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  1. Albums
  2. poulenc: la voix humaine, fiançailles pour rire - francis poulenc

Francis Poulenc - Poulenc: La Voix humaine, Fiançailles pour rire (LP)

Francis PoulencFrancis Poulenc
  • 2023
  • 28 tracks
  • 59 min
  • neoclassical
Poulenc: La Voix humaine, Fiançailles pour rire - Francis Poulenc
Poulenc: La Voix humaine, Fiançailles pour rire
Check availability on amazon.com/
Poulenc: La Voix humaine, Fiançailles pour rire - Francis Poulenc
Poulenc: La Voix humaine, Fiançailles pour rire - Francis Poulenc

Product description

Immerse yourself in the captivating world of Francis Poulenc with this exquisite album, released on September 22, 2023, by the esteemed label Aparté. This 59-minute collection showcases Poulenc's mastery of neoclassical and classical genres, offering a profound and intimate listening experience.

The album features two of Poulenc's most renowned works: "La Voix humaine" and "Fiançailles pour rire," both beautifully transcribed for soprano and orchestra by Frédéric Chaslin. "La Voix humaine," composed in 1958, is a poignant one-act opera based on a monodrama by Poulenc's friend Jean Cocteau. This tragic tale of love and loss is brought to life through a series of evocative phone conversations, showcasing the depth and range of the human voice.

"Fiançailles pour rire," on the other hand, presents a lighter, more whimsical side of Poulenc's compositional genius. This six-movement work, originally written for voice and piano, is reimagined here in a lush orchestral setting, highlighting Poulenc's unique blend of humor, lyricism, and musical innovation.

The album is performed by the talented soprano Julie Cherrier-Hoffmann, accompanied by the Orchestra del Teatro La Fenice di Venezia, under the baton of Frédéric Chaslin. Their combined artistry brings Poulenc's music to life with stunning clarity and expressiveness, making this album an essential addition to any classical music lover's collection.

Tracks

  1. Les chemins de l'amour, FP 106 (Transc. for Soprano and Orchestra by Frédéric Chaslin)Francis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    4:03
  2. La voix humaine, FP 171: IntroductionFrancis Poulenc, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    0:52
  3. La voix humaine, FP 171: Allô, allô…Francis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    1:04
  4. La voix humaine, FP 171: Allô ! c'est toi ?Francis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    1:14
  5. La voix humaine, FP 171: Hier soir, je me suis couchée tout de suiteFrancis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    1:56
  6. La voix humaine, FP 171: Allô ! chéri… Si on coupe, redemande-moi tout de suiteFrancis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    1:13
  7. La voix humaine, FP 171: Quelle comédie ?Francis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    1:36
  8. La voix humaine, FP 171: Souviens-toi du dimanche de VersaillesFrancis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    1:48
  9. La voix humaine, FP 171: Demain ? Je ne savais pas que c'était si rapideFrancis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    0:56
  10. La voix humaine, FP 171: Allô… et comme ça ?Francis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    1:50
  11. La voix humaine, FP 171: Oh ! non, mon chéri, surtout ne me regarde pasFrancis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    2:47
  12. La voix humaine, FP 171: Allô, allô, mademoiselleFrancis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    2:19
  13. La voix humaine, FP 171: Allô ! ah ! chéri, c'est toi ?Francis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    4:20
  14. La voix humaine, FP 171: Hier soir, j'ai voulu prendre un compriméFrancis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    2:07
  15. La voix humaine, FP 171: Il était quatre heures du matinFrancis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    1:56
  16. La voix humaine, FP 171: Allô ! J'entends de la musique…Francis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    1:10
  17. La voix humaine, FP 171: Pardonne-moi. Je sais que cette scène est intolérableFrancis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    0:34
  18. La voix humaine, FP 171: Avant-hier soir ? J'ai dormiFrancis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    4:26
  19. La voix humaine, FP 171: Allô ! Allô ! Madame, retirez-vousFrancis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    2:51
  20. La voix humaine, FP 171: Sois tranquille. On ne se suicide pas deux foisFrancis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    1:57
  21. La voix humaine, FP 171: Allô !... Allô !... Mon Dieu, faites qu'il redemandeFrancis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    4:20
  22. La voix humaine, FP 171: Alors, voilà… J'allais dire machinalement : à tout de suiteFrancis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    2:04
  23. Fiançailles pour rire, FP 101 (Transc. for Soprano and Orchestra by Frédéric Chaslin): La dame d'AndréFrancis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    1:39
  24. Fiançailles pour rire, FP 101 (Transc. for Soprano and Orchestra by Frédéric Chaslin): Dans l'herbeFrancis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    1:56
  25. Fiançailles pour rire, FP 101 (Transc. for Soprano and Orchestra by Frédéric Chaslin): Il voleFrancis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    1:59
  26. Fiançailles pour rire, FP 101 (Transc. for Soprano and Orchestra by Frédéric Chaslin): Mon cadavre est doux comme un gantFrancis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    2:48
  27. Fiançailles pour rire, FP 101 (Transc. for Soprano and Orchestra by Frédéric Chaslin): ViolonFrancis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    1:47
  28. Fiançailles pour rire, FP 101 (Transc. for Soprano and Orchestra by Frédéric Chaslin): FleursFrancis Poulenc, Julie Cherrier-Hoffmann, Orchestra del Teatro La Fenice di Venezia, Frédéric Chaslin
    2:06
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Product specifications

Details

Album
Poulenc: La Voix humaine, Fiançailles pour rire
Artist
Francis Poulenc
Album release date
September 22, 2023
Label
Aparté
Available
No

Product information

Mono or stereo
Stereo
Duration
59 min
Tracks
28 tracks

Other

Limited Edition
No
Genre
Neoclassical
Box set
No
Remastered
No
Reissue
No

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About Francis Poulenc

Francis Poulenc, born in Paris in 1899, was a prolific French composer and pianist whose music is celebrated for its wit, clarity, and tuneful melodies. A member of the influential group Les Six, Poulenc's compositions span a wide range of genres, including songs, piano works, operas, and orchestral pieces. His early success came without formal composition lessons, showcasing his innate talent and unique voice. Poulenc's catalog includes iconic works such as the piano suite "Trois mouvements perpétuels," the ballet "Les biches," and the opera "Dialogues des Carmélites." His songs are particularly renowned, blending eclectic musical influences with his personal spirituality and a deep aptitude for textual application. Poulenc's legacy endures as one of the most significant contributors to French music in the 20th century, known for his perfection of melody and his ability to capture the essence of the human experience in his compositions.

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Francis Poulenc

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