Steph Copeland's "Public Panic," released on July 8, 2015, under Datahead Music, is a captivating journey through the realms of Art Pop, Indie Pop, and Trip Hop. This 11-track album, spanning 50 minutes, showcases Copeland's versatility and depth as an artist, blending sensual and eclectic sounds that resonate with a wide range of listeners.
Recorded in a church over three days with 12 microphones and no air conditioning in August, "Public Panic" is a testament to Copeland's dedication and creativity. The album features a mix of introspective and dynamic tracks, each offering a unique sonic experience. From the hauntingly beautiful "Nadia" to the powerful "Hit Me Where It Hurts," and the introspective "Hannah," Copeland's vocals and lyrics weave a tapestry of emotions and stories.
Collaborating with Matt Rideout on guitar and bass, Copeland crafts a rich and textured soundscape that highlights her prowess as both a composer and a performer. Tracks like "Machines" and "Editor" showcase her ability to blend electronic elements with organic instrumentation, creating a sound that is both modern and timeless.
"Public Panic" is not just an album; it's a reflection of Steph Copeland's artistic evolution and her ability to push boundaries within the indie and alternative music scenes. Whether you're a long-time fan or a new listener, this album offers a compelling exploration of sound and emotion that is sure to leave a lasting impression.
