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  1. Albums
  2. mahler, g.: symphony no. 4 - gustav mahler

Gustav Mahler - Mahler, G.: Symphony No. 4 (LP)

Gustav MahlerGustav Mahler
  • 2008
  • 18 tracks
  • 1 uur, 19 min
  • classical
Mahler, G.: Symphony No. 4 - Gustav Mahler
Mahler, G.: Symphony No. 4
Check availability on amazon.com/
Mahler, G.: Symphony No. 4 - Gustav Mahler
Mahler, G.: Symphony No. 4 - Gustav Mahler

Product description

Gustav Mahler's Symphony No. 4, released on June 2, 2008, under the Profil label, is a captivating journey through the world of classical orchestral music. This album, spanning 1 hour and 19 minutes, presents Mahler's Fourth Symphony in its entirety, a work that showcases the composer's unique ability to blend profound emotion with intricate musical structures.

The symphony is divided into four movements, each with its own distinct character and tempo, ranging from the contemplative "Bedachtig, nicht eilen" to the comforting "Sehr behaglich." Mahler's use of orchestration is masterful, with each instrument playing a crucial role in the overall composition.

In addition to the symphony itself, the album includes insightful commentary by conductor Giuseppe Sinopoli. These excerpts provide a fascinating glimpse into Mahler's creative process and the structural elements of the symphony. Sinopoli's commentary is not just for musicians or scholars, but for anyone interested in deepening their appreciation of this remarkable work.

The album is a testament to Mahler's enduring influence on classical music and offers a rich listening experience for both longtime fans and newcomers to his work. Whether you're drawn to the intricate details of the symphony or the enlightening commentary, this album is sure to leave a lasting impression.

