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  1. Albums
  2. romberg, a.j.: messias - andreas jakob romberg

Andreas Jakob Romberg - Romberg, A.J.: Messias (LP)

Andreas Jakob RombergAndreas Jakob Romberg
  • 2008
  • 18 tracks
  • 1 uur, 4 min
Romberg, A.J.: Messias - Andreas Jakob Romberg
Romberg, A.J.: Messias
Check availability on amazon.com/
Romberg, A.J.: Messias - Andreas Jakob Romberg
Romberg, A.J.: Messias - Andreas Jakob Romberg

Product description

Dive into the world of Andreas Jakob Romberg with his profound and deeply spiritual oratorio, "Der Messias." Released in 2008, this album is a testament to Romberg's mastery as a composer and his deep connection to the religious and musical traditions of his time. Spanning over an hour and four minutes, this work is a rich tapestry of choral and solo vocal performances, accompanied by orchestral arrangements that showcase Romberg's versatility and depth.

Andreas Jakob Romberg, born in 1767, was a renowned German violinist and composer whose works have left an indelible mark on the classical music landscape. "Der Messias" is a three-part oratorio that delves into the themes of faith, redemption, and divine love. The album features a diverse range of vocal and instrumental pieces, from stirring choruses to intimate arias and duets, each contributing to the overarching narrative of the Messiah's journey.

The album is divided into three parts, each exploring different aspects of the Messiah's story. Part I opens with a jubilant chorus, "Halleluja, ein feyrendes Halleluja," setting the tone for the spiritual journey that follows. Part II delves into the personal and intimate, with arias and duets that explore the human side of divine intervention. Part III culminates in a powerful chorus, "Lob, Anbetung, und Preis, und Ehre dir, du Beherrscher," a testament to Romberg's ability to evoke both reverence and awe.

Recorded by the CPO label, this album is a must-listen for anyone interested in classical music, particularly those who appreciate the rich traditions of oratorio and choral music. Romberg's "Der Messias" is not just an album but a profound exploration of faith and spirituality, brought to life through the power of music. Whether you are a seasoned classical music enthusiast or a newcomer to the genre, this album offers a rich and rewarding listening experience.

