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  1. Albums
  2. weill, brecht: die sieben todsünden - kurt weill

Kurt Weill - Weill, Brecht: Die sieben Todsünden (LP)

Kurt WeillKurt Weill
  • 2015
  • 20 tracks
  • 1 uur, 10 min
  • opera
Weill, Brecht: Die sieben Todsünden - Kurt Weill
Weill, Brecht: Die sieben Todsünden
Check availability on amazon.com/
Weill, Brecht: Die sieben Todsünden - Kurt Weill
Weill, Brecht: Die sieben Todsünden - Kurt Weill

Product description

Album Description:

Dive into the provocative and satirical world of Kurt Weill's "Weill, Brecht: Die sieben Todsünden" with this captivating 2015 release from Brilliant Classics. This album presents a unique blend of opera and ballet, featuring the iconic collaboration between composer Kurt Weill and librettist Bertolt Brecht. Originally premiered in 1933, "Die sieben Todsünden" is a biting critique of capitalist society, exploring the eternal struggle between wealth and morality through the lens of the seven deadly sins.

The album opens with the titular work, "Die sieben Todsünden," a "sung ballet" that follows two sisters, Anna I and Anna II, as they journey through seven American cities to earn enough money to build a home. Weill and Brecht cleverly reimagine the traditional seven deadly sins, turning them into virtues and offering a scathing commentary on bourgeois morals. The performance is a classic, featuring the renowned Gisela May, a grande dame of the German protest song.

In addition to "Die sieben Todsünden," this album includes a selection of other notable works by Weill, such as pieces from "Happy End," "Aufstieg und Fall der Stadt Mahagonny," and "Die Dreigroschenoper." The album also features the "Berliner Requiem: Zu Potsdam unter den Eichen," providing a comprehensive overview of Weill's powerful and thought-provoking compositions.

With a duration of just over an hour and ten minutes, this album is a compelling exploration of Weill's unique musical style and his enduring partnership with Brecht. The album features a stellar cast of performers, bringing Weill's music to life with passion and precision. Whether you're a seasoned opera enthusiast or a curious newcomer, this album offers a fascinating glimpse into the world of Kurt Weill and his enduring legacy.

Tracks

  1. Die sieben Todsünden: Prologue. Andante sostenuto (Anna I and Anna II)Kurt Weill, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Gisela May, Peter Schreier
    3:26
  2. Die sieben Todsünden: Faulheit. Allegro vivace (Family)Kurt Weill, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Gisela May, Peter Schreier, Gunther Leib, Hermann Christian Polster
    4:25
  3. Die sieben Todsünden: Stolz. Allegretto, quasi andantino (Anna I and Family)Kurt Weill, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Gisela May, Peter Schreier, Gunther Leib, Hermann Christian Polster
    4:20
  4. Die sieben Todsünden: Zorn. Molto agitato (Anna I, Anna II and Family)Kurt Weill, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Gisela May, Peter Schreier, Gunther Leib, Hermann Christian Polster
    4:03
  5. Die sieben Todsünden: Völlerei. Largo (Family)Kurt Weill, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Gisela May, Peter Schreier, Gunther Leib, Hermann Christian Polster
    3:12
  6. Die sieben Todsünden: Unzucht. Moderato (Anna I, Anna II and Family)Kurt Weill, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Gisela May, Peter Schreier, Gunther Leib, Hermann Christian Polster
    4:51
  7. Die sieben Todsünden: Habsucht. Allegro guisto (Family)Kurt Weill, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Gisela May, Peter Schreier, Gunther Leib, Hermann Christian Polster
    3:07
  8. Die sieben Todsünden: Neid. Allegro non troppo (Anna I and Family)Kurt Weill, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Gisela May, Peter Schreier, Gunther Leib, Hermann Christian Polster
    3:57
  9. Die sieben Todsünden: Epilogue. Andante sostenuto (Anna I and Anna II)Kurt Weill, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Gisela May, Peter Schreier, Gunther Leib, Hermann Christian Polster
    1:46
  10. Die sieben Todsünden: Vom ertrunkenen MädchenKurt Weill, Studio-Männerchor, Studio-Orchester, Henry Krtschil
    2:30
  11. Happy End: Surabaya - JohnnyKurt Weill, Studio-Männerchor, Studio-Orchester, Heinz Rögner
    3:54
  12. Happy End: Bilbao-SongKurt Weill, Studio-Männerchor, Studio-Orchester, Heinz Rögner
    4:41
  13. Happy End: Was die Herren Matrosen sagenKurt Weill, Studio-Männerchor, Studio-Orchester, Heinz Rögner
    6:36
  14. Happy End: Ballade von der Höllen-LiliKurt Weill, Studio-Männerchor, Studio-Orchester, Heinz Rögner
    2:26
  15. Aufstieg und Fall der Stadt Mahagonny: Havanna-SongKurt Weill, Studio-Männerchor, Studio-Orchester, Heinz Rögner
    1:35
  16. Aufstieg und Fall der Stadt Mahagonny: Wie man sich bettet, so liegt manKurt Weill, Studio-Männerchor, Studio-Orchester, Heinz Rögner
    3:28
  17. Die Dreigroschenoper, Pt. 1: Barbara SongKurt Weill, Studio-Männerchor, Studio-Orchester, Heinz Rögner
    4:09
  18. Die Dreigroschenoper, Pt. 2: Song von der sexuellen HörigkeitKurt Weill, Studio-Männerchor, Studio-Orchester, Heinz Rögner
    2:33
  19. Die Dreigroschenoper, Pt. 1: Seeräuber-JennyKurt Weill, Studio-Männerchor, Studio-Orchester, Heinz Rögner
    3:25
  20. Berliner Requiem: Zu Potsdam unter den EichenKurt Weill, Studio-Orchester, Henry Krtschil
    2:03
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Product specifications

Details

Album
Weill, Brecht: Die sieben Todsünden
Artist
Kurt Weill
Album release date
November 1, 2015
Label
Brilliant Classics
Available
No

Product information

Mono or stereo
Stereo
Duration
1 uur, 10 min
Tracks
20 tracks

Other

Limited Edition
No
Genre
Opera
Box set
No
Remastered
No
Reissue
No

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About Kurt Weill

Kurt Weill, born in Dessau, Germany, in 1900, was a pioneering composer whose innovative spirit transcended borders and musical genres. Renowned for his groundbreaking collaborations with Bertolt Brecht, Weill's works, such as "The Threepenny Opera," revolutionized the operatic form with their sharp social satire and memorable melodies. Weill's commitment to creating music with a socially useful purpose, known as Gebrauchsmusik, set him apart and influenced generations of composers. His journey took him from the vibrant cultural scene of Weimar Germany to the bustling stages of Broadway, where he continued to redefine musical theater. Weill's versatility and daring approach to composition, blending serious and light music, make his works timeless and captivating. His legacy endures, inspiring artists and audiences alike with its unique fusion of styles and profound social commentary.

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Kurt Weill

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