Catherine Bott's captivating album, The Pilgrimage to Santiago, is a masterful exploration of medieval music, released on 1 January 1991 by Decca Music Group Ltd. This enchanting collection, spanning 2 hours and 5 minutes, delves into the rich musical heritage of 12th and 13th century Iberia, showcasing the artist's remarkable vocal prowess.
Featuring a diverse range of tracks, including pieces from the Cantigas de Santa Maria and the Burgos Codex de Las Huelgas, this album is a testament to Catherine Bott's dedication to preserving and showcasing the beauty of medieval opera. The intricate polyphonies and haunting plainchant melodies transport listeners to a bygone era, evoking the splendour and mystique of a long-forgotten age.
With its unique blend of opera and medieval genres, The Pilgrimage to Santiago is a compelling listen that will appeal to fans of early music and those seeking a deeper understanding of the region's cultural heritage. Catherine Bott's exquisite vocals bring to life the works of ancient composers, including the revered Codex Calixtinus, creating an unforgettable listening experience that will leave a lasting impression on all who hear it.
Tracks
Cantigas de Santa Maria: Quen a Virgen ben serviraAlfonso X El Sabio, Catherine Bott, New London Consort, Philip Pickett
Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Belial VocaturAnonymous, Catherine Bott, New London Consort, Philip Pickett
Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Surrexit de tumuloAnonymous, Catherine Bott, New London Consort, Philip Pickett
Cantigas de Santa Maria: Non e gran causaAlfonso X El Sabio, Catherine Bott, New London Consort, Philip Pickett
Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Ex illustriAnonymous, Catherine Bott, New London Consort, Philip Pickett
Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Alpha bovi - DominoAnonymous, Catherine Bott, New London Consort, Philip Pickett
Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: 4 PlanctusAnonymous, Catherine Bott, New London Consort, Philip Pickett
Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Verbum bonum et suaviAnonymous, Catherine Bott, New London Consort, Philip Pickett
Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Agnus Dei - Regula morisAnonymous, Catherine Bott, New London Consort, Philip Pickett
Burgos Codex de Las Huelgas 12/13th Century Iberian Manuscript: Fa, fa mi fa - Ut re mi utAnonymous, Catherine Bott, New London Consort, Philip Pickett
Codex Calixtinus (Jacobus) Polyphony, plainchant and instrumental collection. (12/13th c): Dum pater familias - Version 1Anonymous, New London Consort, Philip Pickett
Cantigas de Santa Maria: De grad'a Santa MariaAlfonso X El Sabio, Catherine Bott, New London Consort, Philip Pickett
Codex Calixtinus (Jacobus) Polyphony, plainchant and instrumental collection. (12/13th c): Annua GaudiaAnonymous, New London Consort, Philip Pickett
Cantigas de Santa Maria: Ben com'aosAlfonso X El Sabio, Catherine Bott, New London Consort, Philip Pickett
Codex Calixtinus (Jacobus) Polyphony, plainchant and instrumental collection. (12/13th c): Regi perennisAnonymous, New London Consort, Philip Pickett
Cantigas de Santa Maria: Non sofre Santa Maria - Por dereito ten a VirgenAlfonso X El Sabio, New London Consort, Philip Pickett
Codex Calixtinus (Jacobus) Polyphony, plainchant and instrumental collection. (12/13th c): Nostra phalanxAnonymous, New London Consort, Philip Pickett
Cantigas de Santa Maria: A madre de DeusAlfonso X El Sabio, Catherine Bott, New London Consort, Philip Pickett
Codex Calixtinus (Jacobus) Polyphony, plainchant and instrumental collection. (12/13th c): Congaudeant catholiciAnonymous, New London Consort, Philip Pickett
7 Cantigas d'amigoMartin Codax, Catherine Bott, New London Consort, Philip Pickett
Codex Calixtinus (Jacobus) Polyphony, plainchant and instrumental collection. (12/13th c): Dum pater familias - Version 2Anonymous, New London Consort, Philip Pickett
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