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  1. Albums
  2. rosetti: jesus in gethsemane, hallelujah & salve regina - antonio rosetti

Antonio Rosetti - Rosetti: Jesus in Gethsemane, Hallelujah & Salve Regina (LP)

Antonio RosettiAntonio Rosetti
  • 2009
  • 40 tracks
  • 1 uur, 45 min
Rosetti: Jesus in Gethsemane, Hallelujah & Salve Regina - Antonio Rosetti
Rosetti: Jesus in Gethsemane, Hallelujah & Salve Regina
Check availability on amazon.com/
Rosetti: Jesus in Gethsemane, Hallelujah & Salve Regina - Antonio Rosetti
Rosetti: Jesus in Gethsemane, Hallelujah & Salve Regina - Antonio Rosetti

Product description

Immerse yourself in the profound and moving compositions of Antonio Rosetti with this captivating album, "Jesus in Gethsemane, Hallelujah & Salve Regina." This collection, released in 2009, offers a rich tapestry of sacred music that showcases Rosetti's mastery as a composer and his unique contributions to the classical era.

The album begins with "Jesus in Gethsemane," a passion cantata that diverges from the traditional narrative style of Johann Sebastian Bach's passions. This work, performed by soloists, chorus, and orchestra, provides a deeply reflective and introspective exploration of the biblical story. The cantata is divided into 19 sections, each offering a different perspective on the events in Gethsemane, making it a comprehensive and immersive listening experience.

Following this is "Hallelujah," a series of 17 tracks that celebrate praise and worship. These pieces are characterized by their uplifting melodies and powerful choruses, providing a stark contrast to the more somber tones of the passion cantata. The "Hallelujah" sections are a testament to Rosetti's ability to evoke a sense of joy and reverence through his music.

The album concludes with four settings of the "Salve Regina," each in a different key (A Major, G Major, B-Flat Major, and E-Flat Major). These compositions, performed with soprano, strings, and continuo, demonstrate Rosetti's versatility and his deep understanding of vocal and instrumental dynamics. Each setting offers a unique interpretation of the traditional Marian hymn, showcasing Rosetti's innovative approach to sacred music.

Antonio Rosetti, a contemporary of Haydn and Mozart, was a prolific composer and double bass player. His works, including those featured on this album, reflect his ability to blend traditional sacred themes with innovative musical techniques. This album is a testament to his enduring legacy and his significant contributions to the classical music canon.

With a total duration of 1 hour and 45 minutes, this album is a comprehensive exploration of Rosetti's sacred compositions. Whether you are a seasoned classical music enthusiast or a newcomer to the genre, this album offers a rich and rewarding listening experience. The performances, conducted by Johannes Moesus and featuring the NDR-Chor and the Mecklenburgisches Baroque Orchestra, bring Rosetti's compositions to life with precision and passion.

