Jaime Balius invites you to explore the enchanting world of 18th-century sacred music with his latest album, "Adonde infiel dragón." This captivating collection, released on November 17, 2016, under the OBS - Prometeo label, showcases the exquisite compositions of Ignace Pleyel, a prominent figure in the twilight of the Classical era. The album is a testament to the rich musical heritage of the Cathedral of Córdoba, featuring works that were performed there during the late Classical period.
The album spans a duration of 1 hour and 3 minutes, offering a diverse range of pieces that include symphonies, arias, and recitatives. The standout track, "Adonde infiel dragón," is a poignant aria dedicated to the Virgin Mary, showcasing the emotional depth and technical prowess of the era's composers. Other notable pieces include the lively "Sinfonía en Re M. BEN 126" and the festive "No hemos de hablar," a Christmas villancico that captures the spirit of the season.
Jaime Balius, known for his impeccable musicianship and scholarly approach to historical music, brings these compositions to life with a blend of authenticity and passion. His interpretation of Pleyel's works is both reverent and innovative, offering a fresh perspective on the music of this often-overlooked composer. The album is a must-listen for anyone interested in the transition from the Classical to the Romantic era, and a delightful discovery for those who appreciate the beauty of sacred music.
"Adonde infiel dragón" is not just a collection of songs; it's a journey through time, a window into the spiritual and cultural life of 18th-century Spain. It's a celebration of the human spirit, expressed through the universal language of music. Whether you're a seasoned classical music enthusiast or a curious newcomer, this album is sure to captivate your heart and mind.
Tracks
Clara Aurora, para tiple, oboes, trompas, violines y acompañamiento: RecitadoJaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla
Clara Aurora, para tiple, oboes, trompas, violines y acompañamiento: Aria de ConcepciónJaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla
Sinfonía en Re M. BEN 126, para 2 oboes, 2 trompas y cuerdas. 1785 (Versión coetánea conservada en la Catedral de Córdoba): Allegro assaiIgnaz Pleyel, Jaime Balius, Orquesta Barroca de Sevilla, Vanni Moretto
Sinfonía en Re M. BEN 126, para 2 oboes, 2 trompas y cuerdas. 1785 (Versión coetánea conservada en la Catedral de Córdoba): AndanteIgnaz Pleyel, Jaime Balius, Orquesta Barroca de Sevilla, Vanni Moretto
Sinfonía en Re M. BEN 126, para 2 oboes, 2 trompas y cuerdas. 1785 (Versión coetánea conservada en la Catedral de Córdoba): Menuetto/TrioIgnaz Pleyel, Jaime Balius, Orquesta Barroca de Sevilla, Vanni Moretto
Sinfonía en Re M. BEN 126, para 2 oboes, 2 trompas y cuerdas. 1785 (Versión coetánea conservada en la Catedral de Córdoba): Finale: Rondo allegroIgnaz Pleyel, Jaime Balius, Orquesta Barroca de Sevilla, Vanni Moretto
De la antigua serpiente, para tiple, oboes, trompas, violines y acompañamiento: Recitado: PrestoJaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla
De la antigua serpiente, para tiple, oboes, trompas, violines y acompañamiento: Aria: GraciosettoJaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla
No hemos de hablar, para tiple, oboes, trompas, violines y acompañamiento. Villancico de Navidad, 1814: RecitadoJaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla
No hemos de hablar, para tiple, oboes, trompas, violines y acompañamiento. Villancico de Navidad, 1814: Aria: MaestosoJaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla
Adonde infiel dragón, para tiple, oboes, trompas, violines y acompañamiento: RecitadoJaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla
Adonde infiel dragón, para tiple, oboes, trompas, violines y acompañamiento: Aria a Nuestra SeñoraJaime Balius, Ignaz Pleyel, Maria Hinojosa, Vanni Moretto, Orquesta Barroca de Sevilla
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