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  1. Albums
  2. the minotaur; piano sonata; two songs - elliott carter

Elliott Carter - The Minotaur; Piano Sonata; Two Songs (LP)

Elliott CarterElliott Carter
  • 1990
  • 21 tracks
  • 1 uur, 1 min
  • avant-garde
The Minotaur; Piano Sonata; Two Songs - Elliott Carter
The Minotaur; Piano Sonata; Two Songs
Check availability on amazon.com/
The Minotaur; Piano Sonata; Two Songs - Elliott Carter
The Minotaur; Piano Sonata; Two Songs - Elliott Carter

Product description

Elliott Carter's 1990 album "The Minotaur; Piano Sonata; Two Songs" is a captivating exploration of the composer's early works, blending the dramatic and the intimate in a compelling musical journey. The album opens with the expansive and intricate "The Minotaur," a 32-minute chamber music piece that narrates the mythical tale through two scenes, complete with overtures, dances, and interludes. This avant-garde work showcases Carter's unique ability to weave complex narratives into his music.

Following this epic centerpiece, the album presents two songs inspired by Robert Frost's poetry: "Dust of Snow" and "The Rose Family." These brief yet evocative pieces offer a stark contrast to the grandeur of "The Minotaur," highlighting Carter's versatility and his ability to capture the essence of Frost's words in music.

The album concludes with the "Piano Sonata," a two-movement work that demonstrates Carter's mastery of the piano genre. The first movement, "Maestoso," is a solemn and stately piece, while the second, "Andante," is a more introspective and lyrical work. Together, they provide a fitting conclusion to this diverse and engaging collection.

Performed by the New York Chamber Symphony under the direction of Gerard Schwarz, with soloists Jan DeGaetani and Gilbert Kalish, this album is a testament to Carter's innovative spirit and his enduring influence on the world of classical music. Whether you're a longtime fan of Carter's work or a newcomer to his music, this album offers a rich and rewarding listening experience.

Tracks

  1. The Minotaur, Scene I: King Minos' Palace in Crete, OvertureElliott Carter, Gerard Schwarz, New York Chamber Symphony Of The 92nd Street Y
    1:00
  2. The Minotaur, Scene I: King Minos' Palace in Crete, Queen Pasiphaë prepares for a tryst with the sacred bullElliott Carter, Gerard Schwarz, New York Chamber Symphony Of The 92nd Street Y
    3:48
  3. The Minotaur, Scene I: King Minos' Palace in Crete, Entrance of the bulls and the sacred bullElliott Carter, Gerard Schwarz, New York Chamber Symphony Of The 92nd Street Y
    0:37
  4. The Minotaur, Scene I: King Minos' Palace in Crete, Dance of the bulls and Pasiphaë with the sacred bullElliott Carter, Gerard Schwarz, New York Chamber Symphony Of The 92nd Street Y
    2:36
  5. The Minotaur, Scene I: King Minos' Palace in Crete, Interlude - Pasiphaë's heartbeat becomes the pounding of hammers used in building the labyrinthElliott Carter, Gerard Schwarz, New York Chamber Symphony Of The 92nd Street Y
    1:18
  6. The Minotaur, Scene II: Before the Labyrinth, Building the labyrinth to imprison the Minotaur who destroys menElliott Carter, Gerard Schwarz, New York Chamber Symphony Of The 92nd Street Y
    2:00
  7. The Minotaur, Scene II: Before the Labyrinth, Entrance of King MinosElliott Carter, Gerard Schwarz, New York Chamber Symphony Of The 92nd Street Y
    1:44
  8. The Minotaur, Scene II: Before the Labyrinth, Selection of Greek victims to be sent into the labyrinthElliott Carter, Gerard Schwarz, New York Chamber Symphony Of The 92nd Street Y
    1:08
  9. The Minotaur, Scene II: Before the Labyrinth, Ariadne, princess of Crete, dances with Theseus, a Greek victimElliott Carter, Gerard Schwarz, New York Chamber Symphony Of The 92nd Street Y
    4:25
  10. The Minotaur, Scene II: Before the Labyrinth, Greek victims are driven into the labyrinthElliott Carter, Gerard Schwarz, New York Chamber Symphony Of The 92nd Street Y
    1:40
  11. The Minotaur, Scene II: Before the Labyrinth, Theseus' farewell to Ariadne as he enters the labyrinthElliott Carter, Gerard Schwarz, New York Chamber Symphony Of The 92nd Street Y
    1:53
  12. The Minotaur, Scene II: Before the Labyrinth, Ariadne unwinds her thread as Theseus, entering the labyrinth, pulls the thread after himElliott Carter, Gerard Schwarz, New York Chamber Symphony Of The 92nd Street Y
    1:19
  13. The Minotaur, Scene II: Before the Labyrinth, Theseus fights and kills the Minotaur (as his movements are transmitted to Ariadne who is holding the other end of the thread)Elliott Carter, Gerard Schwarz, New York Chamber Symphony Of The 92nd Street Y
    1:14
  14. The Minotaur, Scene II: Before the Labyrinth, Ariadne rewinds her thread to lead Theseus out of the labyrinthElliott Carter, Gerard Schwarz, New York Chamber Symphony Of The 92nd Street Y
    1:55
  15. The Minotaur, Scene II: Before the Labyrinth, The thread breaks. Ariadne is greatly dismayedElliott Carter, Gerard Schwarz, New York Chamber Symphony Of The 92nd Street Y
    1:31
  16. The Minotaur, Scene II: Before the Labyrinth, Theseus and some of the Greeks emerge from the labyrinth and rejoiceElliott Carter, Gerard Schwarz, New York Chamber Symphony Of The 92nd Street Y
    1:03
  17. The Minotaur, Scene II: Before the Labyrinth, The Greeks and Theseus, forgetting Ariadne, leave CreteElliott Carter, Gerard Schwarz, New York Chamber Symphony Of The 92nd Street Y
    3:38
  18. Dust of SnowElliott Carter
    1:09
  19. The Rose FamilyElliott Carter
    1:11
  20. Piano Sonata, I MaestosoElliott Carter
    11:32
  21. Piano Sonata, II AndanteElliott Carter
    15:00
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Product specifications

Details

Album
The Minotaur; Piano Sonata; Two Songs
Artist
Elliott Carter
Album release date
1 januari 1990
Label
Nonesuch
Available
No

Product information

Mono or stereo
Stereo
Duration
1 uur, 1 min
Tracks
21 tracks

Other

Limited Edition
No
Genre
Avant-garde
Box set
No
Remastered
No
Reissue
No

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About Elliott Carter

Elliott Carter, a titan of 20th-century American music, is renowned for his innovative and distinctive compositions that blend European modernism with American ultra-modernism. Born in New York in 1908, Carter's prolific career spanned over seven decades, during which he created a vast array of orchestral, chamber, solo instrumental, and vocal works. His music is celebrated for its intricate exploration of tempo relationships and texture, earning him a place among the most influential composers of his time. Carter's accolades include two Pulitzer Prizes for his string quartets, and his monumental orchestral work, 'Symphonia: sum fluxae pretium spei', stands as a testament to his enduring legacy. With a career that defied conventional boundaries, Carter's compositions continue to inspire and challenge musicians and audiences alike, securing his status as a leading figure in modernist music.

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Elliott Carter

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