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  1. Albums
  2. the great emi recordings - baroque and pre-baroque masterworks: monteverdi, scarlatti, bach, handel - janet baker

Janet Baker - The Great EMI Recordings - Baroque and Pre-Baroque masterworks: Monteverdi, Scarlatti, Bach, Handel (LP)

Janet BakerJanet Baker
  • 2013
  • 55 tracks
  • 4 uur, 32 min
  • opera
The Great EMI Recordings - Baroque and Pre-Baroque masterworks: Monteverdi, Scarlatti, Bach, Handel - Janet Baker
The Great EMI Recordings - Baroque and Pre-Baroque masterworks: Monteverdi, Scarlatti, Bach, Handel
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The Great EMI Recordings - Baroque and Pre-Baroque masterworks: Monteverdi, Scarlatti, Bach, Handel - Janet Baker
The Great EMI Recordings - Baroque and Pre-Baroque masterworks: Monteverdi, Scarlatti, Bach, Handel - Janet Baker

Product description

Dive into the rich tapestry of Baroque and Pre-Baroque masterworks with Dame Janet Baker's "The Great EMI Recordings - Baroque and Pre-Baroque masterworks: Monteverdi, Scarlatti, Bach, Handel." Released on June 28, 2013, this extensive collection spans nearly four and a half hours, showcasing Baker's extraordinary vocal prowess and interpretive depth. The album is a testament to her enduring legacy, featuring iconic compositions from some of the most celebrated composers in classical music history.

Janet Baker, renowned for her powerful mezzo-soprano voice and profound emotional delivery, brings to life a diverse array of pieces. The tracklist includes timeless works such as Monteverdi's "L'Arianna" and "L'incoronazione di Poppea," Bach's cantatas and sacred works like the "Magnificat" and "Mass in B Minor," and Handel's "Messiah." Each piece is performed with meticulous attention to detail, highlighting Baker's ability to convey the essence of each composition.

The album is a comprehensive journey through the Baroque era, offering a blend of operatic arias, sacred choral works, and cantatas. Baker's interpretations are both technically impeccable and deeply expressive, making this collection a must-listen for classical music enthusiasts. Whether you are a longtime admirer of Janet Baker or a newcomer to her work, this album offers a profound and enriching listening experience.

