Immerse yourself in the timeless elegance of Johann Sebastian Bach's "Tenor Arias," a captivating collection of 18th-century classical masterpieces. Released on January 1, 2005, under the esteemed Haenssler CLASSIC label, this album is a testament to Bach's unparalleled compositional genius and the enduring power of his music.
Spanning a duration of 1 hour and 16 minutes, this album features a selection of tenor arias from various cantatas and choral works by Bach. Each piece is a jewel in its own right, showcasing the composer's intricate melodies, profound harmonies, and deep spiritual insights. The arias are performed with exquisite artistry, bringing to life the emotional depth and technical brilliance that Bach's music is renowned for.
From the contemplative "Ein ungefärbt Gemüte" to the triumphant "O Ewigkeit, du Donnerwort," this album offers a rich tapestry of musical expression. The tenor voice, with its expressive range and agility, is perfectly suited to convey the nuanced emotions and theological themes that Bach explores in these arias.
Whether you are a seasoned classical music enthusiast or a newcomer to the genre, "Tenor Arias" provides a profound and enriching listening experience. It is a celebration of Bach's enduring legacy and a reminder of the timeless beauty of classical music.
Tracks
Ein ungefärbt Gemüte, Bwv 24: Ein ungefarbt Gemute, BWV 24: Chorale. O Gott, du frommer GottJohann Sebastian Bach, Arleen Auger, Helen Watts, Adalbert Kraus, Walter Heldwein, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
Nun komm, der Heiden Heiland, BWV 62: Aria. Bewundert, o Menschen, dies grosse Geheimnis (Tenor)Johann Sebastian Bach, Aldo Baldin, Bach-Collegium Stuttgart, Helmuth Rilling
Erhöhtes Fleisch und Blut, BWV 173: Erhohtes Fleisch und Blut, BWV 173: Aria. Ein geheiligtes GemuteJohann Sebastian Bach, Judith Beckmann, Helen Watts, Adalbert Kraus, Niklaus Tüller, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
Es reisset euch ein schrecklich Ende, BWV 90: Aria. Es reisset euch ein schrecklich EndeJohann Sebastian Bach, Helen Watts, Adalbert Kraus, Siegmund Nimsgern, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
Schwingt freudig euch empor, Bwv 36: Chorale. Der du bist dem Vater gleich (Tenor)Johann Sebastian Bach, Arleen Auger, Gabriele Schreckenbach, Peter Schreier, Walter Heldwein, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
Ich glaube, lieber Herr, hilf meinem Unglauben, BWV 109: Aria. Wie zweifelhaftig ist mein HoffenJohann Sebastian Bach, Gabriele Schreckenbach, Kurt Equiluz, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
O Ewigkeit, du Donnerwort, BWV 20, Pt. I: Aria. Ewigkeit, du machst mir bangeJohann Sebastian Bach, Martha Kessler, Verena Barbara Gohl, Theo Altmeyer, Adalbert Kraus, Wolfgang Schöne, Frankfurter Kantorei, Bach-Collegium Stuttgart, Helmuth Rilling
Ach, lieben Christen, seid getrost, BWV 114: Aria. Wo wird in diesem Jammertale (Tenor)Johann Sebastian Bach, Gabrielle Schnaut, Júlia Hamari, Kurt Equiluz, Wolfgang Schöne, Frankfurter Kantorei, Bach-Collegium Stuttgart, Helmuth Rilling
Christus, der ist mein Leben, BWV 95: Aria. Ach, schlage doch bald, selge Stunde (Tenor)Johann Sebastian Bach, Arleen Auger, Adalbert Kraus, Walter Heldwein, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
Allein zu dir, Herr Jesu Christ, BWV 33: Aria. Gott, der du die Liebe heisst (Tenor, Bass)Johann Sebastian Bach, Helen Watts, Frieder Lang, Philippe Huttenlocher, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
Ein Herz, das seinen Jesum lebend weiß, BWV 134: Aria. Auf! Glaubige, singet die lieblichen Lieder (Tenor)Johann Sebastian Bach, Helen Watts, Adalbert Kraus, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
Meinen Jesum lass ich nicht, BWV 124: Aria. Und wenn der harte Todesschlag (Tenor)Johann Sebastian Bach, Arleen Auger, Helen Watts, Aldo Baldin, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
Leichtgesinnte Flattergeister, BWV 181: Aria. Der schadlichen Dornen unendliche ZahlJohann Sebastian Bach, Arleen Auger, Gabrielle Schnaut, Gabriele Schreckenbach, Kurt Equiluz, Niklaus Tüller, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
Bleib bei uns, denn es will Abend werden, BWV 6: Aria. Jesus, lass uns auf dich sehen (Tenor)Johann Sebastian Bach, Edith Wiens, Carolyn Watkinson, Adalbert Kraus, Walter Heldwein, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
Es ist dir gesagt, Mensch, was gut ist, BWV 45: Aria. Weiss ich Gottes Rechte (Tenor)Johann Sebastian Bach, Júlia Hamari, Aldo Baldin, Philippe Huttenlocher, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
O Ewigkeit, du Donnerwort, BWV 60: Chorale. Es ist genung; Herr, wenn es dir gefallt (Chorus)Johann Sebastian Bach, Gerhard Gnann, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling
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