Immerse yourself in the enchanting world of Baroque music with Gottfried Heinrich Stölzel's captivating album, "Stolzel: Alles Was Sonst Lieblich Heisset / Seid Willkommen, Schöne Stunden." This exquisite collection, released on January 1, 2007, under the CPO label, showcases Stölzel's mastery of classical composition, offering a rich tapestry of serenatas and arias that highlight the beauty and complexity of the Baroque era.
The album is divided into two main parts: "Alles, Was Sonst Lieblich Heißet" and "Seid Willkommen, Schöne Stunden." The first part, a serenata, unfolds over a substantial 68 minutes, featuring a variety of vocal and instrumental pieces that showcase Stölzel's intricate melodies and harmonies. The second part, a shorter but equally captivating serenata, adds another layer of musical richness with its own set of arias and recitatives.
Stölzel's compositions are brought to life by a talented ensemble of vocalists, including soprano, alto, tenor, and bass soloists, as well as a chorus. The album's duration of 1 hour and 43 minutes provides a comprehensive exploration of Stölzel's musical genius, making it a perfect choice for both casual listeners and dedicated fans of classical music.
The album's tracklist is a testament to Stölzel's versatility and creativity, featuring a diverse range of pieces that highlight his ability to convey a wide range of emotions and themes. From the serene and contemplative to the lively and exuberant, each track offers a unique glimpse into the world of Baroque music.
Whether you're a seasoned classical music enthusiast or a newcomer to the genre, "Stolzel: Alles Was Sonst Lieblich Heisset / Seid Willkommen, Schöne Stunden" is sure to captivate and inspire. This album is a celebration of the timeless beauty of Baroque music, showcasing the enduring appeal of Stölzel's compositions and the skill of the performers who bring them to life.
Tracks
Alles was sonst lieblich heisset: SinfoniaGottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Serenata. Aria. Alles, was sonst lieblich hiesset (Soprano)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Euch aber, Werteste (Soprano, Alto, Tenor, Bass)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Aria. Philomele, Philomele (Soprano)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Man nennt die Nachtigall der Walder Konigin (Soprano, Alto)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Aria. Mit tausend Schmeicheleien (Alto)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Ich habe zwar vernommen (Tenor)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Aria. Was meiner Leitung folgen soll (Tenor)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Was einem Baum die frische Wurzel ist (Bass)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Aria. Der Himmel lauft Gefahr zu sinken (Bass)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Ich habe gnung gehort (Soprano)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Aria. Die Biene zieht aus vielen Blumen (Soprano)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Wohlan, weil keine Konsonanz enstehen kacn (Soprano, Tenor)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Duet. So scherzen unsre Stimmen (Soprano, Tenor)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Soll einer fremden Stimme Klang (Alto, Bass)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Duet. Bloss nach dir will ich mich richten (Alto, Bass)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Ja, ja, vergnuge dich (Alto)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Aria. Die sussesten Zuge der lieblichsten Weisen (Alto)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. O hochst vollkommne Harmonie (Soprano)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Aria. O wie schöne klingt das susse Lobgetone (Soprano)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Werd ich der Flamme gleich geachtet (Soprano)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Aria. Ein Schiff, das seinen Leitstern siehet (Soprano)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Vergleicht man der ausgeklarten Luft (Alto)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Aria. Wie die Sonne Licht und Wonne (Alto)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Und nennt man mich das Band (Tenor)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Aria. Die Sonnenblume nicht allein (Tenor)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Und wie, vollkommner Furst (Bass)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Aria. Wenn alles wanket, bricht und sinket (Bass)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Recitative. Der Himmel, der die Tugend liebt (Alto)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Alles was sonst lieblich heisset: Chorus. Was sie an dir bewundert haben (Soprano, Alto, Tenor, Bass)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Seid willkommen, schöne Stunden: Accompanied Recitative. Ich aber muss bei dieser Zeit (Soprano)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Seid willkommen, schöne Stunden: Aria. Meine Treu soll dem verbleiben (Soprano)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Seid willkommen, schöne Stunden: Recitative. Soll man Amoenens Licht (Soprano, Tenor)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Seid willkommen, schöne Stunden: Aria. Es kommen die Wolken der Trubsal geschwinde (Tenor)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Seid willkommen, schöne Stunden: Recitative. Will mir Amoene gleich (Bass, Soprano)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Seid willkommen, schöne Stunden: Aria. Was uns im Anfang bitter scheinet (Bass)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Seid willkommen, schöne Stunden: Recitative. So will Amoene sich bei solchen schönen Tagen (Alto)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Seid willkommen, schöne Stunden: Aria. Erheiter dein Gesichte (Alto)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Seid willkommen, schöne Stunden: Recitative. Heut muss der Tag vor andern schöne sein (Soprano, Alto, Tenor, Bass)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Seid willkommen, schöne Stunden: Duet. Ich liebe dich wie meine Seele (Soprano, Alto)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Seid willkommen, schöne Stunden: Recitative. Wohlan, seil es dem Himmel so gefallt (Bass)Gottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
Seid willkommen, schöne Stunden: GigueGottfried Heinrich Stölzel, Dorothee Mields, Elisabeth Graf, Knut Schoch, Ekkehard Abele, Michaelstein Telemann Collegium, Ludger Remy
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