Tracks

  1. Symphony No. 4 in G Major: I. Bedachtig, nicht eilenGustav Mahler, Juliane Banse, Staatskapelle Dresden, Giuseppe Sinopoli
    18:11
  2. Symphony No. 4 in G Major: II. In gemachlicher Bewegung, ohne HastGustav Mahler, Juliane Banse, Staatskapelle Dresden, Giuseppe Sinopoli
    10:23
  3. Symphony No. 4 in G Major: III. Ruhevoll, poco adagioGustav Mahler, Juliane Banse, Staatskapelle Dresden, Giuseppe Sinopoli
    21:58
  4. Symphony No. 4 in G Major: IV. Sehr behaglichGustav Mahler, Juliane Banse, Staatskapelle Dresden, Giuseppe Sinopoli
    11:44
  5. Eine Einfuhrung von Giuseppe Sinopoli in Gustav Mahlers 4. Sinfonie (Ausschnitte) [Giuseppe Sinopoli's intorductory commentary on Gustav Mahler's Fourth Symphony]: So wollte ich Sie, [...] mit den Anfang der Sinfonie gruben. [I though I would greet you, [...] with the opening bars of the symphony.]Gustav Mahler, Giuseppe Sinopoli, Staatskapelle Dresden
    4:07
  6. Eine Einfuhrung von Giuseppe Sinopoli in Gustav Mahlers 4. Sinfonie (Ausschnitte) [Giuseppe Sinopoli's intorductory commentary on Gustav Mahler's Fourth Symphony]: Ich mochte lhnen nun den Anfang dieses Liedes vorspielen. [I should now like to play the beginning of This song]Gustav Mahler, Giuseppe Sinopoli, Staatskapelle Dresden
    1:48
  7. Eine Einfuhrung von Giuseppe Sinopoli in Gustav Mahlers 4. Sinfonie (Ausschnitte) [Giuseppe Sinopoli's intorductory commentary on Gustav Mahler's Fourth Symphony]: Der erste Satz, [...] ist in Sonatenform Komponiertnen. [the first movement [...] Is in sonata form.]Gustav Mahler, Giuseppe Sinopoli, Staatskapelle Dresden
    2:04
  8. Eine Einfuhrung von Giuseppe Sinopoli in Gustav Mahlers 4. Sinfonie (Ausschnitte) [Giuseppe Sinopoli's intorductory commentary on Gustav Mahler's Fourth Symphony]: Nach diesem Auftakt in h-Moll prasentiere... [After This upbeat in B Minor...]Gustav Mahler, Giuseppe Sinopoli, Staatskapelle Dresden
    0:17
  9. Eine Einfuhrung von Giuseppe Sinopoli in Gustav Mahlers 4. Sinfonie (Ausschnitte) [Giuseppe Sinopoli's intorductory commentary on Gustav Mahler's Fourth Symphony]: Und anschliebend ensteht das zweite Thema des Hauptsatzes: [and then comes the second theme of the first part of the expositon:]Gustav Mahler, Giuseppe Sinopoli, Staatskapelle Dresden
    0:25
  10. Eine Einfuhrung von Giuseppe Sinopoli in Gustav Mahlers 4. Sinfonie (Ausschnitte) [Giuseppe Sinopoli's intorductory commentary on Gustav Mahler's Fourth Symphony]: Und jetzt der Nachsatz: [and now the after-phrase:]Gustav Mahler, Giuseppe Sinopoli, Staatskapelle Dresden
    0:39
  11. Eine Einfuhrung von Giuseppe Sinopoli in Gustav Mahlers 4. Sinfonie (Ausschnitte) [Giuseppe Sinopoli's intorductory commentary on Gustav Mahler's Fourth Symphony]: Und jetzt kommt, was oft in der klassischen Musik geschieht... [Now comes something which often happens in Classical music...]Gustav Mahler, Giuseppe Sinopoli, Staatskapelle Dresden
    1:36
  12. Eine Einfuhrung von Giuseppe Sinopoli in Gustav Mahlers 4. Sinfonie (Ausschnitte) [Giuseppe Sinopoli's intorductory commentary on Gustav Mahler's Fourth Symphony]: Jetzt Kommen wir zu unserem dritten Thema... [Now we come to our third theme...]Gustav Mahler, Giuseppe Sinopoli, Staatskapelle Dresden
    0:57
  13. Eine Einfuhrung von Giuseppe Sinopoli in Gustav Mahlers 4. Sinfonie (Ausschnitte) [Giuseppe Sinopoli's intorductory commentary on Gustav Mahler's Fourth Symphony]: Und jetzt horen Sie den Seitensatz. [and now you hear the second part of the exposition.]Gustav Mahler, Giuseppe Sinopoli, Staatskapelle Dresden
    1:15
  14. Eine Einfuhrung von Giuseppe Sinopoli in Gustav Mahlers 4. Sinfonie (Ausschnitte) [Giuseppe Sinopoli's intorductory commentary on Gustav Mahler's Fourth Symphony]: Beethovens Klaviersonate op. 27 Nr.1 enthait imersten Satz ein thema, das absolut [...] [the first movemetn of Beethoven's Piano Sonata Op. 27 No. 1 contains a thema which Is absolutely [...]]Gustav Mahler, Giuseppe Sinopoli, Staatskapelle Dresden
    0:36
  15. Eine Einfuhrung von Giuseppe Sinopoli in Gustav Mahlers 4. Sinfonie (Ausschnitte) [Giuseppe Sinopoli's intorductory commentary on Gustav Mahler's Fourth Symphony]: Und nochmals die Celli zum Vergleich. [and again the cellos for comparison.]Gustav Mahler, Giuseppe Sinopoli, Staatskapelle Dresden
    0:40
  16. Eine Einfuhrung von Giuseppe Sinopoli in Gustav Mahlers 4. Sinfonie (Ausschnitte) [Giuseppe Sinopoli's intorductory commentary on Gustav Mahler's Fourth Symphony]: Ich bitte jetzt alle fur das erste Thema des Seitensatzes. [I would now like the first theme of the second part of the exposition from all of you.]Gustav Mahler, Giuseppe Sinopoli, Staatskapelle Dresden
    0:38
  17. Eine Einfuhrung von Giuseppe Sinopoli in Gustav Mahlers 4. Sinfonie (Ausschnitte) [Giuseppe Sinopoli's intorductory commentary on Gustav Mahler's Fourth Symphony]: Und nun kommt das zweite Thema des Seitensatzes. [and now comes the second theme of the second part of the exposition.]Gustav Mahler, Giuseppe Sinopoli, Staatskapelle Dresden
    0:50
  18. Eine Einfuhrung von Giuseppe Sinopoli in Gustav Mahlers 4. Sinfonie (Ausschnitte) [Giuseppe Sinopoli's intorductory commentary on Gustav Mahler's Fourth Symphony]: Dann kommt eine Wiederholung. [then comes a repeat.]Gustav Mahler, Giuseppe Sinopoli, Staatskapelle Dresden
    1:18
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Product specifications

Details

Album
Mahler, G.: Symphony No. 4
Artist
Gustav Mahler
Album release date
June 2, 2008
Label
Profil
EAN
881488704754
Available
No

Product information

Mono or stereo
Stereo
Duration
1 uur, 19 min
Tracks
18 tracks

EAN

EAN
881488704754

Other

Limited Edition
No
Genre
Classical
Box set
No
Remastered
No
Reissue
No

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About Gustav Mahler

Gustav Mahler, born in 1860 in Bohemia, was a towering figure in the world of classical music, straddling the late Romantic and early modernist eras. A prolific composer and renowned conductor, Mahler's symphonies are celebrated for their grandeur and emotional depth, often requiring large orchestras to bring his vision to life. His journey to fame was not without obstacles; despite his conducting prowess being recognized in his lifetime, his compositions faced periods of neglect, including a ban during the Nazi era. However, post-World War II, Mahler's music experienced a resurgence, becoming a staple in concert halls and recordings worldwide. His monumental works, such as the 'Titan' symphony, continue to captivate audiences with their intricate structures and profound expressions of human experience. Mahler's legacy endures, making him one of the most performed and recorded composers of all time.

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Gustav Mahler

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