Fred Frith's "A Mountain Doesn't Know It's Tall," released on Intakt Records in 2015, is a captivating journey through the avant-garde and free jazz landscapes, with experimental tangents that keep the experience fresh and unpredictable. Clocking in at just over 42 minutes, this album is a concise yet profound exploration of sound and improvisation, showcasing Frith's mastery of his craft.
The album opens with "Bodaishin" and closes with "Samadhi," framing a collection of tracks that range from the introspective to the chaotic. Frith's ability to blend genres is evident in tracks like "Stirred by Wind and Waves" and "Fushiryo," where free jazz meets experimental tangents, creating a soundscape that is both familiar and alien. The title track, "The Biggest Lie," is a standout, highlighting Frith's knack for blending humor and profundity in his music.
"Nothing to It" and "Nothing at All" offer moments of reflection, while "Good for What?" and "The Same Moon Sometimes Seems to Smile" inject a sense of playfulness. The album's experimental nature is further emphasized in tracks like "Hishiryō" and "A Thief Breaks into an Empty House," where Frith's innovative approach to composition and performance shines.
Throughout "A Mountain Doesn't Know It's Tall," Fred Frith demonstrates his unique ability to push boundaries and redefine genres. The album is a testament to his creativity and skill, offering listeners a rich and rewarding experience that is as intellectually stimulating as it is emotionally resonant. Whether you're a long-time fan of Frith's work or a newcomer to his music, this album is sure to leave a lasting impression.
