Immerse yourself in the intricate and captivating world of Marin Marais with the album "Badinages: Marais: Works for Viola da gamba & Harpsichord." Released on April 1, 2020, under the ATMA Classique label, this collection showcases the mastery of Marais, a prominent French composer and viol player of the Baroque era. Spanning just under an hour, this album is a rich tapestry of Marais' compositions, featuring a blend of suites and individual pieces that highlight the elegance and sophistication of the period.
The album opens with the enchanting "Prélude" from the Deuxième Suite en ré majeur, setting the stage for a journey through a variety of dance movements and character pieces. Each track, from the lively "Allemande de La Familière" to the graceful "Rondeau Le Gracieux," offers a glimpse into the musical landscape of 17th-century France. Marais' skillful use of the viola da gamba and harpsichord creates a rich, textured sound that is both intimate and grand.
Highlights include the playful "Boutade" and the delicate "La Petite Brillante," showcasing Marais' ability to convey a range of emotions and moods. The album also features pieces from the "Suite d’un goût étranger," including the whimsical "Le Badinage" and the exotic "L’Arabesque," demonstrating Marais' influence and innovation.
Whether you are a seasoned enthusiast of Baroque music or a newcomer looking to explore the genre, "Badinages: Marais: Works for Viola da gamba & Harpsichord" offers a compelling introduction to the works of Marin Marais. This album is a testament to the enduring appeal of his music, inviting you to appreciate the beauty and complexity of his compositions.
Tracks
Deuxième Suite en ré majeur, no 8: PréludeMarin Marais, Mélisande Corriveau, Eric Milnes
Deuxième Suite en ré majeur, no 10: Allemande de La FamilièreMarin Marais, Mélisande Corriveau, Eric Milnes
Deuxième Suite en ré majeur, no 11: BoutadeMarin Marais, Eric Milnes, Mélisande Corriveau
Deuxième Suite en ré majeur, no 12: Gavotte La FavoriteMarin Marais, Eric Milnes, Mélisande Corriveau
Deuxième Suite en ré majeur, no 13: La Petite BrillanteMarin Marais, Eric Milnes, Mélisande Corriveau
Deuxième Suite en ré majeur, no 14: Rondeau Le GracieuxMarin Marais, Eric Milnes, Mélisande Corriveau
Pièces extraites de la Suite d’un goût étranger, no 87: Le BadinageMarin Marais, Eric Milnes, Mélisande Corriveau
Pièces extraites de la Suite d’un goût étranger, no 73: Caprice ou SonateMarin Marais, Mélisande Corriveau, Eric Milnes
Sixième Suite en mi mineur, no 55a: La BiscayenneMarin Marais, Mélisande Corriveau, Eric Milnes
Deuxième livre, no 82: Chaconne en rondeauMarin Marais, Mélisande Corriveau, Eric Milnes
Pièces extraites de la Suite d’un goût étranger, no 61: Fête champêtreMarin Marais, Mélisande Corriveau, Eric Milnes
Pièces extraites de la Suite d’un goût étranger, no 80: L’ArabesqueMarin Marais, Mélisande Corriveau, Eric Milnes
Première Suite en ré mineur, no 1: PréludeMarin Marais, Mélisande Corriveau, Eric Milnes
Première Suite en ré mineur,no 2: AllemandeMarin Marais, Mélisande Corriveau, Eric Milnes
Première Suite en ré mineur, no 3: La MignonneMarin Marais, Mélisande Corriveau, Eric Milnes
Première Suite en ré mineur, no 4: CapriceMarin Marais, Eric Milnes, Mélisande Corriveau
Première Suite en ré mineur, no 5: MenuetMarin Marais, Mélisande Corriveau, Eric Milnes
Première Suite en ré mineur, no 6: Gigue La PetiteMarin Marais, Eric Milnes, Mélisande Corriveau
Première Suite en ré mineur, no 7: RondeauMarin Marais, Mélisande Corriveau, Eric Milnes
Deuxième Livre, no 63: Les Voix humainesMarin Marais, Mélisande Corriveau, Eric Milnes
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