Tracks

  1. L'Arianna (Rinuccini): Lasciatemi morire (Ariane's Lament)Raymond Leppard, English Chamber Orchestra, Janet Baker
    9:49
  2. L'incoronazione di Poppea (Busenello): Disprezzata Regina (Ottavia's Lament from Act I)Raymond Leppard, English Chamber Orchestra, Janet Baker
    6:53
  3. L'incoronazione di Poppea (Busenello): Addio Roma (Ottavia's Farewell from Act III)Raymond Leppard, English Chamber Orchestra, Janet Baker
    4:31
  4. Cantata pastorale per la nascità di Nostro Signore: Oh di Betlemme altera povertàRaymond Leppard, English Chamber Orchestra, Janet Baker
    16:02
  5. Salve ReginaRaymond Leppard, English Chamber Orchestra, Janet Baker
    14:22
  6. Der Herr schauet vom HimmelGeorge Malcolm, Kenneth Heath, Dietrich Fischer-Dieskau, Janet Baker
    2:53
  7. Verbum caro factum estGeorge Malcolm, Kenneth Heath, Dietrich Fischer-Dieskau, Janet Baker
    4:44
  8. Christe, der Du bist Tag und LichtGeorge Malcolm, Kenneth Heath, Dietrich Fischer-Dieskau, Janet Baker
    2:14
  9. Gott der Vater wohn uns beiGeorge Malcolm, Kenneth Heath, Dietrich Fischer-Dieskau, Janet Baker
    3:36
  10. Tua Jesu dilectioGeorge Malcolm, Kenneth Heath, Dietrich Fischer-Dieskau, Janet Baker
    5:22
  11. Cantata No. 82, BWV 82 'Ich habe genug': Aria: Ich habe genugYehudi Menuhin, Bath Festival Orchestra, Janet Baker
    6:52
  12. Cantata No. 82, BWV 82 'Ich habe genug': Recit: Ich habe genugYehudi Menuhin, Bath Festival Orchestra, Janet Baker
    1:21
  13. Cantata No. 82, BWV 82 'Ich habe genug': Aria: Schlummert einYehudi Menuhin, Bath Festival Orchestra, Janet Baker
    9:46
  14. Cantata No. 82, BWV 82 'Ich habe genug': Recit: Mein Gott! wann kommt das Schöne Nun!Yehudi Menuhin, Bath Festival Orchestra, Janet Baker
    1:00
  15. Cantata No. 82, BWV 82 'Ich habe genug': Aria: Ich freue mich auf meinen TodYehudi Menuhin, Bath Festival Orchestra, Janet Baker
    4:00
  16. Cantata No.169 'Gott soll allein mein Herz haben': SinfoniaYehudi Menuhin, Bath Festival Orchestra, Janet Baker
    8:17
  17. Cantata No.169 'Gott soll allein mein Herz haben': Arioso: Gott soll allein meine Herze habenYehudi Menuhin, Bath Festival Orchestra, Janet Baker
    2:49
  18. Cantata No.169 'Gott soll allein mein Herz haben': Aria: Gott soll allein meine Herze habenYehudi Menuhin, Bath Festival Orchestra, Janet Baker
    5:30
  19. Cantata No.169 'Gott soll allein mein Herz haben': Recit: Was ist die Liebe Gottes?Yehudi Menuhin, Bath Festival Orchestra, Janet Baker
    0:58
  20. Cantata No.169 'Gott soll allein mein Herz haben': Aria: Stirb in mirYehudi Menuhin, Bath Festival Orchestra, Janet Baker
    4:14
  21. Cantata No.169 'Gott soll allein mein Herz haben': Recit: Doch meint es auch dabeiYehudi Menuhin, Bath Festival Orchestra, Janet Baker
    0:36
  22. Cantata No.169 'Gott soll allein mein Herz haben': Choral: Du süsse Liebe, schenk' uns deine GunstYehudi Menuhin, Bath Festival Orchestra, Janet Baker
    1:18
  23. Mund und Herze steht dir offen (from Cantata No. 148)Rudolf Seith, Hans Plumacher, Emil Morneweg, Rudolf Ewerhart, Janet Baker
    6:03
  24. Gott ist unser Sonn' und Schild! (from Cantata No. 79)Rudolf Seith, Hans Plumacher, Emil Morneweg, Rudolf Ewerhart, Janet Baker
    3:57
  25. Cantata No. 147, BWV 147 'Herz und Mund und Tat und Leben', Part I: Aria: Schäme dich, O Seele (A)Sir David Willcocks, John Shirley-Quirk, Ian Partridge, Choir of King's College, Cambridge, Janet Baker, Elly Ameling, Academy of St. Martin in the Fields
    4:04
  26. Cantata No.161 - Komm, du süsse TodesstundeSir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
    6:24
  27. Magnificat in D - Et exultavit, BWV 243Sir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
    2:28
  28. Cantata No. 190 - Lobe, Zion, deinen GottSir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
    3:26
  29. St. John Passion - Es ist vollbrachtSir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
    5:35
  30. Bist du bei mir (from the notebook of Anna Magdalena Bach)Sir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
    2:56
  31. Cantata No.6 - Hochgelobter GottesohnSir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
    3:41
  32. Cantata No.129 - Gelobet sei der HerrSir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
    5:56
