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  1. Albums
  2. nathan milstein with markevitch and sabata in concert - nathan milstein

Nathan Milstein - Nathan Milstein with Markevitch and Sabata in Concert (LP)

Nathan MilsteinNathan Milstein
  • 2009
  • 6 tracks
  • 1 uur, 5 min
  • classical
Nathan Milstein with Markevitch and Sabata in Concert - Nathan Milstein
Nathan Milstein with Markevitch and Sabata in Concert
Check availability on amazon.com/
Nathan Milstein with Markevitch and Sabata in Concert - Nathan Milstein
Nathan Milstein with Markevitch and Sabata in Concert - Nathan Milstein

Product description

Immerse yourself in the timeless elegance of classical music with Nathan Milstein's captivating album, "Nathan Milstein with Markevitch and Sabata in Concert." This exquisite collection, released on January 1, 2009, under the Archipel label, showcases Milstein's virtuosity through two of the most celebrated violin concertos in the classical repertoire: Tchaikovsky's Concerto for Violin and Orchestra in E Minor, Op. 64, and Sibelius' Concerto for Violin and Orchestra in D Major, Op. 77.

The album opens with Tchaikovsky's impassioned E Minor Concerto, a work renowned for its dramatic intensity and lyrical beauty. Milstein's masterful interpretation brings out the depth and nuance of each movement, from the fiery Allegro molto appassionato to the serene Andante and the spirited Allegretto non troppo. The second half of the album features Sibelius' D Major Concerto, a piece characterized by its rich harmonies and intricate rhythms. Milstein's playing is both precise and expressive, capturing the essence of each movement, from the graceful Allegro non troppo to the playful Allegro giocoso.

With a total duration of 1 hour and 5 minutes, this album is a testament to Milstein's artistry and the enduring appeal of these classical masterpieces. Whether you're a seasoned classical music enthusiast or a newcomer to the genre, this album offers a rich and rewarding listening experience.

Tracks

  1. Concerto for Violin and Orchestra in E Minor, Op. 64: I. Allegro molto appassionatoFelix Mendelssohn, Nathan Milstein, Schweizer Festpielorchester, Igor Markevitch
    12:23
  2. Concerto for Violin and Orchestra in E Minor, Op. 64: Ii. AndanteFelix Mendelssohn, Nathan Milstein, Schweizer Festpielorchester, Igor Markevitch
    8:11
  3. Concerto for Violin and Orchestra in E Minor, Op. 64: Iii. Allegretto non troppo - Allegro molto vivaceFelix Mendelssohn, Nathan Milstein, Schweizer Festpielorchester, Igor Markevitch
    7:54
  4. Concerto for Violin and Orchestra in D Major, op. 77: I. Allegro non troppoJohannes Brahms, Nathan Milstein, New York Philharmonic, Victor de Sabata
    20:19
  5. Concerto for Violin and Orchestra in D Major, op. 77: Ii. AdagioJohannes Brahms, Nathan Milstein, New York Philharmonic, Victor de Sabata
    8:39
  6. Concerto for Violin and Orchestra in D Major, op. 77: Iii. Allegro giocoso, man non troppo vivace - Poco più prestoJohannes Brahms, Nathan Milstein, New York Philharmonic, Victor de Sabata
    7:41
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Product specifications

Details

Album
Nathan Milstein with Markevitch and Sabata in Concert
Artist
Nathan Milstein
Album release date
1 januari 2009
Label
Archipel
Available
No

Product information

Mono or stereo
Stereo
Duration
1 uur, 5 min
Tracks
6 tracks

Other

Limited Edition
No
Genre
Classical
Box set
No
Remastered
No
Reissue
No

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About Nathan Milstein

Nathan Milstein, born in Odessa in 1904, was a virtuoso violinist whose career spanned over six decades, leaving an indelible mark on the classical music world. Known for his silken tone, superb technique, and stylish phrasing, Milstein was particularly celebrated for his interpretations of J.S. Bach's unaccompanied violin sonatas and works from the Romantic repertoire. His career began under the tutelage of the renowned Leopold Auer in St. Petersburg and flourished after he left Russia in 1925, touring Europe with his friend Vladimir Horowitz. Milstein's recordings, which include masterful performances of concertos by Beethoven, Brahms, Mendelssohn, Tchaikovsky, and Bruch, are testament to his ceaseless search for fresh interpretations and his seemingly inexhaustible reservoir of fingerings. His humanity and purity of playing set him apart, earning him the title of "probably the most nearly perfect violinist of his age" by Harold C. Schonberg of the New York Times. Milstein's legacy endures through his extensive discography and the enduring influence of his artistry on generations of violinists.

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Nathan Milstein

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