Tracks

  1. Jesus in Gethsemane, G2: No. 1, Nehmet wahr des HohenpriestersAntonio Rosetti, NDR Chor, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    4:51
  2. Jesus in Gethsemane, G2: No. 2, Steht auf und lasst uns von hinnen gehen!Antonio Rosetti, Jan Kobow, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    2:00
  3. Jesus in Gethsemane, G2: No. 3, Siehe, ich komme!Antonio Rosetti, Thomas E. Bauer, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    1:56
  4. Jesus in Gethsemane, G2: No. 4, Da gehst du hin! Mein Schmerz erwacht!Antonio Rosetti, NDR Chor, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    1:34
  5. Jesus in Gethsemane, G2: No. 5, So geht die Sonne froh zum Wahltun aufAntonio Rosetti, Gabriele Hierdeis, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    1:16
  6. Jesus in Gethsemane, G2: No. 6, Erhabenster Triumph der LiebeAntonio Rosetti, Gabriele Hierdeis, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    4:34
  7. Jesus in Gethsemane, G2: No. 7, Weh seh ich dort an jenem Berge liegen?Antonio Rosetti, Ruth Sandhoff, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    3:07
  8. Jesus in Gethsemane, G2: No. 8, Sei ihm nicht schrecklichAntonio Rosetti, NDR Chor, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    1:58
  9. Jesus in Gethsemane, G2: No. 9, Denn, ach, wer soll mit QualenAntonio Rosetti, Ruth Sandhoff, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    1:04
  10. Jesus in Gethsemane, G2: No. 10, Schöne! Weltenrichter, schöne!Antonio Rosetti, Ruth Sandhoff, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    4:21
  11. Jesus in Gethsemane, G2: No. 11, Er ist um unserer Missetat willen verwundetAntonio Rosetti, Gabriele Hierdeis, Ruth Sandhoff, Jan Kobow, Thomas E. Bauer, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    2:22
  12. Jesus in Gethsemane, G2: No. 12, Und ihr, von ihm gewählt als Augenzeugen jener NotAntonio Rosetti, Jan Kobow, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    1:29
  13. Jesus in Gethsemane, G2: No. 13, Schlag an dein Herz, Christus JüngerAntonio Rosetti, Jan Kobow, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    3:44
  14. Jesus in Gethsemane, G2: No. 14, O Fleisch, wie bist du mir verhasstAntonio Rosetti, NDR Chor, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    1:07
  15. Jesus in Gethsemane, G2: No. 15, Doch was verschlummert ihr, ihr Tragen!Antonio Rosetti, Thomas E. Bauer, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    1:53
  16. Jesus in Gethsemane, G2: No. 16, Dein Wille lass das hohe WortAntonio Rosetti, Gabriele Hierdeis, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    2:01
  17. Jesus in Gethsemane, G2: No. 17, So standhaft nimmt der Weltensündiger den KelchAntonio Rosetti, Gabriele Hierdeis, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    1:24
  18. Jesus in Gethsemane, G2: No. 18, Ihr seid kommen zu dem MittlerAntonio Rosetti, Ruth Sandhoff, Jan Kobow, Thomas E. Bauer, NDR Chor, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    4:50
  19. Jesus in Gethsemane, G2: No. 19, Preis dir! Ihn, der von dir verlassenAntonio Rosetti, NDR Chor, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    3:37
  20. Hallelujah, G7: No. 1, Heilig, heilig, heilig ist der Herr Zebaoth!Antonio Rosetti, NDR Chor, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    2:35
  21. Hallelujah, G7: No. 2, Da steh ich!Antonio Rosetti, Ruth Sandhoff, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    3:06
  22. Hallelujah, G7: No. 3, Himmel, Erd und ihre HeereAntonio Rosetti, NDR Chor, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    0:45
  23. Hallelujah, G7: No. 4, Und wie? Nur ich allein, dein AbdruckAntonio Rosetti, Gabriele Hierdeis, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    0:49
  24. Hallelujah, G7: No. 5, Schüttle Geist, von deinen SchwingenAntonio Rosetti, Gabriele Hierdeis, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    5:36
  25. Hallelujah, G7: No. 6, Doch darf ich wohl, ich SterblicherAntonio Rosetti, Gabriele Hierdeis, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    1:23
  26. Hallelujah, G7: No. 7, Töne? Worte? Ha, die LiebeAntonio Rosetti, Gabriele Hierdeis, Ruth Sandhoff, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    4:14
  27. Hallelujah, G7: No. 8, Vater unser, der Du bist im HimmelAntonio Rosetti, NDR Chor, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    1:35
  28. Hallelujah, G7: No. 9, Das ist dein ZugAntonio Rosetti, Jan Kobow, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    2:12
  29. Hallelujah, G7: No. 10, Schon in den Staub vor dir gebeugtAntonio Rosetti, Jan Kobow, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    3:58
  30. Hallelujah, G7: No. 11, Ich rief zum Herrn in meiner NotAntonio Rosetti, NDR Chor, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    1:14
  31. Hallelujah, G7: No. 12, Geheiligt, hoch erhobenAntonio Rosetti, Ruth Sandhoff, Thomas E. Bauer, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    1:33
  32. Hallelujah, G7: No. 13, Amen, Amen!Antonio Rosetti, NDR Chor, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    0:49
  33. Hallelujah, G7: No. 14, Stets werd erbarmend unser Flehn vernommenAntonio Rosetti, Gabriele Hierdeis, Ruth Sandhoff, Jan Kobow, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    1:52
  34. Hallelujah, G7: No. 15, Amen, Amen!Antonio Rosetti, NDR Chor, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    2:26
  35. Hallelujah, G7: No. 16, Sollt ich meinem Gott nicht singen?Antonio Rosetti, NDR Chor, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    1:40
  36. Hallelujah, G7: No. 17, Lobet den Herrn in seinem Heiligtum!Antonio Rosetti, NDR Chor, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    3:03
  37. Salve Regina in A Major, F88Antonio Rosetti, Gabriele Hierdeis, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    3:45
  38. Salve Regina in G Major, F87Antonio Rosetti, Gabriele Hierdeis, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    6:28
  39. Salve Regina in B-Flat Major, F89Antonio Rosetti, Gabriele Hierdeis, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    3:13
  40. Salve Regina in E-Flat Major, F86Antonio Rosetti, Gabriele Hierdeis, Mecklenburgisches Baroque Orchestra, Johannes Moesus
    3:37
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Product specifications

Details

Album
Rosetti: Jesus in Gethsemane, Hallelujah & Salve Regina
Artist
Antonio Rosetti
Album release date
January 1, 2009
Label
CPO
Available
No

Product information

Mono or stereo
Stereo
Duration
1 uur, 45 min
Tracks
40 tracks

Other

Limited Edition
No
Box set
No
Remastered
No
Reissue
No

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About Antonio Rosetti

Antonio Rosetti, born Franz Anton Rösler around 1750 in Litoměřice, Bohemia, was a prolific and versatile composer and double bass player of the Classical era. A contemporary of Haydn and Mozart, Rosetti's career spanned the great musical capitals of Europe, including Prague, Berlin, Paris, and London. His compositions, which include symphonies, concertos, and chamber music, were highly regarded during his lifetime and performed with the same frequency as those of his more famous peers. Despite his early death at the age of 42, Rosetti's musical legacy continues to be celebrated, with his works offering a unique perspective on the evolving styles of the Classical period. His ability to blend the influences of his Bohemian roots with the musical trends of his time makes his music a captivating journey for both scholars and enthusiasts alike.

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