Tracks

  1. Der Messias: Pt. I: Halleluja, ein feyrendes Halleluja, o Erster (Chorus of the Heavens)Andreas Jakob Romberg, Veronika Winter, Markus Schäfer, Ekkehard Abele, Bernhard Scheffel, Immo Schroder, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    3:57
  2. Der Messias: Pt. I: Arioso and Recitative. Ihr wisst es, o Geister (Eloa)Andreas Jakob Romberg, Veronika Winter, Markus Schäfer, Ekkehard Abele, Bernhard Scheffel, Immo Schroder, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    2:18
  3. Der Messias: Pt. I: Recitative. Gott ist die Liebe (Chorus of the Angels, Adam)Andreas Jakob Romberg, Veronika Winter, Markus Schäfer, Ekkehard Abele, Bernhard Scheffel, Immo Schroder, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    2:43
  4. Der Messias: Pt. I: Aria and Recitative. Ruhstatt jenes Gebets, wo unser Mittler sein Antlitz (Adam)Andreas Jakob Romberg, Veronika Winter, Markus Schäfer, Ekkehard Abele, Bernhard Scheffel, Immo Schroder, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    2:38
  5. Der Messias: Pt. I: Wir wollen dereinst die Trummern alle versammeln! (Chorus of the Seraphim)Andreas Jakob Romberg, Veronika Winter, Markus Schäfer, Ekkehard Abele, Bernhard Scheffel, Immo Schroder, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    2:44
  6. Der Messias: Pt. I: Duet. Ist das nicht, o Jedidda, der holde vertrauliche Lehrer? (Benjamin, Jedidda)Andreas Jakob Romberg, Veronika Winter, Markus Schäfer, Ekkehard Abele, Bernhard Scheffel, Immo Schroder, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    3:34
  7. Der Messias: Pt. II: Recitative and Arioso. Schonster der Tage, du sollst vor allen kunftigen (Adam)Andreas Jakob Romberg, Veronika Winter, Markus Schäfer, Ekkehard Abele, Bernhard Scheffel, Immo Schroder, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    4:54
  8. Der Messias: Pt. II: Arioso and Recitative. Selig bist du und heilig, die du den Messias geborest (Eva)Andreas Jakob Romberg, Veronika Winter, Markus Schäfer, Ekkehard Abele, Bernhard Scheffel, Immo Schroder, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    7:24
  9. Der Messias: Pt. II: Arioso, Recitative and Duet. Heilig bist du, anbetenswurdig, und ewig, O Erster! (Adam, Eva)Andreas Jakob Romberg, Veronika Winter, Markus Schäfer, Ekkehard Abele, Bernhard Scheffel, Immo Schroder, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    4:06
  10. Der Messias: Pt. II: Duet. Vollende dein Opfer (Adam, Eva)Andreas Jakob Romberg, Veronika Winter, Markus Schäfer, Ekkehard Abele, Bernhard Scheffel, Immo Schroder, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    3:14
  11. Der Messias: Pt. II: Komm, sey gegrusst in deinen Erbarmungen Gottmensch, Mittler! (Chorus of the Blessed)Andreas Jakob Romberg, Veronika Winter, Markus Schäfer, Ekkehard Abele, Bernhard Scheffel, Immo Schroder, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    2:15
  12. Der Messias: Pt. III: Arioso and Recitative. Bey dem furchtbaren Nahmen (Eloa, the Voice of Messiah)Andreas Jakob Romberg, Veronika Winter, Markus Schäfer, Ekkehard Abele, Bernhard Scheffel, Immo Schroder, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    4:22
  13. Der Messias: Pt. III: Recitative. Sie ist, der erhabensten Leiden (Chorus of the Heavens, Eloa)Andreas Jakob Romberg, Veronika Winter, Markus Schäfer, Ekkehard Abele, Bernhard Scheffel, Immo Schroder, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    3:26
  14. Der Messias: Pt. III: Aria. Heil mir, dass ich geschaffen bin! (Eloa)Andreas Jakob Romberg, Veronika Winter, Markus Schäfer, Ekkehard Abele, Bernhard Scheffel, Immo Schroder, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    3:00
  15. Der Messias: Pt. II: Sie ist, der erhabensten Leiden (Chorus of the Heavens)Andreas Jakob Romberg, Veronika Winter, Markus Schäfer, Ekkehard Abele, Bernhard Scheffel, Immo Schroder, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    1:03
  16. Der Messias: Pt. III: Recitative and Aria. Ganz empfind' ich, was einst die Auferstehenden fuhlen! (Eloa)Andreas Jakob Romberg, Veronika Winter, Markus Schäfer, Ekkehard Abele, Bernhard Scheffel, Immo Schroder, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    7:03
  17. Der Messias: Pt. III: Sie ist, der erhabensten Leiden (Chorus of the Heavens)Andreas Jakob Romberg, Veronika Winter, Markus Schäfer, Ekkehard Abele, Bernhard Scheffel, Immo Schroder, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    1:02
  18. Der Messias: Pt. III: Lob, Anbetung, und Preis, und Ehre dir, du Beherrscher (Chorus)Andreas Jakob Romberg, Veronika Winter, Markus Schäfer, Ekkehard Abele, Bernhard Scheffel, Immo Schroder, Rheinische Kantorei, Das Kleine Konzert, Hermann Max
    4:21
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Product specifications

Details

Album
Romberg, A.J.: Messias
Artist
Andreas Jakob Romberg
Album release date
January 1, 2008
Label
CPO
Available
No

Product information

Mono or stereo
Stereo
Duration
1 uur, 4 min
Tracks
18 tracks

Other

Limited Edition
No
Box set
No
Remastered
No
Reissue
No

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About Andreas Jakob Romberg

Andreas Jakob Romberg, born in 1767 in Vechta, Germany, was a renowned violinist and composer who began his musical journey at the tender age of six, touring Europe with his cousin Bernhard, a cellist. Under the tutelage of his father, Gerhard Heinrich Romberg, Andreas honed his skills on the violin, eventually becoming a virtuoso and a celebrated composer in his own right. Inspired by the likes of Mozart and Haydn, Romberg's compositions were noted for their musical substance, setting them apart from the typical virtuoso pieces of his time. His works, including his renowned 1809 setting for soloists and chorus, continue to captivate audiences today, offering a glimpse into the rich musical heritage of the early 19th century. Romberg's legacy endures, not just as a prolific composer, but also as a testament to the enduring power of musical innovation and virtuosity.

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