classical era. His innovative approach to composition and his exploration of new musical forms and techniques make his work a fascinating subject of study and appreciation. This album is a perfect introduction to his oeuvre, highlighting his unique style and his significant contributions to the development of classical music.
Whether you are a seasoned classical music enthusiast or a newcomer to the genre, this album is sure to captivate and inspire. The precise and nuanced performances bring Bach's compositions to life, offering a glimpse into the musical genius of one of history's most celebrated composers.
Tracks
Sonate en la mineur, Wq. 154 (H.576): Sonate en la mineur, Wq. 154 (H.576): I. Allegro assaiCarl Philipp Emanuel Bach, London Baroque, Richard Egarr
Sonate en la mineur, Wq. 154 (H.576): Sonate en la mineur, Wq. 154 (H.576): II. AndantinoCarl Philipp Emanuel Bach, London Baroque, Richard Egarr
Sonate en la mineur, Wq. 154 (H.576): Sonate en la mineur, Wq. 154 (H.576): III. Tempo di menuetCarl Philipp Emanuel Bach, London Baroque, Richard Egarr
Sonate en Fa majeur, Wq. 154 (H.576): Sonate en Fa majeur, Wq. 154 (H.576): I. AllegrettoCarl Philipp Emanuel Bach, London Baroque, Richard Egarr
Sonate en Fa majeur, Wq. 154 (H.576): Sonate en Fa majeur, Wq. 154 (H.576): II. AndanteCarl Philipp Emanuel Bach, London Baroque, Richard Egarr
Sonate en Fa majeur, Wq. 154 (H.576): Sonate en Fa majeur, Wq. 154 (H.576): III. AllegroCarl Philipp Emanuel Bach, London Baroque, Richard Egarr
Sonate en mi mineur, Wq. 155 (H.577): Sonate en mi mineur, Wq. 155 (H.577): I. AllegrettoCarl Philipp Emanuel Bach, London Baroque, Richard Egarr
Sonate en mi mineur, Wq. 155 (H.577): Sonate en mi mineur, Wq. 155 (H.577): II. AndanteCarl Philipp Emanuel Bach, London Baroque, Richard Egarr
Sonate en mi mineur, Wq. 155 (H.577): Sonate en mi mineur, Wq. 155 (H.577): III. AllegroCarl Philipp Emanuel Bach, London Baroque, Richard Egarr
Sonate en Si bémol majeur, Wq. 158 (H.584): Sonate en Si bémol majeur, Wq. 158 (H.584): I. AllegrettoCarl Philipp Emanuel Bach, London Baroque, Richard Egarr
Sonate en Si bémol majeur, Wq. 158 (H.584): Sonate en Si bémol majeur, Wq. 158 (H.584): II. Largo con sordinoCarl Philipp Emanuel Bach, London Baroque, Richard Egarr
Sonate en Si bémol majeur, Wq. 158 (H.584): Sonate en Si bémol majeur, Wq. 158 (H.584): III. AllegroCarl Philipp Emanuel Bach, London Baroque, Richard Egarr
Sonate en ré mineur, Wq. 160 (H.590): Sonate en ré mineur, Wq. 160 (H.590): I. AllegrettoCarl Philipp Emanuel Bach, London Baroque, Richard Egarr
Sonate en ré mineur, Wq. 160 (H.590): Sonate en ré mineur, Wq. 160 (H.590): II. LarghettoCarl Philipp Emanuel Bach, London Baroque, Richard Egarr
Sonate en ré mineur, Wq. 160 (H.590): Sonate en ré mineur, Wq. 160 (H.590): III. Poco AllegroCarl Philipp Emanuel Bach, London Baroque, Richard Egarr
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