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Average of 3 reviews
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From the late 80s, this album is part of Mr. Nascimento's vast discography. It feels like a comeback to more natural instruments after a couple of synth-heavy albums that weren't as enjoyable. “Miltons” is a fantastic project, made even better by the excellent and harmonious contributions from Herbie Hancock, the delicate percussion by Nana Vasconcellos, and the outstanding performances by Mr. Nascimento himself. The Japanese budget reissue is a steal, with great remastering, but remember it's for the Japanese market, so the bass and percussion aren't as upfront as the piano, vocals, and acoustics. To me, this collection feels more reflective.
From the late 80s, this is another addition to Mr. Nascimento's vast collection of works. In a sense, it's a comeback to more natural instruments after a couple of synth-heavy albums that weren't as enjoyable. “Miltons” is a fantastic album, made even better by the excellent and harmonious support from Herbie Hancock, the delicate percussion by Nana Vasconcellos, and the outstanding performances by Mr. Nascimento himself. The Japanese budget reissue is a steal, as the remastering is top-notch, but remember, it's made for the Japanese market, so the bass and percussion aren't as loud in the mix as the piano, vocals, and acoustics. To me, this album feels more reflective.
From the late 80s, this album is part of Mr. Nascimento's vast discography. It feels like a comeback to more natural instruments after a couple of synth-heavy albums that weren't as enjoyable. “Miltons” is a fantastic project, made even better by the excellent and harmonious support from Herbie Hancock, the delicate percussion by Nana Vasconcellos, and the outstanding performances by Mr. Nascimento himself. The Japanese budget reissue is a steal, with top-notch remastering, but remember it's for the Japanese market, so the bass and percussion aren't as upfront as the piano, vocals, and acoustics. To me, this collection feels more reflective.
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