Ivo Pogorelich's 1997 album "Mussorgsky: Pictures at an Exhibition / Ravel: Valses nobles" is a captivating journey through two of classical music's most evocative works. Pogorelich, known for his technical prowess and interpretive depth, delivers a stunning performance that showcases his unique artistic vision.
The album begins with Mussorgsky's "Pictures at an Exhibition," a suite that vividly depicts a series of paintings and sketches. Pogorelich's playing is both precise and expressive, bringing each scene to life with remarkable clarity and nuance. From the rustic charm of "Gnomus" to the haunting beauty of "The Old Castle," and the lively energy of "The Market-Place at Limoges," Pogorelich's interpretation is both dynamic and deeply moving.
The second half of the album features Ravel's "Valses nobles et sentimentales," a collection of waltzes that blend elegance and introspection. Pogorelich's rendition is marked by its delicate phrasing and rich tonal palette, capturing the subtle emotional depth of each waltz. The "Epilogue" is particularly noteworthy, with Pogorelich's playing imbuing it with a sense of quiet reflection and profound beauty.
Recorded in 1997 and released by Deutsche Grammophon, this album is a testament to Pogorelich's mastery of the piano and his ability to connect with the listener on a deeply emotional level. Whether you're a seasoned classical music enthusiast or a newcomer to the genre, this album offers a rich and rewarding listening experience.
Tracks
Pictures at an Exhibition: Promenade. Allegro giusto, nel modo rustico, senza allegrezza, ma poco sostenuto - attaccaModest Mussorgsky, Ivo Pogorelich
Pictures at an Exhibition: Gnomus. Sempre vivoModest Mussorgsky, Ivo Pogorelich
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attaccaModest Mussorgsky, Ivo Pogorelich
Pictures at an Exhibition: The Old Castle. Andantino Molto Cantabile E Con DoloreModest Mussorgsky, Ivo Pogorelich
Pictures at an Exhibition: Promenade. Moderato non tanto, pesamente - attaccaModest Mussorgsky, Ivo Pogorelich
Pictures at an Exhibition: The Tuileries Gardens. Allegretto Non Troppo Troppo, CapricciosoModest Mussorgsky, Ivo Pogorelich
Pictures at an Exhibition: Bydlo. Sempre moderato, pesanteModest Mussorgsky, Ivo Pogorelich
Pictures at an Exhibition: Promenade. Tranquillo - AttaccaModest Mussorgsky, Ivo Pogorelich
Pictures at an Exhibition: Ballet of the Chickens in their ShellsModest Mussorgsky, Ivo Pogorelich
Pictures at an Exhibition: Samuel Goldenberg and Schmuyle. Andante. Grave - Energico - AndantinoModest Mussorgsky, Ivo Pogorelich
Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico, poco sostenuto - attaccaModest Mussorgsky, Ivo Pogorelich
Pictures at an Exhibition: The Market - Place at Limoges. Allegretto Vivo, Sempre Scherzando - AttaccaModest Mussorgsky, Ivo Pogorelich
Pictures at an Exhibition: The Catacombs (Sepulchrum Romanum). Largo - AttaccaModest Mussorgsky, Ivo Pogorelich
Pictures at an Exhibition: Con mortuis in lingua mortua. Andante non troppo, con lamentoModest Mussorgsky, Ivo Pogorelich
Pictures at an Exhibition: The Hut on Fowl's Legs (Baba-Yaga). Allegro con brio, Feroce - Andante mosso - Allegro molto - AttaccaModest Mussorgsky, Ivo Pogorelich
Pictures at an Exhibition: The Great Gate of Kiev. Allegro Alla Breve. Maestoso. Con grandezzaModest Mussorgsky, Ivo Pogorelich
Valses nobles et sentimentales, M. 61: I. Modéré - très francMaurice Ravel, Ivo Pogorelich
Valses nobles et sentimentales, M. 61: II. Assez lent - avec une expression intenseMaurice Ravel, Ivo Pogorelich
Valses nobles et sentimentales, M. 61: III. ModéréMaurice Ravel, Ivo Pogorelich
Valses nobles et sentimentales, M. 61: IV. Assez animéMaurice Ravel, Ivo Pogorelich
Valses nobles et sentimentales, M. 61: V. Presque lent - dans un sentiment intimeMaurice Ravel, Ivo Pogorelich
Valses nobles et sentimentales, M. 61: VI. Assez vifMaurice Ravel, Ivo Pogorelich
Valses nobles et sentimentales, M. 61: VII. Moins vifMaurice Ravel, Ivo Pogorelich
Valses nobles et sentimentales, M. 61: VIII. Epilogue (Lent)Maurice Ravel, Ivo Pogorelich
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