Immerse yourself in the world of Franz Liszt, one of the most prolific and influential composers of the Romantic era, with the album "Liszt: Complete Piano Music 30 – Liszt at the Opera III." This captivating collection, released on November 1, 1994, by Hyperion, showcases Liszt's extraordinary ability to transform operatic themes into brilliant piano paraphrases. The album features 16 tracks, spanning an impressive 2 hours and 33 minutes, each piece a testament to Liszt's virtuosity and his deep appreciation for the opera.
From the enchanting "Oberon Overture" to the dramatic "Réminiscences de Robert le Diable," this album takes you on a journey through some of the most beloved operas of the 19th century. Liszt's paraphrases on works by Verdi, Wagner, and Meyerbeer, among others, are not merely transcriptions but elaborate reinterpretations that highlight his unique piano technique and compositional genius. The album also includes lesser-known gems like "Elsas Brautzug zum Münster" and "Phantasiestück über Motive aus Rienzi," offering a comprehensive exploration of Liszt's operatic repertoire.
Performed by the renowned pianist Leslie Howard, this album is a must-listen for classical music enthusiasts and anyone interested in the rich history of opera and piano music. Howard's masterful playing brings Liszt's compositions to life, capturing the essence of each operatic theme and showcasing the depth and complexity of Liszt's piano writing. Whether you're a seasoned Liszt aficionado or a newcomer to his music, this album is sure to leave a lasting impression.
Tracks
Oberon Overture, S. 574 (After Weber)Franz Liszt, Leslie Howard
Fantasie über Themen aus Mozarts Figaro und Don Giovanni, S. 697 (Compl. Howard)Franz Liszt, Leslie Howard
Concert Paraphrase on Ernani (II), S. 432 (After Verdi)Franz Liszt, Leslie Howard
Concert Paraphrase on Miserere from Il Trovatore, S. 433 (After Verdi)Franz Liszt, Leslie Howard
Concert Paraphrase on Rigoletto, S. 434 (After Verdi)Franz Liszt, Leslie Howard
Réminiscences de Boccanegra, S. 438 (After Verdi)Franz Liszt, Leslie Howard
Caprice-Valse No. 3 de concert sur deux motifs de "Lucia" et "Parisina" de Donizetti, S. 214/3Franz Liszt, Leslie Howard
Réminiscences de Robert le Diable, S. 412a/S. 413 (After Meyerbeer): I. Cavatine, S. 412aFranz Liszt, Leslie Howard
Réminiscences de Robert le Diable, S. 412a/S. 413 (After Meyerbeer): II. Valse infernale, S. 413Franz Liszt, Leslie Howard
Les adieux, Rêverie sur un motif de l'opéra "Roméo et Juliette" de Gounod, S. 409Franz Liszt, Leslie Howard
Schwanengesang und Marsch aus Erkels Oper Hunyadi László. Concert Paraphrase, S. 405Franz Liszt, Leslie Howard
Elsas Brautzug zum Münster, S. 445 No. 2 (After Wagner, Lohengrin)Franz Liszt, Leslie Howard
Aus Richard Wagners Lohengrin, S. 446: I. Festspiel und BrautliedFranz Liszt, Leslie Howard
Aus Richard Wagners Lohengrin, S. 446: II. Elsas TraumFranz Liszt, Leslie Howard
Aus Richard Wagners Lohengrin, S. 446: III. Lohengrins Verweis an ElsaFranz Liszt, Leslie Howard
Phantasiestück über Motive aus Rienzi von Richard Wagner – Santo spirito cavaliere, S. 439Franz Liszt, Leslie Howard
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