Dive into the enchanting world of Baroque music with Marin Marais' "Pièces favorites," a captivating collection of his most beloved compositions for the viola da gamba. Released on February 5, 2016, by Ricercar, this album offers a rich tapestry of Marais' virtuosic and expressive pieces, performed with exquisite skill by François Joubert-Caillet and L'Achéron.
Spanning a duration of 76 minutes, this single-disc album features 18 tracks drawn from Marais' "Pièces de viole" collections, showcasing his mastery of the viola da gamba and his innovative compositional techniques. The album includes iconic pieces such as "Prélude en harpégement," "L’Arabesque," and "La rêveuse," each demonstrating Marais' unique ability to evoke a wide range of moods and atmospheres.
Marais, a prominent French composer and viol player of the late 17th and early 18th centuries, is renowned for his contributions to the development of the viola da gamba repertoire. His works are characterized by their technical brilliance, melodic inventiveness, and deep emotional resonance. This album provides a comprehensive overview of his artistry, highlighting his ability to blend intricate counterpoint with lyrical beauty.
Whether you are a seasoned enthusiast of Baroque music or a newcomer to the genre, "Pièces favorites" offers a delightful journey through the timeless compositions of Marin Marais. The album's meticulous performances and high-quality recording ensure an immersive listening experience, allowing you to appreciate the subtleties and nuances of Marais' musical genius.
Tracks
Pièces de viole, Livre V: No. 46, Prélude en harpégementMarin Marais, L'Achéron, François Joubert-Caillet
Pièces de viole, Livre IV: No. 80, L’arabesqueMarin Marais, L'Achéron, François Joubert-Caillet
Pièces de viole, Livre IV: No. 82, La rêveuseMarin Marais, L'Achéron, François Joubert-Caillet
Pièces de viole, Livre III: No. 11, Prélude en La MineurMarin Marais, L'Achéron, François Joubert-Caillet
Pièces de viole, Livre III: No. 13, Grand balletMarin Marais, L'Achéron, François Joubert-Caillet
Pièces de viole, Livre I: No. 10, Courante à deux violes en Sol MajeurMarin Marais, L'Achéron, François Joubert-Caillet
Pièces de viole, Livre III: No. 107, La guitareMarin Marais, L'Achéron, François Joubert-Caillet
Pièces de viole, Livre I: No. 4, Sarabande à deux violes en ré mineurMarin Marais, L'Achéron, François Joubert-Caillet
Pièces de viole, Livre II: No. 40, La PolonoiseMarin Marais, L'Achéron, François Joubert-Caillet
Pièces de viole, Livre II: No. 73, Gigue la badineMarin Marais, L'Achéron, François Joubert-Caillet
Pièces de viole, Livre IV: No. 61, Feste champêtreMarin Marais, L'Achéron, François Joubert-Caillet
Pièces de viole, Livre II: No. 109, Tombeau pour Mr de Ste ColombeMarin Marais, L'Achéron, François Joubert-Caillet
Pièces de viole, Livre II: No. 63, Les voix humainesMarin Marais, L'Achéron, François Joubert-Caillet
Pièces de viole, Manuscrit d’Edimbourg: Folies d’Espagne (MS9467)Marin Marais, L'Achéron, François Joubert-Caillet
Pièces de viole, Livre IV: No. 24, Allemande en La MineurMarin Marais, L'Achéron, François Joubert-Caillet
Pièces de viole, Livre V: No. 83, Chaconne en Sol MajeurMarin Marais, L'Achéron, François Joubert-Caillet
Pièces de viole, Livre IV: No. 64, TourbillonMarin Marais, L'Achéron, François Joubert-Caillet
Pièces de viole, Livre IV: No. 87, Le badinageMarin Marais, L'Achéron, François Joubert-Caillet
Whether you're just starting your vinyl collection or have been spinning for years, the right turntable makes all the difference. We've selected the best options for every budget.
Whether a review is positive, negative, or neutral, we always publish it. However, we screen every review to ensure it is authentic and free of profanity. These checks happen automatically, though a human occasionally steps in. We never pay for reviews.
Looking for "Marais: Pièces favorites" on vinyl?
We don't have a live price right now, but stock fluctuates daily. You can check for hidden stock on Amazon directly, or let us alert you as soon as it is available.
