Herbert Grönemeyer - Ö (LP)
- LP
- 1 piece(s)
- 1988
- 10 tracks
- 44 min
- neue deutsche welle
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4.0
Average of 3 reviews
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I got this album copied onto a cassette from my brother's godmother and listened to it for weeks on my Walkman. I actually became a Herbert Grönemeyer fan because of this record. That's why I initially enjoyed it, just like "Luxus," without taking any notes. Everyone should know the first song, "Was soll das," but the guitar riffs at the beginning of "Vollmond" were new to me, reminding me of Dire Straits—just like the critical words about the church in the song "Mit Gott." Herbert Grönemeyer and his piano usually create ballads, and when Frank Kirchner's saxophone solo is added, it results in one of the most beautiful ballads, "Halt mich." The song "Keine Heimat" is dedicated to all those without a home, like asylum seekers or people stigmatized by certain professions. Telephone and street surveys were all the rage back then, and the best questions were compiled in the song "Fragwürdig." Grönemeyer also wanted to keep up with the times with his first remix, but here, with "Was soll das (Verlängerter Neumix)," it still feels quite amateurish. Lastly, I'd like to point out that this is the most linguistically demanding album, which I noticed by looking through the lyric booklet. Even today, I still sing along with some of the lyrics the way I understood them back then.
Translated automatically,I got this album copied onto a cassette from my brother's godmother and couldn't take it out of my Walkman for ages. It's actually what made me a Herbert Grönemeyer fan. That's why I initially enjoyed it, just like "Luxus," without taking any notes. Everyone should know the first track "Was soll das," but the Dire Straits-like guitar runs at the beginning of "Vollmond" were new to me, as were the critical words about the church in the song "Mit Gott." Herbert Grönemeyer and his piano usually create ballads, and when Frank Kirchner's saxophone solo is added, it results in one of the most beautiful ballads, "Halt mich." The song "Keine Heimat" is dedicated to all those without a home, such as asylum seekers or people stigmatized by certain professions. Telephone and street surveys were all the rage back then, and the best questions were compiled in the song "Fragwürdig." Grönemeyer also wanted to keep up with the times with his first remix, but here, with "Was soll das (Verlängerter Neumix)," it still feels quite amateurish. Lastly, I'd like to note that this is the most linguistically challenging album, which I realized by looking through the lyrics booklet. Still, I sing along with some of the lines today just as I understood them back then.
Translated automatically,I got this album from my brother's aunt on a cassette and didn't take it out of my Walkman for weeks. I actually became a Herbert Grönemeyer fan because of this album. That's why I enjoyed it, just like "Luxus," initially without taking notes. Everyone should know the first track "Was soll das," but the guitar runs reminiscent of Dire Straits at the beginning of "Vollmond" were new to me, as were the critical words about the church in the song "Mit Gott." Herbert Grönemeyer and his piano usually create ballads, and when Frank Kirchner's saxophone solo is added, one of the most beautiful ballads, "Halt mich," is born. The song "Keine Heimat" is dedicated to all those without a home, such as asylum seekers or people stigmatized by certain professions. Telephone and street surveys were all the rage back then, and the best questions from them are summarized in the song "Fragwürdig." Grönemeyer also wanted to keep up with the times with his first remix, but here, with "Was soll das (Verlängerter Neumix)," it still seems quite amateurish. Lastly, I'd like to point out that this is the most linguistically challenging album, which I noticed by looking at the lyrics booklet. Still, I sing along with some of the lyrics today just as I understood them back then.
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