Experience the captivating blend of centuries and styles with Lautten Compagney's "Time Zones," a remarkable journey through time and musical innovation. This album, released on November 6, 2020, under the prestigious Deutsche Harmonia Mundi label, showcases the ensemble's virtuosity and versatility, spanning compositions from the 17th century to the 20th century.
"Time Zones" features 34 meticulously curated tracks, each offering a unique perspective on the evolution of chamber music. The album opens with the delicate "Canzon ad imitationem Bergamasca" by Samuel Scheidt, a German composer from the early Baroque period, and seamlessly transitions to the minimalist elegance of Erik Satie's "Gymnopédie No. 3." This juxtaposition sets the tone for an album that celebrates the diversity and richness of classical music.
Lautten Compagney, known for their historical performance practice and scholarly approach, brings a fresh perspective to both familiar and lesser-known works. The ensemble's arrangements for baroque ensemble add a layer of depth and texture to compositions by Satie, Debussy, and others, creating a cohesive and engaging listening experience.
The album's duration of 70 minutes allows for a comprehensive exploration of the selected works, from the intricate "Symphonie aus dem C" by Scheidt to the hauntingly beautiful "Méditation" from Satie's "Avant-dernières pensées." Each track is performed with precision and passion, highlighting the ensemble's commitment to authenticity and artistic expression.
"Time Zones" is not just an album; it's an invitation to explore the timeless beauty of classical music, reimagined for the modern era. Whether you're a seasoned classical enthusiast or a curious newcomer, this album offers a rewarding and enriching listening experience.
Tracks
Canzon ad imitationem Bergamasca, SSWV 64Samuel Scheidt, Lautten Compagney
Pièces Froides: I. Airs à faire fuir, No. 1, D'une manière très particulière (arr. for baroque ensemble)Erik Satie, Lautten Compagney
Pièces Froides: I. Airs à faire fuir, No. 2, Modestement (arr. for baroque ensemble)Erik Satie, Lautten Compagney
Cantiones sacrae: No. 1: Herr, wie lang wiltu mein sogar vergessen, SSWV 1Samuel Scheidt, Lautten Compagney
Pièces Froides: I. Airs à faire fuir, No. 3, S'inviter (arr. for baroque ensemble)Erik Satie, Lautten Compagney
Ludi musici I, No. 23: Courant, SSWV 61Samuel Scheidt, Lautten Compagney
Ludi musici I, No. 24: Gaillard, SSWV 62Samuel Scheidt, Lautten Compagney
Ludi musici I, No. 9: Courant Dolorosa, SSWV 47Samuel Scheidt, Lautten Compagney
Ludi musici I, No. 11: Courant, SSWV 49Samuel Scheidt, Lautten Compagney
Gymnopédie No. 3: Lent et grave (arr. for baroque ensemble)Erik Satie, Lautten Compagney
Ludi musici I, No. 17: Courant, SSWV 55Samuel Scheidt, Lautten Compagney
Avant-dernières pensées: I. Idylle, à Debussy (arr. for baroque ensemble)Erik Satie, Lautten Compagney
Avant-dernières pensées: II. Aubade, à Paul Dukas (arr. for baroque ensemble)Erik Satie, Lautten Compagney
Avant-dernières pensées: III. Méditation, à Albert Roussel (arr. for baroque ensemble)Erik Satie, Lautten Compagney
Symphonie aus dem C, No. 9, SSWV 379Samuel Scheidt, Lautten Compagney
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