  33. Aria: Saget, saget mir geschwinde from Easter Oratorio, BWV 249Sir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
    6:46
  34. Bereite dich, Zion from Christmas Oratorio, BWV 248Sir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
    5:06
  35. Cantata No.11 - Ach, bleibe dochSir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
    7:21
  36. Cantata No. 34 - Wohl euch, ihr auserwählten SeelenSir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
    6:30
  37. Christmas Oratorio, BWV 248, Cantata 2: Schlafe, mein LiebsterRobert Tear, Philip Ledger, Choir of King's College, Cambridge, Dietrich Fischer-Dieskau, Janet Baker, Elly Ameling, Academy of St. Martin in the Fields
    9:15
  38. Christmas Oratorio, BWV 248, Cantata 3: Schliesse, mein HerzeRobert Tear, Philip Ledger, Choir of King's College, Cambridge, Dietrich Fischer-Dieskau, Janet Baker, Elly Ameling, Academy of St. Martin in the Fields
    5:31
  39. Mass in B Minor, BWV 232, Gloria: Laudamus teHermann Prey, New Philharmonia Orchestra, Otto Klemperer, Agnes Giebel, Nicolai Gedda, Franz Crass, BBC Chorus, Janet Baker
    5:26
  40. Mass in B Minor, BWV 232, Gloria: Qui sedes ad dextram PatrisHermann Prey, New Philharmonia Orchestra, Otto Klemperer, Agnes Giebel, Nicolai Gedda, Franz Crass, BBC Chorus, Janet Baker
    6:24
  41. Mass in B Minor, BWV 232, Sanctus: Agnus DeiHermann Prey, New Philharmonia Orchestra, Otto Klemperer, Agnes Giebel, Nicolai Gedda, Franz Crass, BBC Chorus, Janet Baker
    6:36
  42. Messiah, HWV 56, Part 1: O thou that tellest (alto air: Andante)Robert Tear, Sir Charles Mackerras, Raimund Herincx, Elizabeth Harwood, Paul Esswood, English Chamber Orchestra, Janet Baker, Ambrosian Singers
    5:46
  43. Messiah, HWV 56, Part 2: He was despised (alto air: Largo)Robert Tear, Sir Charles Mackerras, Raimund Herincx, Elizabeth Harwood, Paul Esswood, English Chamber Orchestra, Janet Baker, Ambrosian Singers
    12:38
  44. Italian Cantata No.1 - Ah! crudel nel pianto mio: SinfoniaRaymond Leppard, English Chamber Orchestra, Janet Baker
    8:41
  45. Italian Cantata No.1 - Ah! crudel nel pianto mio: Aria: Ah! Crudel nel pianto mioRaymond Leppard, English Chamber Orchestra, Janet Baker
    6:29
  46. Italian Cantata No.1 - Ah! crudel nel pianto mio: Recit: Non sdegnerai d'amorRaymond Leppard, English Chamber Orchestra, Janet Baker
    1:06
  47. Italian Cantata No.1 - Ah! crudel nel pianto mio: Aria: Di quel bel che il ciel ti diedeRaymond Leppard, English Chamber Orchestra, Janet Baker
    4:33
  48. Italian Cantata No.1 - Ah! crudel nel pianto mio: Recit: Balena il cieloRaymond Leppard, English Chamber Orchestra, Janet Baker
    2:19
  49. Italian Cantata No.1 - Ah! crudel nel pianto mio: Aria: Per trofei di mia constennaRaymond Leppard, English Chamber Orchestra, Janet Baker
    7:44
  50. Cantata No.13 - Armida abbandonata: Recit: Dietro l'orma fugmeiRaymond Leppard, English Chamber Orchestra, Janet Baker
    1:52
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Product specifications

Details

Album
The Great EMI Recordings - Baroque and Pre-Baroque masterworks: Monteverdi, Scarlatti, Bach, Handel
Artist
Janet Baker
Album release date
June 28, 2013
Label
EMI Classics
Available
No

Product information

Mono or stereo
Stereo
Duration
4 uur, 32 min
Tracks
55 tracks

Other

Limited Edition
No
Genre
Opera
Box set
No
Remastered
No
Reissue
No

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About Janet Baker

Dame Janet Baker, the renowned English mezzo-soprano, captivated audiences worldwide from the 1950s to the 1980s with her extraordinary vocal expression and commanding stage presence. Born on 21 August 1933 in Hatfield, Yorkshire, Baker became synonymous with British music, art song, sacred music, and Classical and pre-Classical opera. Her definitive interpretations of Elgar's "Sea Pictures" and the Angel in "Gerontius" remain unparalleled. Baker's repertoire spanned opera, concert, and lieder, with her performances of Purcell's "Dido and Aeneas" being particularly celebrated. Her rich, emotive voice and profound musicality continue to inspire classical music enthusiasts, making her a legendary figure in the world of opera and concert singing.

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Janet Baker

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